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26. My Creative Space - Week 3

Well, I'm a day late with this post this week - Thanksgiving and guests got me a bit behind - and, I'm ashamed to admit, I've made no significant progress with organizing my studio this week. Sorry Crzylady - next week will be better, I promise.


On the other hand, I did make progress on several projects this week, including this prototype for a Mimi softie. She's from my book of the same name (see sidebar for more info about it). Since the book was published last year, I've received numerous questions about when there will be a Mimi doll available to buy, and sadly, the answer likely is never. It's actually rare for a picture book to get merchandise (it pretty much has to be a best seller). Mimi has had okay sales, but not even strong enough for a go-ahead on the sequel I was hoping to do, much less a softie or something fun like that. But because I continue to get requests, I decided to develop a pattern and tutorial for interested people to make their own. The pattern-making process has proven a bit tricky, though - I'm really not much of a seamstress (I'm a big fan of glue), and I've made only a handful of stuffed animals in my life.
My prototype thus has lots of flaws, but I think she also has some lopsided charm. With luck I'll have figured out the worst of the difficulties in the next couple of days, so I can get the tutorial and pattern up in time for people to make this for a holiday gift. I'll have patterns for clothes (you can see the first bunny slipper in the photo above!) and for Mimi's friends, her stuffed Bunny and her roly-poly Frank. I'm also hoping to offer some help making other accessories, like Mimi's cape, tiara, and sunglasses, Frank's special yogurt cup home, some library books, and maybe Mimi's missing underpants too...
Speaking of which, here's Mimi's bare backside - which has already gotten me in trouble with a few folks who objected to the view of her little piggy tail in the book. Oops.
Here's the start of her dress.

This Mimi is poseable, with a pipe cleaner skeleton inside. She's intended for kids past the age of putting everything in their mouths. I'm also working on a simpler softie-version with all embroidered

4 Comments on My Creative Space - Week 3, last added: 12/25/2009
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27. What's Hot + What's Not: Happy Chaxgven


I love Wednesdays. Time to play along again with all the hotter-notters at Loobylu's. Head over there to check out the cute artwork Claire's featuring this week and to see what's hot and not around the globe!

HOT

Chaxgven Also known as Thanksgiving. We renamed the holiday after receiving this charming invitation a few years ago from my nephew who was then in kindergarten. (In case you don't read invented spelling, it says, "Dear Baicker-McKees Could you come over for Thanksgiving."
Naturally, we couldn't refuse.) Hope you have lots to gve chax for this year; I know we do. And it's not just the food.

The Kitchen That's because of the food. Specifically at the moment because of the Chocolate Amaretto Cheesecake that's about to come out of the oven. (I'll have to add a picture shortly.) Not traditional - but good on any occasion. We're having pumpkin pie too, and lots of other typical Thanksgiving dishes, but I'm planning to give special chax for this dessert. Here's the recipe, which came to me by way of a work colleague of my husband's. Here's the amazing part: it's low fat, but you'd never guess that from the taste. It is, quite frankly, incredible.


Chocolate Amaretto Cheesecake
2 small tubs soft light cream cheese (I've tried fat free, but the texture was weird.)
1 cup sugar
1 cup 1% fat small curd cottage cheese
1/4 cup flour
1/4 cup + 2 Tbsp unsweetened cocoa
1/4 cup amaretto (you can sub almost any liqueur, like c

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28. Miniature Apple Pie Tutorial


Well, I still haven't managed to resurrect my old hard drive. But I've decide to celebrate having a new computer up and running by recreating the mini apple pie tutorial I mentioned in an earlier post here. This tutorial is more or less the process I used to make the apple pies in my newest picture book An Apple Pie for Dinner (by Susan VanHecke, Marshall Cavendish, 2009). I learned the basic strategy for making the pies, the apples, and many of the other clay miniatures for the book from Sue Heaser's outstanding book Making Doll's House Miniatures with Polymer Clay.
You can read about Sue at her website here and also find ordering information for the book - which I really cannot recommend highly enough if you're into making polymer clay tiny things.
Anyway, here's the tut (I'll do the apples, and maybe some pumpkins or something too, tomorrow. I hope.):

STEP 1: Gather your materials (most of which are shown above)
  • Clay I used Fimo "sandstone" for the crust and a mix of yellow and white for the apples (but you could certainly cheat on them since they barely show). Any brand of polymer clay will work. If you're making this with a very young child, you might want to consider using a more kid-friendly modeling material like Crayola's Model Magic, plasticine, or even play dough. For that matter, you could use snippets of real dough and apple bits (though I'd recommend either not eating the finished product or removing the plastic liner from the bottle cap first).
  • Bottle Cap This will be the pie pan. You can buy unused ones at craft stores or some kitchen/beer-making supply places and they're really ideal since they flare out a little more. But I just used one from a bottle of root beer, and it was fine. If you're making this with a young child, consider using some larger "pan" like a bigger metal lid or dessert patty pan - this scale is challenging for little fingers.
  • Soft Pastels OR Ground Cinnamon You'll use these to "brown" your pie to a lovely golden color. You also need a tool to scrape some of the pastel dust off and a paint brush to spread the coloring, whichever you u

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29. My Creative Space - Week 2

BEFORE...
AND AFTER! WELL, DURING!
Crzylady at Home Grown Insanity who is apparently both organized and an organizer has given me lots of food for thought and inspiration for reorganizing my creative space. She has this great checklist, perfect for creative spaces, and a wonderfully gentle manner. I'm planning to post my progress weekly, along with a project or two that I can actually work on as I gain space and order - and a feeling of peace.

As you can see, I have a long way to go - but I'm taking the first "baby steps" as Flylady decrees. (Flylady, in case you aren't already familiar with her, has a free online organize-your-whole-life-even-your-body website that has been very helpful to me in general, though not one bit with this space...). I'm throwing stuff out as well as shifting some things to other places, and creating some better homes (and labels) for the stuff I keep.

I took Crzylady's advice to start by clearing one big space, both to give me working room and a sense of encouragement - and it has helped. I got my drawing table cleared off of most of the unnecessary junk, re-established my stations and cleared the floor enough around them that I can fit easily in and out of my chairs. Phew! And then I even started clearing out the shelves on the wall behind. Look! There's some empty space! (Probably won't stay that way for long - but I'll settle for order.)

Anyway, I got things tidy enough to get working on my Christmas card (that's what the little Christmas tree in the foreground goes to), to make good progress on the sketches of two picture books, and to nearly finish this gift I started making a while ago. SPOILER ALERT, MARY LOU - don't peek.

It's a drawstring knapsack for my walking buddy. On Saturday mornings we visit estate sales and then take our walk in the neighborhood around it. I'm making her a bag to tote her loot, and I've used all thrifted materials I've acquired at the sales. The main fabric is blue and white ticking from a vintage pillow cover, the calico lining (shows at the casing) was a vintage fabric I bought from a crafter's huge stash (it was really something - and it takes a lot to impress a hoarder like me), and the pocket on the front is from an embroidered hand towel. The bag also has a couple interior pockets. I used the excelle

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30. What's Hot? What's Not? It's that Time Again!


I'm joining in again with the hot+not meme over at loobylu. Thanks, Claire!

HOT THIS WEEK

The Kindness of Strangers I swear the blogging community includes the nicest people. Special thanks to crzylady, a budding pro organizer at Home Grown Insanity who has given me some excellent, excellent guidance on whipping my creative space into shape (witness the first step of the transformation tomorrow through kootoyoo's My Creative Space meme)! I'm very excited to say the least. Thanks too to Chele at Happy Dacks who kindly taught me the correct pronunciation of whinging. What a fantastic word. To Gale at scribble prints, who gave me some much needed reassurance about my messy space. And to all the other bloggers participating in this meme - such great inspiration, laughs, and interesting thoughts to look forward to each week.


My New Old Apron
Picked up this lovely vintage apron at an estate sale on Saturday for two bucks. It was very stained, but thanks to the miracles of Oxi-Clean, it now looks pretty much good as new. Check out the sweet hand embroidery. I am swooning.


