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Viewing: Blog Posts Tagged with: Lauren Bjorkman, Most Recent at Top [Help]
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1. YA Lit Symposium: A Side Trip…

As I was unable to make it to the YA Lit Symposium’s Pre-Conference Session: On Beyond Stonewall, I decided to head to a local bookstore Friday night for an intimate and informal discussion about LGBT issues in teen literature.  Present were authors Malinda Lo (Ash), Lauren Bjorkman (My Invented Life), Megan Frazer (Secrets of Truth and Beauty), Alexandra Diaz (Of all the Stupid Things) and Kirstin Cronn-Mills (The Sky always hears me and the hills don’t mind), all of whose books feature characters dealing with LGBT issues.

After a generous offering of chocolate-covered cherries from Diaz, the authors began by introducing themselves and their books, then dove into answering audience questions.  First up:  for what age are your books appropriate?

The authors all agreed that their books are for teen audiences, though Cronn-Mills described her novel as “edgy” (for sexual frankness and language), and therefore felt it was more for older teens, 14/16 and up.  Amusingly, Lo mentioned that she’d originally written Ash as a young woman out of her teens, but that her editor suggested she lower her age to hit the YA audience, and while Ash is recommended in the U.S .for ages 12 and up, it was published in the U.K. for ages 8-12.  Several authors pointed out that sexual encounters tend to up the recommended age level – for instance, Diaz’s book is often labeled as 14 and up, and contains two sexual encounters, one between a heterosexual couple and another between a same-sex couple.

Also regarding age-appropriateness: Why write for a teen audience?  Also, as YA authors, do you face any legal issues/constraints from your publishers or editors for writing of the sexual experiences of teens under eighteen?

The answers to “why write for this age-level” varied: it’s simply a fun age to write (Diaz); the characters are based on people from the author’s teen experience and so had to be teenagers (Cronn-Mills); and technical reasons, such as a character needing to drive, and so had to be at least sixteen (Frazer).  On the subject of legal issues, all the authors agreed that while none of them had been told to tone down scenes or to take anything out, if publishers or editors were squeamish, it was probably less about the actual content and more about heading off parent complaints and challenges.  Lo pointed out that while it may seem that book challenges are good in that they get a book publicity and make it attractively ‘taboo,’ it’s actually a bad thing, as the controversy might lead to librarians/teachers choosing not to purchase a title in order to avoid the possibility of a challenge.

When asked for their personal favorite LGBTQ books or authors, we in the audience found ourselves nodding along and/or scribbling furiously to keep

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2. YA Lit Symposium Pre-Conference: On Beyond Stonewall

The morning began with Michael Cart giving an overview of some of the important social and political events related to LGBTQ issues. Next, Cart and Christine Jenkins presenting a list of all of the books with LGBTQ content from 1969 to 2010. They booktalked many of these, highlighting some trends (resolution by automobile crash, melodrama, impossibly good looking gay men and the women who love them), the breakthrough books, and the real dingers. It was like being back in library school, taking a class on LGBTQ YA Lit, but it was compressed. If you want to spend more time with these books and these issues, check out Cart and Jenkins’ book from Scarecrow Press, The Heart Has It’s Reasons.

If you get your hands on their bibliography and were not in attendance, please note that this is not a list of recommended books. Some are good and some are not so good. During introductions, we each chose books from the list to highlight. Boy Meets Boy by David Levithan and Will Grayson, Will Grayson by John Green and Levithan got the most nods, along with the graphic novel Skim by Mariko Tamaki and Jillian Tamaki. Please add your own recommendations in the comments.

After lunch of sandwiches and delicious chocolate cupcakes, there was an author panel consisting of: Lauren Bjorkman, Kirstin Cronn-Mills, Malinda Lo, and Megan Frazer (hey, that’s me!). We talked about what brought us to write our books, the challenges we faced, and what we hope to see in the future. We compiled a list of links that are on Malinda’s site.