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31. Turkey Meatloaf Recipe: Looks Like Dog Barf, but Tastes Great

Sunday evening suppers tend toward comfort food at my house - a little something to soothe the disappointment that the lovely weekend is drawing to a close and to provide a boost as everyone heads off to cram in the last of homework and work prep for the week ahead.


This week's menu was turkey meatloaf, baked sweet potatoes and tossed salad with blackberries and cashews -- and a bowl of canned soup for my teenaged daughter who declared herself unwilling to choke down even a bite of what looks to her like dog barf. She has held this opinion for many years now -- but this Sunday marked an important transition for her. She was persuaded to have a nibble, decided my meatloaf was perhaps better than dog barf or even canned soup, ate a whole slice and then had seconds. And has since been caught picking at the leftovers straight from the fridge.

So, while it's undeniable that this dish does resemble dog barf (which for the record, my dog would happily eat), I think we can all agree it must in fact taste much, much better. Which it does.

This is another one of those recipes that I make slightly differently, depending on the availability of ingredients and/or my mood. It's equally delicious served hot on a cold winter evening or cold in a sandwich on a hot summer afternoon. It's even good for breakfast, and apparently also tasty straight out of the Tupperware in the fridge for a bedtime snack. It's adapted from the turkey loaf recipe my wonderful former neighbor Eileen Edson used to make and from the classic meatloaf recipe in my ancient copy of the Better Homes and Garden cookbook.

The measurements below are the American-style ones, but I just found this great website that tells you how to convert the measurements, depending on where you live. If I have time tomorrow I'll have a go at a metric/celsius version.

Turkey Meatloaf

For the loaf:
1 or 2 eggs, lightly beaten (depends on how gooey you like it)
1/2 cup milk
1/2 cup old-fashioned rolled oats OR bread crumbs OR cooked rice OR other filler kind of stuff
2-3 tsp Worcestershire sauce
1/4 cup catsup (can vary to taste)
1 onion, grated
2-3 ribs celery, finely chopped
2-3 carrots, shredded
Or whatever combo of veggies you have in your fridge and like
1/2 tsp Italian seasoning or some sage or whatever seasonings you prefer
1 pound ground turkey (I normally use the extra lean ground turkey breast, but you can really use any ground meat, including combos of different ones)

For the topping:
1/4 cup catsup
2 T brown sugar

Preheat the oven to 350 degrees.

Combine all the ingredients for the loaf EXCEPT the ground turkey in a large bowl. Lightly mix in the turkey (if you over-stir it, it gets tough). Spray a loaf pan with Pam, then dump the dog barf, I mean meat mixture, into the pan and pat it smooth.

Mix the extra catsup and sugar in an old coffee mug and smooth it over the top.

Pop the pan in the oven uncovered and bake for 1 hour and fifteen minutes (at 350 degrees F).

It is tricky to get slices out of th

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32. My Creative Space - HELP!


I'm joining in for the first time with the meme "My Creative Space" over at Kootoyoo's fun blog - you can check out all the other cool spaces and projects for this week here. Pictured above is one of my projects for this week, a button necklace that's a belated birthday gift for a good friend. (My first attempt was a disaster. This one is not going much better. Just a few tips - if you're going to make someone a crocheted button necklace, it is probably good to know how to crochet already. And to follow the directions. And to have the right size crochet hook.) This project is on my kitchen table because, as anyone who read yesterday's post will know, my studio is a disorganized disaster.

So I'm pleading for some ideas. I got these great books out of the library - and they do have sound strategies and photos of some truly gorgeous work spaces - but I am sufficiently organizationally impaired, and my space is small and odd enough, and my stuff varied and uh, numerous enough, that their ideas don't really work for me. I'm open to any suggestions, except to throw everything out and start over. (But pare down...that I'll probably have to live with.)

Here's a tour of my studio, which is in a big landing area at the top of the steps to our second floor. It has some charming features, like knee walls and a little alcove-y thing, but it's pretty small, has low ceilings, the original dark wallpaper, tiny windows and generally poor lighting, and it's rather "public" since anyone going to one of the bedrooms or upstairs bathrooms has to pass through it. Which means, my husband thinks, that it would be better if it didn't always look like the aftermath of a major earthquake or Category 5 hurricane. He may have a point.

This is my drawing table, which is pretty large. I never use the tilt function, so I probably don't really need something this nice, but it is in good shape and I already own it. I usually have it set up with "stations." The near edge is for cutting (mat, blades, etc.). The edge along the right has, sometimes, space for working with polymer clay (including my oft-used pasta machine). (The stairs are just out of the photo on the right, and it does make me a bit nervous to sit alon

1 Comments on My Creative Space - HELP!, last added: 12/3/2009
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33. What's Hot + What's Not


Dangy blangy. I meant to start back posting at least several times a week, and here it's been a whole week again.

I'm joining in again with Loobylu's hot+not meme because it is easy and fun. I urge you to go to her site and check out the blogs of all the participants - there are some very inspiring (and funny) postings out there - and to join in yourself. I've also discovered lots of new blogs to follow, which is a good thing given the not-hot thing that happened to my computer last week.

HOT

Leaf Art I decided to make a new banner for my blog that's appropriately seasonal for the northern hemisphere -- for another week or two anyway... Someday I'm going to do that stuff in a timely fashion, right?

The papercut leaves in my banner are incredibly easy to make, though a bit time consuming if you're foolish enough to choose leaves like these Japanese maple ones that have little toothy edges. Don't even try that super lacy one I show in the photocopy unless you're a glutton for punishment. Anyway, here's how:

  1. Collect leaves with interesting shapes and press them (to make instant pressed leaves, iron them on low heat between a couple layers of paper towels).
  2. Photocopy your favorites.
  3. Cut lo

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34. What's Hot + What's Not


I love playing along with this theme with loobylu. Be sure to visit her site and see all the other bloggers participating - lots of inspiring and pleasing things to check out.

Hot

Squash and Squash Players
My husband is in charge of a squash (the sport, not the vegetable - though that could be interesting too) tournament in Pittsburgh this week, so it is all squash all the time for our family this week. And of course my husband is hot. And we're also hosting a very nice young player from France (okay, he's hot too) - a bonus for my daughter and those of us who enjoy a cute French accent and a chance to try to remember our high school French. It's also making me want to plan a trip to France again soon.

Leaves
The reds are looking a bit faded after a couple of freezes, but the yellows and golds are still breathtaking. I've been pressing leaves like mad this year, and even doing the iron them between sheets of waxed paper and hang them in the window thing. I've decided I'm just going to go back to doing all my little kid crafts that I love right now and not wait for grandkids to give me an excuse to indulge in them again, because that will likely be a long wait still (well, I hope so on the whole at least).

The Western Pennsylvania Society for Children's Book Writers and Illustrators (SCBWI) Fall Conference
It's coming up this weekend, and I'm looking forward to seeing some old friends like Marc Harshman, who's working on a book project with me (and my daughter Sara) involving this bear, who is still in the development phase, and possibly a chipmunk too.

The keynote speaker this year is Bruce Coville, and I can't wait to hear him in person. I've heard and read interviews where he consistently comes across as funny, smart, talented, inspirational - and best of all, just plain nice. I have high expectations.

If you are interested in writing or illustrating for kids and don't already know about SCBWI, you should definitely check out their website and consider joining. They have lots of useful info, especially for newcomers, and they're beginning to offer more and more for experienced people in the field too. It's a great way to meet people too - and like gardeners, kids' book people are nearly uniformly generous, interesting folks.

Unfortunately some good friends won't make the conference this year, having had the gall to move away and have busy lives (just kidding - but I do miss all

1 Comments on What's Hot + What's Not, last added: 11/5/2009
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35. Halloween Redux Part 1: Costume and Pumpkin Resolutions

Happy post-Halloween!


I hope everyone out there had a good one, with more giggles than tears. My kids are old enough that the holiday has lost some of the magic it once had, but also most of the headaches. This enables me to be Wise and Knowing about the holiday and to offer you a list of the resolutions I've made over the years regarding costumes and pumpkins. You can make the same ones for next year if things haven't gone smoothly at your house this year. (In the spirit of full disclosure I will note that I rarely managed to keep my resolutions the next year, but still...)

Alternatively, you can just indulge a few moments of feeling like a Halloween pro compared to me.

Resolution Number 1 I will be accepting of my child's costume choices.

...even if that means that Child A in the photo above chooses at the last minute to wear her big brother's tattered bat costume from the year before after I've spent weeks crafting a lovely, feminine Butterfly Fairy costume from yards of tulle and sequins and glitter. Even though I have been dying for a dose of girly after two boys, and even though all her friends are outfitted in tutus and tiaras, and even though she will then insist on wearing the bat costume daily right through the Christmas holidays when every other little girl we know is wearing velveteen and tights and sparkly hair bows.

...even if that means that Child B wants to be a praying mantis, a costume you cannot possibly buy ready-made and that is also insanely tricky to make and that absolutely no one can tell what it is. I will recognize that being unidentifiable is part of the appeal for some children and I will graciously make him a "black hole" costume the following year even though it is even more unidentifiable.

...even if Child C takes one look in the mirror, scares himself, and insists I wash off all his ghost make-up after I've spent nearly an hour carefully applying it to his directions and we are already running late for the school Halloween parade.


Resolution Number 2 I will remember th

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36. What's Hot + What's Not




I'm taking up Loobylu's challenge to post a list on Wednesdays of what's hot and what's not. So here goes:

HOT
  1. Me, blogging again Wow, that was a long unintended break, but I'm glad to be back at my keyboard. The one good thing about such a long hiatus is that I have TONS of material saved up.
  2. New books! I haveTWO of them out this fall! I illustrated the picture book An Apple Pie for Dinner by Susan VanHecke (Marshall Cavendish) and wrote another book for parents of young children, The Preschooler Problem Solver (Peachtree). I'll write more about both these books in coming days, but in the meantime, you can check out the beautiful website the author created for the apple pie book here.
  3. Fall color in my garden
  4. It's spectacular this year. Hard for me to stay in the house when I know my trees look like that.
  5. Autumn-themed miniature gardens

  6. The first one was a gift for my mother-in-law and largely made by my daughter; the second is a teeny tiny one we made several of as small gifts. I'll provide some how-to in future posts, but the little ones are pretty easy to craft.
What's Not
  1. CPSIA The Consumer Product Safety law has not gone away nor been amended in any significant way. Vintage books have been confirmed by the Consumer Product Safety Commission as forbidden to children 12 and under despite any evidence that they pose even a small threat to kids' health and abundant evidence of their value for them. Grr.
  2. Radio interviews I'm lucky to have gotten a bunch lined up to promote The Preschooler Problem Solver, but even though I've done tons of media interviews over the years, they still make me feel a tongue-tied mess.
  3. Amtrak I'm normally a huge fan of train travel, though I've long lamented the sorry state of it in the U.S. - but Saturday was a particularly deep low in my regard for it. My son's five-hour train trip from NJ to Boston arrived nearly five hours late, putting his arrival close to 2 am instead of anywhere near the scheduled 9 pm. Which meant he missed the last connecting commuter train to his destination in Worcester MA where he attends college, as well as all the bus options. And no taxi would take him that far nor to his friend's place at a Boston area college. And the train station was completely deserted and no one at the Amtrak "customer service" number would offer any assistance in finding alternative travel or lodging because he wasn't continuing on an Amtrak train. And that stinks.
Okay, as usual I have NO control of the numbering function on blogger. Pretend the numbers aren't there. And the random text color stuff also defeats me. Sigh.

2 Comments on What's Hot + What's Not, last added: 11/1/2009
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37. Happy Easter! With Just a Little about CPSIA and Vintage Books

This Easter, as I have for every Easter I can remember, I read The Country Bunny and the Little Gold Shoes by Du Bose Heyward, with illustrations by Margery Flack (the author-illustrator of the Angus books I've written about before), and as always, the book warmed my heart and gave me a burst of energy and determination to be kind to children in need.


The main character of this 1939 classic is well-ahead of her time. She's dark-furred, raised in an impoverished environment, left a single parent of 21 children - yet she manages to succeed in a privileged, white-furred all-male world as one of the five designated Easter Bunnies. She triumphs because not only is she wise, kind, and swift, as all Easter Bunnies must be, she is unusually sensitive to the needs and abilities of children and possessed of courage and determination (okay, and she's the timely recipient of a pair of magic gold shoes, but a stroke of good fortune has cemented many a success story). 

The copy of this book from my childhood technically belonged to my older sister, and when she left home to raise her own family, she took it with her. (The country bunny was a role model for all the females in my family, so I couldn't really blame her.) I immediately acquired the used paperback (below, in pink) because it wouldn't be Easter without the country bunny! And I was delighted when I found the used hardcover a few years later. My own kids have grown up loving the book - and peeky eggs, which are a prominent object in the story.
Both of these books predate the 1985 "safety date" under CPSIA (and the paperback is actually older) but both are in good shape, and I'm planning to pass them along to my future grandkids. In fact, I'm probably going to order a few more hardcovers this week while they're still easy to find, because these old ones are so much nicer than the new ones. You can get a new hardcover from amazon for about $12, but there are vintage ones beginning at $4, and even a 1939 edition for a mere $10. 
The old ones are bound in a lovely yellow bookcloth. The above is a close up of the bunny image from the cover. I do not have the dust jacket for my book, but it looked a lot like the paperback cover I believe.
Margery Flack's illustrations have the same beautiful graphic quality that they do in the Angus books, and I'm so impressed with how much she manages to do with the color in spite of the limitations of hand-done color separations. Flack's work is always notable for the way she integrates the text and illustrations and the expressive postures of her animal characters, and this book is no exception. I particularly loved the detail in these books - each of the 21 offspring of the country bunny is a distinct individual. In the vintage copies, the paper is heavy and the colors rich.

I was so enamored of the peeky egg in this book that I eventually learned how to make them with my kids. In fact, one of my first ever blog entries was about making them - you can read it here.  (By the way, I no longer worry about getting salmonella from eggs, since I learned about how remote the chances are - see this post from Deputy Headmistress.)
The peeky egg on the shelf above was made by Jacob, the son of my kids' book collaborator Julie Stiegemeyer (see her blog here). He did a great job, and I bring it out every year to enjoy again. The eggs will last ages as long as you keep sugar fiends like my dog (and me) out of licking range.
Children's books are always a key feature of my holiday decorating. This year I also decorated my shelves in different colors - but I didn't have a good Easter book for the blue shelf above - any suggestions?
The nice thing about having a late Easter was that we had so many things in bloom to brighten the table.

I realized this year as I finished my reading of The Country Bunny that she not only influenced my career choices and the attitudes I've tried to cultivate in my own kids, but apparently my choice of house - I noticed that her little cottage with its arched door and leaded windows looks an awful lot like my own home. Even her kitchen hutch is mighty familiar. 

Those old kids' books really pack a wallop. (Be sure to check out the reader reviews on amazon - I'm not the only one with strong feelings about this book!)

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38. CPSIA and Vintage Books: The Rally Update and More

Souvenirs from the April 1, 2009 Amend the CPSIA rally

The cherry blossoms fluttered and the gray skies threatened rain while hundreds of folks gathered to speak with reason, common sense, and determination against the well-intentioned but gone-all-wrong CPSIA  in Washington on April 1st, and thousands more watched by webcast. My daughter and I felt lucky to be at the rally (especially after our GPS quit working, we missed our freeway exit, and then got lost again looking for the entrance to the parking garage at Union Station). 

I hope I managed to do right by children and their books.

As will surprise no one who has known me since my grade school days, I talked too long. (When Rick Woldenberg stood up and started inching toward me I knew I'd better wrap up quickly - sorry Rick!) But I had to speak for so many - for used booksellers, for libraries, for schools and homeschoolers, for childcare centers, for literacy groups, for historians and social scientists, for art and knowledge, and of course for children - that it was pretty much impossible to cram everyone's messages into a mere four minutes.  Heck, just listing all those interested parties takes almost four minutes. But I do apologize if I trod on anyone else's time, because all our messages are important.