After the author panel, I had to dash to the Body Positivity and Fat Acceptance in Contemporary YA Fiction pre-conference (which I hope someone else blogs about, because when I came in they were sharing some awesome ideas and resources), so I cannot give a first-person account of the breakouts that occurred — if anyone else would like to chime in, please do.

If you are in Albuquerque but missed the pre-conference, you can still hear about LGBTQ issues today at 1:30 at the breakout session: The New Gay Teen: Moving Beyond the Issue Novel.

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3. How They Got Here: 2009 Debut Author Lauren Bjorkman

This post is part of a year-long series of blog interviews I'll be hosting with my fellow 2009 Debut Authors, called "How They Got Here." 

It should be an especially helpful series for teens who write, teachers, and anyone who wants to write for kids.  2009 debut authors will be dropping by to talk about how their writing in school shaped the authors they are today, what teachers can do to make a difference, how they revise, and how they found their agents and editors.  (You'll even be able to read some successful query letters!)  If you know a teacher or two who might be interested, please share the link!


Today...Lauren Bjorkman, author of MY INVENTED LIFE!


With Roz and Eva everything becomes a contest—who can snag the best role in the school play, have the cutest boyfriend, pull off the craziest prank. Still, they’re as close as sisters can be. Until Eva deletes Roz from her life like so much junk e-mail for no reason that Roz understands. Now Eva hangs out with the annoyingly petite cheerleaders, and Roz fantasizes about slipping bovine growth hormone into their Gatorade.

Roz has a suspicion about Eva. In turn, Eva taunts Roz with a dare, which leads to an act of total insanity. Drama geeks clamor for attention, Shakespearean insults fly, and Roz steals the show in Lauren Bjorkman’s hilarious debut novel for teens. (Publishers' copy)

Welcome, Lauren! Tell us about the first thing you ever wrote that made you think maybe you were a writer.

In third grade, I wrote and illustrated a book called The Lava Monster. My dad laughed his head off when he read it, and that tipped me off.

What books did you love when you were a kid?

I lived on a sailboat with limited shelf space, so I read my favorites over and over--Harriet the Spy, James and the Giant Peach, and The Island of the Blue Dolphins.

Is there a particular teacher or librarian who was a mentor for you in your reading and writing life?

My 10th grade English teacher, Miss Vickers, was somewhat strange and not always popular because of her harsh grading. Yet her passion for stories and how they are told stays with me to this day.

Moving on to the here and now, most writers admit that making time to write can sometimes be a challenge.  When and where do you write?   Do you have any special rituals?  Music?  Food & beverages?

After I drop off my kids in the morning, I make a large cappuccino, prop myself up in bed with a bowl of something snackish next to me--chocolate chips, almonds, and sometimes dry cereal, goof off on the internet for half an hour until the caffeine kicks in, and then write. Yes, I really live it up.

Do you have a favorite strategy for revision?

I've tried everything. Over and over seems to be the best strategy :D
It also helps to pick one aspect (a single character, dialog, a plot element, sentence structure) to revise at a time.

What’s your best advice for young writers?

Know the rules.
And break them when it suits your purpose.

What’s special about your debut novel?

My wacky, exuberant, and sometimes (often) clueless main character.

What were the best and worst parts of writing it?

For me, critique is an essential ingredient to writing well. But the first few post-feedback hours are often painful. Oh no, my baby has a goomba hanging from her nose! Sometimes, though, the critique sparks an idea that will change my novel into something closer to flawless (ha!). That makes me happy.

How did you find your agent and/or editor?


At the end of a five day novel-writing workshop, my instructor offered to refer me to his agent based on the piece I shared with the class. It was a total and wonderful surprise.

Thanks for joining us, Lauren!

You can read more about Lauren at her website. You can pick up your copy of MY INVENTED LIFE at your local independent bookseller, order it through one of my favorite indies, Flying Pig Bookstore (they ship!), or find an indie near you by checking out IndieBound!

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