Overall, the rally left me very encouraged. I lent my copy of the speaker schedule to a congressional staffer and realized too late that I'd never gotten it back, but there were speakers from many of the businesses, large and (mostly) small, hurt by the over-reaching provisions of this law, experts in risk management and material science, homeschoolers with their kids, an eloquent six-year-old promising not to eat his dirt bike, and a host of senators and representatives (all Republican, which annoyed me as a Democrat). Speaker after speaker was calm and reasonable, well-spoken, and utterly compelling. I was disappointed and confused that no one from ALA or the American Association of Publishers showed up, and I'm still wondering why not. We do all have to pull together for one another and not just fight this law piece by piece because one way or another we all pay for it - and if we're going to be putting out that much money in the mission of protecting kids from lead, I can think of much, much better ways to spend it.

Over and over, the congressmen acknowledged the unintended consequences of the bill they voted for, told us they heard us and understood, spoke of common sense and making things right. I had to leave before things wrapped up to make my scheduled appointment with Senator Arlen Specter's legislative staffer, but I felt optimistic, and even a teeny bit like my march on Washington had probably been unnecessary, that everything would be fixed before long. 

That feeling lasted long enough for me to find my way from HVC201 to a small conference room in Specter's office, where my daughter and I had a long discussion with a well-informed staffer who listened carefully to our concerns - but then told us frankly that the law was unlikely to be changed. Any law is hard to reverse once it's been implemented, she said, and their office was hearing from folks on both sides. 

"Really?" I said. "Who on the other side are you hearing from? Because I've gone door-to-door in a middle-class neighborhood full of NPR-listening moms with advanced degrees, I've waylaid dozens of "safety moms" at a nearby upscale mall, and I've chatted up teachers, librarians, children's nonprofit staffers, doctors and nurses, and other mental health professionals (in other words, the people most likely to know about and/or care about CPSIA) - and not one of them had even heard of this law. And after I explained to them what the law covers and how it affects things like consignment and thrift stores, garage sales, charitable donations, children's books at the library, bicycles, and the availability and price of their favorite consumer goods for their kids, their reactions ran the gamut from 'That's insane!' to 'They'll never enforce it.' Not one thought the law was a good idea. So I'm very curious about who these folks are on the other side."

She hemmed and hawed and finally half-admitted it was the consumer groups. But Senator Specter does not represent the consumer groups. He represents me and the ordinary people like me who care about our kids but who have to live in the real world. And there's not much about this law that works in the real world.

I was very, very pleased to see that Specter voted for the DeMint amendment when it came up for a vote the next day, and also pleased that his staffer sent me an email about his vote (I'd already called his office to thank him and her). I doubt that my arguments alone were responsible for that vote, but I think I may have at least nudged him in that direction.

Senator Casey's staffer had accidentally double-booked my time slot, so I presented my case as we scurried from one office to another. She too listened well, though seemed less well-informed (trotting out my least favorite reassurance - "I don't think they'll enforce the law against books"). She was also skeptical that the law would be changed, and more or less said that businesses that make kids' products will just have to adapt to the realities of the law as they get sorted out in the next year or so.

Casey voted against the DeMint amendment the next day. I called to express my disappointment.

While I'm on my soapbox again (it takes so little to get me going), I'm going to remind Congress and the CPSC that selective enforcement is a very, very bad idea. To paraphrase Dr. Seuss's Horton the Elephant, you have to "Say what you mean and mean what you say." Every effective parent quickly figures out that empty threats get you in deep doo-doo faster than you can say PB&J. If the CPSC enforces the CPSIA only when they feel like it, no one will have respect for the rule of law - any law - and no one will feel safer as a result of the CPSIA because the promises behind it are hollow or unpredictable. 

My representative in the House, Tim Murphy, was unavailable to meet with me, but I have spoken with his legislative aide on the phone. Murphy, himself a clinical psychologist and author of parenting books, supported the CPSIA wholeheartedly (even wanted to extend the provisions to pet products). I'll keep working on him.

Later I joined the two Oregon delegates (a whole group of crafters and small businesses pooled resources to send two spokeswomen) and the compliance director for Alex Toys (which I remember as excellent products from my own kids' younger days) in meeting with a representative from Oregon, Kurt Schrader, who generously let all of us present our cases and asked good questions. He seemed receptive and open to at least voting for one of the amendment bills. 

The final NJ congressman we tried to visit was unavailable, but we all left materials for him.

I've put the slightly revised 2-page handout that I left for my congressmen on scribd.com, a file-sharing site. Anyone who cares to can print it out or email attached copies of my file to their congressmen or the media freely. You can access the document here. If you like it, please mark it as a favorite; I think that helps it get a higher ranking so that it has a better chance of being a featured document and getting a wider audience.

Soon I hope to post a longer version of the handout with the citations for my facts that you can use to back up your points if asked, as well as a shorter one page summary.

Since I got home, I've been asking myself, "What next?" I don't really know the answer. Plugging away with the same approaches may ultimately get results, but so much is teetering on the edge now that I'm not sure we can afford just to be patient and doggedly persistent. The rally was amazing and seemed so successful to me, but the press coverage has hardly been overwhelming. The public remains largely ignorant or misinformed. I'd like to believe that non-enforcement, the "solution" that both the CPSC and Congress keep pushing for small businesses, libraries, and all those hit by "unintended consequences" will work, but I just can't.

Any great ideas out there? Or half baked ones? Or silly Seussian ones?

Courage is not my middle name, and Politics is not my last. I have never before gone to Washington to fight for anything I believed in, but I'm so glad I did this time. I'd like to thank Rick Woldenberg and all the folks who put together this rally and the amendthecpsia website. I'd also like to thank Walter Olson of overlawyered.com who has tracked this law and its impact so thoroughly. (It was very exciting to meet all these people; bright, organized, hardworking, and passionate all of them.) And I'm deeply appreciative of all those who made the effort to come (I met another book-loving family - homeschoolers from California who gave up a day of their vacation to attend) and all those who couldn't make the trek but watched from home or followed online accounts. Thank you for your good wishes and nice comments; they mean a great deal to me.

I'll close with this quote from the anthropologist Margaret Mead:
 "Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it's the only thing that ever has." 

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39. CPSIA and Vintage Books: My Comment to Consumer's Union

Drawing by Jessie Willcox Smith from The Little Mother Goose, with thanks to Project Gutenberg  

Consumer's Union blog has a very inaccurate account of the rally (really quite bizarre at times - don't know what rally they attended, but it wasn't the same one I did). You can read it here. 

There are lots of great comments from people who were really there, but I had to add my two cents too (especially since so far they haven't seen fit to post my comments, though in fairness they've posted plenty of others that are critical):

Um, you forgot to mention speakers like me. I do not represent any organization or industry, I paid my own way to the rally and gave up a day of work to attend and speak at it, and what's more, I was even arguing contrary to my self-interest. I write and illustrate new children's books, the ordinary kind currently enjoying a stay of enforcement - it would be to my advantage to have libraries and schools throw out their old books and have to buy new ones like mine to replace them. I was there to argue for what I believe is best for children, particularly for the most disadvantaged in our society who suffer disproportionately from lead poisoning. This law gets it wrong on so many fronts.

 

I have my doctorate in clinical child psychology from the University of Virginia and graduated magna cum laude from Yale with distinction in psychology. I am not an idiot and I am well aware of the potential hazards of lead poisoning for children, especially for the youngest ones. I also know that the research on lead is more complex than is commonly acknowledged by consumer organizations like yours. The truth is that lower SES kids are at greater risk of lead poisoning, and this discrepancy has persisted even as efforts by the CDC and other agencies to reduce sources of environmental lead (in lower income areas as well as others) have been enormously successful. Part of the reason that lower SES kids are at greater risk is because they still live disproportionately in older homes with lead-containing dilapidated paint and to play in areas with lead in the soil (the CPSIA does nothing to help with those on-going issues). But there are many other variables that also put low SES kids at greater risk -- and I can assure you that higher rates of exposure to books, high quality handmade toys, bicycles and ATVs, ballpoint pens, organic clothing, and one of kind artwork are NOT among them - and yet these blameless items are disproportionately being affected by CPSIA, which also means they won't be around in 5 years to be passed along through thrift stores and give-away programs to kids who could really use them. Instead the law does NOTHING to address the very real measures we could take to reduce the absorption of and harm by lead in the young children from lower SES populations, including improving their nutrition (low calcium and iron levels lead to higher absorption rates), providing support to improve parenting practices (neglected and abused kids suffer higher rates of lead poisoning even when controlling for SES; and kids whose parents have poor housekeeping practices have higher rates, again controlling for SES), and improving the mentally stimulating quality of the child's environment through providing high quality child care, book distribution programs coupled with instruction on sharing books with children, and programs to distribute toys that promote physical exercise (like bicycles) and encourage brain development (a mentally stimulating environment both prevents and treats the harmful effects of lead at low to moderate blood lead levels). The CPSIA not only doesn't help with these proven effective measures, it actually hinders them, putting an end to bike distribution programs, closing down the children's sections in affordable thrift stores, and raising the prices of all consumer goods for children, so that low income parents have less money to spend on high quality food, toys and books. By banning the sale of inexpensive older used books, removing them from libraries, schools and daycares, and raising the costs of the new ones purchased by literacy programs, the CPSIA snatches books and the chances for better school achievement from the hands of low income kids as surely as the Grinch plucked the books and toys from the Whos down in Whoville.

 

Way to go, Grinch.

 

P.S. You are correct that the law only addresses children's products. But if this law were in fact necessary, then you'd have to ban lead in adults' products as well. Children are actually at the greatest risk of lead poisoning prenatally, when it's Mom's exposure that matters, and they further come into contact with items intended for adults or the whole family every day. When you decide that minimal lead exposure is important enough to take away American's automobiles (aka lead machines - with lead in everything from the batteries to the steel to the brakes to the weights used to balance the wheels) then I'll start to think you at least believe in what you are saying.

 

I'd also like to see you recommend that all American families discard all their current children's products and household goods unless they get them tested - obviously necessary if you believe that retroactive application of the law is so essential that even during a severe recession thrift stores can't sell a pair of jeans to a 10 year old.

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40. CPSIA Rally Update Coming - I'm Whupped

I'd like to thank everyone who left words of encouragement for me over the last couple of days; your good wishes are much appreciated, and I hope I did well by all of you. My plan had been to get everyone updated this evening, but I'm going to have to ask for your patience until tomorrow. 


Yesterday was a LONG day for me and my daughter. We got up at 3:30 a.m. to drive to DC and didn't get home until 10:30 last night - and then because I was speaking at a literacy organization midday today,  I had to get up early and spend the morning preparing for that and the afternoon catching up a bit on various things. I'm so tired now I'm heading to bed with a good book.

Publishers' Weekly interviewed me last night about the rally as I was getting ready to head home, and though I'm sorry they couldn't use most of what I told them, the article is excellent coverage - and more than a little worrisome for new books too. You can read the article here.

I was/am a bit disheartened about what my senators' staffers told me about the likelihood of the CPSIA being amended - but it does sound like other rally people felt more hopeful after meeting with their congressmen, so overall that's encouraging. And the staffers I spoke with were not only polite and listened, I think they are genuinely willing to learn more. Please everyone, don't let up now - keep working to get this law changed, sooner rather than later.

Okay, more tomorrow.

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41. CPSIA and Vintage Books: Speech! Speech!

I've agreed to speak at the April 1st CPSIA Fly-In, Rally, and Congressional Briefing on vintage books. I'm slightly terrified; it feels like a gigantic responsibility, and most of my speaking experience for the last ten years is to groups of school kids who like my fart jokes and curly bug demonstrations. I think I have to be a little more serious to speak to congressmen.


Here is my work-in-progress, way too long outline. I'm going to use it to make up my leave-behind notes for congress folk, but I also have to pare it to the bare essentials so I can get through everything important in my alloted 3-4 minutes. I'd appreciate any suggestions!

Outline: Speech on CPSIA and Books

Amend the CPSIA Rally, April 1, 2009 

I.               Thanks and intro self Author/illustrator and lifelong advocate for children (doctorate in clinical child psychology, early childhood educator, classroom and literacy volunteer, parent, etc. Well aware of the real risks of lead poisoning in kids.) Quick description of how books handled under CPSIA (exemptions for books for kids up to 12 printed after 1985 for possible lead in ink; also for collectible books that because of rarity and value would not be given to children.) Not enough - urging exemption for all books, including vintage ones.

II.             Vintage books are safe. Speaking as a scientist with experience and expertise in interpreting research findings.

A.    No known cases EVER of lead poisoning from books (of 44 rare sources of lead poisoning in children cataloged by CDC, none is from a book – only print-related case was an infant who had elevated levels after parents burned logs made from old newspapers – people don’t burn children’s book logs.) No mention ever, anywhere of lead in books even contributing to elevated lead levels.

B.    Statement by CDC (“on a 1-10 scale, books are a 0.5 risk”)

C.    If a something is a significant source of a toxin, then people with a high rate of exposure to the source should suffer more harm than those with a low rate of exposure. Instead, we find just the reverse with books, even when we look only at studies conducted prior to 1985 (when lead in books no longer an issue). Children with more books in the home, who spent more time engaging in leisure reading, or who were read to more by their parents fare better on the outcome measures associated with lead poisoning – like IQ, school achievement, rates of learning disorders and ADHD, frequency and severity of antisocial and aggressive behavior. (Caveat – this is all correlational evidence,  just like the studies linking blood lead levels and poor outcomes – neither proves clear, causative pathways.)

D.   Lead is found only in some old books (but no way to tell which ones without testing) Even the worst offending books are borderline cases; highest levels being found by CPSC’s digestive testing are around 300ppm (below current allowed levels, around the level that goes into effect in August). No feasible way to detect which books are safe and which aren’t – can’t use XRF testing for books, where ink is part of substrate, and since used booksellers’ inventory tends to be OOAK, digestive testing is impossible as well as obscenely expensive.

E.    Book ink poses virtually no threat under normal use and abuse by a child

                                                     i.     Book ink soaks into paper, does not rub off on hands

                                                      ii.     Research on absorption of lead from ink – saliva can’t leach

                                                        iii.     Bibliophagia (eating books) rare at any age.

1.     Normal for babies and toddlers to mouth board books (usually just edges), but studies show putting books in mouth becomes unusual past 18-24 months. Law covers books for kids up to age 12, 10 years past age when mouthing occurs.

2.     Actually eating the book is exceedingly rare – usually sign of pica, a medical condition in which people compulsively eat non-nutritive substances (and thus not under the umbrella of “normal use and abuse.”(and only found 2 cases in which young children were said to have eaten a book, along with other substances that posed much greater risk of lead poisoning or other health problems – both kids were later diagnosed with pica and treated for underlying medical conditions.)

F.    Emerging evidence that exposure to books may help to both prevent and treat harmful effects of lead toxicity.

                                                     i.     Evidence from human observational studies that mentally stimulating environment is protective against lead’s ill effects. [Bellinger (major lead researcher from Harvard); CDC recommendations]

                                                      ii.     Evidence from animal studies also supports those conclusions (rat studies)

                                                        iii.     Books are easy, inexpensive way to provide enriching environment, plus increase parental engagement with child, creating a virtuous spiral of better environment for child. Success of early literacy book distribution programs. 

G.   Despite safety that is clear even to public health officials, equally clear that vintage books as a class nonetheless do not pass muster under the excessively strict guidelines of the CPSIA – total lead content in vintage books sometimes exceeds 300 ppm, and more will exceed 100 ppm if/when that goes into effect in August, 2011; there’s a general lack of peer-reviewed, scientific evidence (don’t study what’s not a problem) and none likely to be available any time soon; what little evidence there is prevents assertion that there’d be no absorption of any lead ever from an old book – just that the risk is insignificant.

                                                     i.     Bottom line: if a parent, teacher or librarian asked my professional advice about removing old books, I’d tell them not to, and if they’d be unable to replace those books, the answer would be an emphatic NO – the risks from having few or no books greatly outweighs the miniscule risk of lead exposure.

                                                      ii.     I’d still give my kids vintage books. Talked to many parents; all would continue to allow their kids access to older books.

III.           Why Should Anyone Care?

A.    Aren’t old books worthless? (That's what CPSC thinks)

                                                     i.     No one uses books more than 20 years old - they’re worn out and the content is obsolete, right?

                                                      ii.     The exemption for collectibles covers the special old books, like the first edition Winnie the Poohs, so nothing more is needed, right?

                                                        iii.     Publishers could just reprint the old books if someone wanted them, right? 

B.    WRONG! Loss of number of books available to kids – hard to say for certain, but likely hundreds of millions of old books currently in use by kids.

                                                     i.     Old children’s books have remarkable staying power, both in content and physically

                                                      ii.     The number of books at risk also must include books that were printed post 1985 but which lack print dates – a common practice in kids’ books. Likely affects millions or even billions more volumes.

                                                        iii.     Contrary to CPSC assertions, discarding old books would have devasting impacts on library collections – estimates vary, but even well to do libraries estimate as much as 1/3 of their collections would be lost. Small, low income libraries could be even worse.

                                                       iv.     Equally terrible impacts on schools and childcare facilities, also contrary to CPSC assertions. Old books in libraries, classroom libraries (often assembled out of the teacher’s own pocket), sets of classroom novels used only a few times a year.

                                                      v.     Also hurts home libraries. Number of books in the home one of the best predictors of child’s success in school (after maternal education). Vintage books often significantly cheaper and better quality than even more recent used reprints (because of law taxing warehouse inventory).

                                                       vi.     The one category with a low survival rate is books for the youngest kids – the ones at greatest risk for ingesting books and for lead poisoning. Thus the books that pose the greatest risk – but still small – are not a significant problem. 

C.    Loss of diversity in books available to kids – as bad as the loss of number

                                                     i.     New books don’t make old books worthless anymore than second child makes first one obsolete. Compare also with suggestion that we discard all paintings done before 1985 because they also contained lead – we can just get by with new paintings, copies of old masters, cheap reproductions. Doesn’t sit right, does it? Same emotional response to this law by people who know and love children’s literature.

                                                      ii.     Most old books out of print in any form – loss is not just of volumes, but of actual titles, content, values, historic style, etc.

                                                        iii.     Most unlikely to be republished (variety of reasons)

                                                       iv.     Differences between new and old books, even when reprints available (paperbacks vs. hardcovers, quality of paper and printing, loss of special features like endpapers, jackets, re-illustration, changes in text to reflect current values).

                                                      v.     Certain categories more affected than others (like poetry, other non-fiction, anthologies and collections)

                                                       vi.     This problem reflexively feels like censorship to most people, even though that’s not probably not what was intended. (Not helped by 1984 cutoff date.) At a minimum creates de facto censorship.

D.   Economic Impact 1 - Threat to businesses, individuals that sell older books

                                                     i.     Huge impact on used booksellers large and small – Quotes from Half Price Books, Jacobsen books, Deputy Headmistress (others?)

                                                      ii.     Hard to judge overall impact in dollars, but likely substantial, especially as it’s not uncommon for a book to be resold more than once.

                                                        iii.     Good business for tough economic times – internet makes it easier than ever to make money through resale. Prices are low enough that the product is affordable to families suffering through hard times. Amusement for child with hours of use and re-use, educational, quiet, etc.

                                                       iv.     Common and profitable items at yard sales – right now many families need even the small change that these kinds of sales produce.

E.    Economic Impact 2: Hurts charities that raise revenue through book sales (like libraries, Goodwill, literacy programs)

                                                     i.     Literacy programs also redistribute used books to homes, schools, child care centers, after school programs, waiting rooms

                                                      ii.     Also hurt charitable recipients overseas – we ship used textbooks and trade books to schools in 3rd world countries to stock schools. Not allowed under CPSIA 

F.    Groups especially hurt by loss of old books

                                                     i.     Chronically needy, families hurting in recession – increased costs of books for kids; harm to institutions in low-income areas doubles impact.

                                                      ii.     Home schoolers – low cost way to obtain necessary teaching materials

                                                        iii.     Gifted children – older books tended to have more innocent themes, while having more difficult vocabularies and longer, more complex texts (c.f., Make Way for Ducklings with a modern duck picture book for same age). 

G.   Loss of history of children’s literature

                                                     i.     Children’s books not just used by kids, but will be lost to adults too. Impact on social scientists, historians, children’s lit scholars, contemporary authors and illustrators (and thus harm to quality of books going forward), book artists.

                                                      ii.     Exemption for collectibles not sufficient to protect books from extinction or unavailability – most old books sell for less than new books, making it difficult to argue they’re too valuable to give to children. Also, dividing line is in the eye of the beholder, making selling collectibles an uncertain business.

                                                        iii.     Will increase rarity and drive up prices, putting old books out of reach of all but the wealthiest individuals and institutions.

                                                       iv.     Sharing childhood books is especially powerful spur to connecting generations, interesting reluctant parents in reading to their kids

 

In sum: Harm likely to be caused to books and kids under CPSIA greatly outweighs any possible small benefit in terms of reduced lead exposure.

IV.           Action I’d like to see

A.    1st choice: repeal act and start over. Too flawed, piecework amendments will make an already too-complex law even more complicated and increase violations and difficulty of enforcing it.

B.    Otherwise, amend law to make it more reasonable – and thus more effective.

                                                     i.     Exempt all books, except those with high risk components (like baby bath books). (Other categories of books with unnecessary burdens, like most novelty books, stapled books, books aimed at older kids with risky components)

                                                      ii.     Limit age range to under 3

                                                        iii.     Make standard for getting exemptions more reasonable – give CPSC more discretion (e.g., reliance on expert advice in absence of peer reviewed scientific evidence), ability to balance risks and benefits

                                                       iv.     Get rid of retroactivity of law – if problem not serious enough to recall/recommend discarding ALL old kids’ products

                                                      v.     Un-deputize states’ attorneys general, or require them to follow guidelines set by CPSC.

                                                       vi.     Make penalties less extreme for all but the worst offenders.

                                                         vii.     Say what you mean, and mean what you say – if CPSC doesn’t intend to go after used booksellers or people holding yard sales, make it law,  not Russian roulette

                                                          viii.     Let parents make their own choices for their own kids – allow warning labels or an educational campaign instead of banning books for all.

                                                        ix.     Concentrate resources instead where most fruitful – will increase compliance, ease enforcement, gain buy-in by folks who care about kids, like those here today.

Thanks! 

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42. CPSIA and Original Book Art: The One of a Kind Problem

Copyright 2009, Carol Baicker-McKee

 Cost of One Piece Original Art by Carol Baicker-McKee from An Apple Pie for Dinner by Susan vanHecke (Marshall Cavendish, Fall, 2009)

Testing for:
Foamcore for backing and supports $100
Mat board for support $100
Chenille stems (metal plus fabric) $200
3 colors of acrylic paint $300
13 colors of polymer clay $1300
12 different fabrics $1200
5 different threads and floss $500
4 different textile trims $400
Polyester batting $100
Metallic powder $100
2 colors pastels $200

Labor, artistry $500
Total: $5,000

Cost of destroying my one of a kind artwork so I can sell it: Priceless


My mixed media artwork is undeniably more complex, with many more components than most illustrators' work (the above photo is of a much simpler book in progress, and you can see there are lots of parts), but non-artists would still be shocked to break down the components in even a typical painting. Plus the parts of a frame. But either way, illustrators who want to sell their artwork on the open market, especially if like me they haven't yet achieved the level of fame and fortune that would allow their work to be classified as "collectible" (and thus not intended for use in a children's bedroom) are probably in deep doo-doo under CPSIA. My estimate above of the testing costs is surely a low ball figure, as I used only $100 per component and I know that's low, and I've undoubtedly overlooked a few pieces to boot. Unframed, testing costs would drive up the price to 10 times what I'd guess would be a top, top make-me-very happy price for that piece. Framing would add a couple hundred dollars more. And then there's the wee final problem: I'd have nothing left to sell after I got it tested.

When I spoke with Joe Martyak, the Chief of Staff at CPSC, for information for my article for the Society of Children's Book Writers and Illustrators (SCBWI), he initially seemed bewildered about my questions about original artwork and CPSIA; he didn't seem to think wall artwork was covered. When I said I'd read several documents from CPSC that specifically mentioned posters and other wall decor, he hemmed and hawed, and said, well, if it was intended for a child's room, it probably would be. Then he said art wouldn't be considered accessible once it was framed. I said, "How is art protected by a piece of fragile glass on one side and a thin piece of cardboard on the other less accessible than the inside of a bike tire valve stem? And how does an artist judge what is "normal use and abuse" for a framed picture? Because if it includes throwing something that knocks it off the wall, it could certainly become accessible, though of course the broken glass might be a more immediate worry." I also asked about the problem of testing one of a kind items (known among the crafty set as OOAK items). At that point, he decided he'd have to get back to me about original art. 

Of course he hasn't yet, and I don't blame him; among the millions of details the CPSC has to sort through and rule on, questions about original art surely rank very low - unless you're an artist creating work that would be bought for kids and you'd like to keep earning a living. (Or in my case, would also like to clear a little shelf space to accommodate all the other bulky art work you're producing.)

This piece is a very simple one, one of several I made at my publisher's request as promotional giveaways to promote one of my books (Merry Christmas, Cheeps! by Julie Stiegemeyer, Bloomsbury, 2007). Paying to test it would of course be foolish on many fronts, but even a small simple piece like this has an insane number of components (at least 22 by my quick count), thus putting an end to cool promotional items. These matter because buyers for book chains base their orders on initial buzz for the book at BEA and other venues - and special promotional tactics get attention.
The photos above and below are of a piece I made for a charity, Robert's Snow, that raises funds for cancer research. The event honors the husband of the enormously talented and well-loved children's book author and illustrator Grace Lin, who was stricken with a rare cancer. Children's book illustrators are invited to create artwork on wooden snowflakes which are then auctioned. Again, mine is probably more complex than most, but many others are incredible 3-D creations too. (And little did I realize by adding a box intended for long term storage I'd be adding to the components in need of testing.) Some of the snowflakes by top illustrators fetch collectible level prices, but others are not out of question for hanging in a child's room. It's yet another very gray area under CPSIA, surely not one that anyone intended, but one that looms ominously over people trying to do a good thing nonetheless.

If you have a few more minutes, go check out this post at Deputy Headmistress's The Common Room. She finally found someone to kind of debate the merits (or at least intentions) of CPSIA with her. PJFry via BoingBoing mentions a number of the misconceptions about lead in books, and Deputy Headmistress walks her through the science and real-life reasons why they're wrong.

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43. CPSIA: Should Schools Be Exempt?


Illustration by Jessie Willcox Smith, public domain
There has been little discussion in the press or even the blogosphere about how schools will be affected by CPSIA - but that doesn't mean they aren't concerned, confused, and seeking guidance from both Congress and the CPSC. They are particularly worried about the ban on pre-1985 books (as well as the impact of testing on the costs of books and other supplies going forward), which flies in the face of the CPSC's assertions that schools have no pre-1985 books to worry about (more about this in a minute). 

Michael Resnick, Associate Executive Director of the National School Boards Association, wrote to the CPSC on March 6th, urging them to recognize the safety of books and exempt all of them. He noted that schools are concerned about liability even during the one year testing stay, and need some guidance immediately. So far, I do not believe any has been forthcoming (based on a discussion with a school official following the law and the lack of any follow-up correspondence on the NSBA website; I'm awaiting comment from their go-to guy).

Resnick further asks that schools be exempt from the law all together. A public school official I spoke with today (off the record) noted that her school district is well aware that many of their ordinary, necessary actions would classify them as "manufacturers" under the guidelines issued to small businesses etc. and thus either subject them to unaffordable testing or force them to drastically change the way they operate. For example, schools frequently assemble and bind packets and books for students to use and keep (with plastic comb, stapled, or glued bindings); they put together science kits; they make art projects that are intended for use by children; and many of their fundraising and charitable projects also involve "manufacturing" things for children. (For example, parents at my kids' elementary sell handicrafts, many intended for children, at the holiday shop that funds many school extras; the kids assemble toiletry-and-book packages for kids in homeless shelters; and the school sponsors book drives either to promote literacy or to donate to children locally or abroad.) Recognizing these issues, Mr. Resnick asks:
"As you continue to address enforcement and implementation issues, NSBA urges the Commission to exempt local school districts from the lead level requirements under the law; or at the very least, to establish a transition period that would enable public schools and libraries to meet the spirit and intent of the law without creating financial burdens on states and local communities in this dire economy and extreme reductions in their revenues. "

You can read the whole letter here


Meanwhile, the CPSC seems to be getting their information about how schools are affected from some other source - some unnamed "trade associations" (not sure who the public schools trade association would be). On page 17 of Nord's response to Rep. Dingell, the Commission asserts: 
Based on information from the trade associations with information regarding books in libraries and schools, the Commission staff understands that most textbooks in schools are less than ten years old. Likewise, the information received suggests that most library books lent to children are recycled approximately every 18 lending cycles or three years. Thus, it appears that few of the books being provided to children in their schools and libraries would be more than 20 years old.

The school official I spoke with today just laughed at that statement; she said if schools were forced to discard all their pre-1985 materials, they'd basically stop being operational. Although schools do strive to replace text books more often than that, occasionally they get stuck with a series for longer, especially in subjects where the information changes little (math for example) or where the books are for a minor subject (like Health). Not only is buying new sets of textbooks expensive, it's a slow process, more akin to turning an ocean liner than swinging a Mini Cooper around - it takes years for most districts to go through the textbook adoption process. The bigger problems though, are with things like classroom sets of novels (which get used for a few weeks at a time rather than all year), classroom libraries, and books in the school library, which most certainly not are not fully recycled every three years. 

Another problem for schools, libraries, and used booksellers, is the high number of books that lack accurate print date information. For example, the easy readers above (all still in good shape after heavy use by my 3 kids) were purchased new in the 1990s, and I suspect were printed sometime near then - but they all have copyright dates prior to 1985 and no print date information at all. A librarian I know said some libraries could track likely print dates through purchase records, but that would take hours of research, especially since few libraries had gone electronic in the mid 1980s. And it would still leave them uncertain in many cases and vulnerable to a dispute with a disgruntled patron. (Keep in mind the expenses of defending a lawsuit are typically not awarded even if you win, so every lawsuit is bad news.) If the law remains as is, they'll probably just toss questionable books. 

All of this is a huge headache for school districts - and for Congress and the CPSC. On the one hand, if they enforce the law for schools, they'll send school budgets out of control and probably deprive many students of necessary materials at least in the short run. On the other hand, if they exempt schools, they open themselves to the criticism that they either don't care about kids since they're willing to force them to wallow in dangerous lead-laden environments 6 hours a day, 180 days a year, or that lead in things like books and school supplies really isn't much of a threat to kids at all. It's basically a lose-lose proposition, which is probably why the CPSC guy I spoke with danced around the issue, promised to get back to me, and never has. And my congressmen have been utterly silent in response to my specific questions too.


The book above, about a school that's as ridiculous as the CPSIA, is much funnier than the law because it's fantasy. It's also not clear whether it's a banned book, since it was printed in 1985. For quite a while, CPSC seemed to be using that as the year that was safe going forward, which would make this copy okay to sell or distribute - but more recently, agency spokesmen have been using a new cut off year - 1986 - which would make it toxic waste. (See, for example, this AP article).
These books above are all well used cheap paperbacks, all printed in the 1970s or earlier. The pages have yellowed a bit and a couple of the most heavily read have mangled spines (like the copy of The Four Story Mistake by Elizabeth Enright which was part of the "Bathtub Books" collection in my family growing up - it's a really excellent, old-fashioned yet timeless story about a large family living in an interesting old house in the 1940s). But all are perfectly usable - and are still re-read by me and my kids occasionally and are similar to books still found in many classroom libraries. This is part of what CPSC doesn't get - old books, even the cheap, not particularly well-made ones, typically have very long lives. The good quality hard covers go on and on and on, and may well outlast new paperbacks. I can only remember having thrown away about a dozen books in my whole life - I've donated or passed along plenty of others - but few have been in such bad shape they only deserved tossing. 

One funny note about ratty paperbacks: one of my kids used to consistently select the most bedraggled looking copies when I gave the kids money to get a book or two at a library sale or used bookstore. When I asked him why he picked those particular books over the nicer ones, he said (quite logically) that the beat up ones had obviously been read many times which meant they were probably good.
Illustration for Ring o' Rosies by L. Leslie Brooke, public domain

Finally, a reminder to consider joining the April 1st rally in DC, either in person or via the webcast at www.amendthecpsia.com. And check out recent coverage of the law on Walter Olsen's Overlawyered, the Deputy Headmistress's Common Room, Valerie Jacobsen's Bookroom Blog, and Rick Woldenberg's Learning Resources, Inc. blog. (I have no idea why Blogger is underlining all this text, but it won't stop!)

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44. CPSIA and Vintage Books 6: Rally 'Round!


Illustration by Marjorie Torrey, copyright, 1956, Random House
The illustration above (and the close-up detail below) are from my childhood copy of Favorite Nursery Songs, compiled by Phyllis Brown Ohanian and illustrated with delicate watercolor and pencil pictures by the Caldecott-honored Marjorie Torrey. The book, my favorite songbook when I was growing up, was published in 1956 and has been out of print ever since.
Detail from "Ring Around a Rosy"
More about Ms. Torrey's charming illustrations in a minute, but first I want to encourage everyone who can possibly make it to join me in a trek to Washington D.C. for a fly-in, rally, and Congressional briefing on Capitol Hill to amend the CPSIA. You can get all the details, including the info on hotels offering special deals for the event, at a special website here.

Rick Woldenberg of Learning Resources, Inc. (see his CPSIA blog here) has been helping to organize people from many affected industries, large and small, to get our voices heard by Congress. I'm trying to schedule meetings with my senators and representative as well - and I'm taking my teenage daughter, so she can see political activism at work in person (and put in her two cents worth too). I'm planning to leave from Pittsburgh very early on the morning of the first and return in the evening. I have a minivan, and if anyone from the area needs a ride, just shoot me an email and we can work out the details.

Copyright Random House, 1956


Detail from cover
Isn't the cover of this book beautiful? The quality of the color reproductions was really quite remarkable for the era, too. You can readily see the rough texture of the watercolor paper, as well as the soft layers of washes and the nuances of the pencil lines. I think it's notable that these images still come vividly to mind more than 45 years after I first saw them the moment I hear the familiar first lines of songs like "Row, Row, Row Your Boat" or "Here We Go 'Round the Mulberry Bush."

Here's a glimpse of the illustration for the former song, as well as a closer look at a couple of the figures. There's a real sweetness, without veering into saccharine. The botanical elements are consistently precise and beautiful. 


I spoke recently with Joe Martyak, the chief of staff at the CPSC, for information about how CPSIA affects children's books, literacy programs, libraries, and the sale of the original art from children's books for an article I'm writing for the Society for Children's Book Writers and Illustrators (SCBWI - visit their website here) and for an opinion piece with a similar theme I'm working on to submit to the Pittsburgh Post-Gazette (which ran one excellent article on CPSIA and dirt bikes but has otherwise ignored the whole thing). Although much of what Mr. Martyak told me could be construed as encouraging from a short-term perspective (he didn't think the CPSC would be going after libraries, literacy groups, booksellers, etc. any time soon due to low priority and lack of resources), my overall mood is one of gloom for the future of children's literature's past unless Congress agrees to try again with the CPSIA. He was clear that their preliminary testing  finds many older books hovering around the 300 ppm level - the standard which goes into effect in August. (This is destructive testing because XRF testing is not particularly helpful for books since it can only measure the lead in a particular spot which tells you little about total lead) An even stricter standard of 100 ppm goes into effect in August, 2011, at which time my guess is that few old books will pass.

Mr. Martyak did his best to ask my specific questions, but it's clear there's just much that he and the agency have not yet figured out. And that of course is just one of the many, many problems with passing a tsunami of a law and rushing it into enactment: there are a nearly limitless number of details and judgment calls with a law like this, and no matter how hard-working or well-meaning the folks at CPSC are, they will simply not be able to sort them out any time soon, not in the next year, probably not in the next five. For example, he had no idea how the law would be applied with regard to schools (who become manufacturers under a strict reading of the law when they create unit packets with comb bindings - or when they even just staple a pile of papers together). He thought that the publishers who produce inexpensive staple-bound paperbacks could get away with just testing the staples (since for now "ordinary books" are exempt from testing), but it sounded to me in other published CPSC advisories like deviating from the ordinary book definition meant the whole product had to be tested. And Mr. Martyak had not realized the agency had used different definitions of ordinary books, nor whether that signaled a shift in interpretation.
I love how she handled the challenge of facing pages that couldn't really bleed together, given the printing limitations at the time.
Aren't the cherry blossoms breathtaking? And they should be in bloom on April 1st for the rally. Of course, that baby should be sleeping on his back, in an approved, labeled crib. Hope there aren't any fasteners or phthalates in that sleeper. On the whole, I think the CPSC investigators would have a field day, as would CYS.

Right now, those of us who oppose the CPSIA are largely at the wind-blowing stage. (The ATV industry and the thrift stores too are past that though). But the bough-breaking phase is not far off - next February 10th will herald both the testing and certification mandates - and the end of many more businesses and safe, useful products. We need to take action now, before disaster strikes.
Not sure if this guy is looking for his little dog, or for the toys, books, and clothes he used to have.

One of the extra elements common in older books are illustrated endpapers, like those above. You still see them in some picture books today, but much less frequently since they're an added expense, as well as more work for the illustrator (who is generally paid the same whether or not the end papers are illustrated). Endpapers are not usually included when a hardcover is reprinted as a paperback, which is yet another reason to prefer the older editions.

The description below is from a bio of Marjorie Torrey (who was also an acclaimed mystery writer) by Tom and Enid Schantz that appeared in the Rue Morgue Press in 2002:
"But it was her work as an illustrator that brought her fame and awards. Her first Caldecott Honor book, Sing Mother Goose, with songs by Opal Wheeler, came in 1946. The following year she earned another Caldecott Honor medallion for illustrating Sing in Praise: A Collection of the Best Loved Hymns, once again selected by Wheeler. A Caldecott historian wrote of her work: 'The full-color illustrations reflect the solemnity and reverence seen in Torrey’s Mother Goose collection, and these interpretations communicate the essence and importance of the songs’ words…Torrey’s gentle black-and-white illustrations possess the softness of pencil, some the sharp lines of pen and ink, and others a combination of both.'...All of her books are out of print today. Even her Caldecott honor books are difficult to find, often confined to rare book rooms or the special collections section of larger libraries."
You can read the whole article here. And despite the rarity of her books (which my attempts at searching for them confirm), you can still find a few inexpensive copies (see these amazon listings for the song book I own), meaning the volumes likely won't qualify as collectibles under CPSIA standards - so better get a copy while you can.
Ms. Torrey was also well known for her version of Alice in Wonderland.
I'm hoping someone decides to republish her work.

Here are two more CPSIA articles on books in the MSM: a Washington Post article that ran in the health section, and one from the St. Petersburg Times here. Very discouraging, but I think Congress ought to take a look at the typical comments about this law. Don't know who those constituents are that they claim are pestering to preserve the law unchanged, but they're not exactly vocal in public.


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45. CPSIA and Books 5: The Threat to Staple-Bound Books and Literacy Efforts



Vintage books are not the only ones affected by the CPSIA interpretation of which books are exempt from the testing and certification rules. According to the Statement of Commission Enforcement Policy on Section 101 Lead Limits, dated February 6, 2009, which grants the exemption to ordinary books:

"The term "ordinary book" in this context means one that is published on cardboard or paper printed by conventional methods and intended to be read. It excludes children’s books that have plastic, metal or electronic parts. "
This definition is a footnote to Section 5 at the bottom of page 4 of the document. You can read the whole pdf here.

In other words, this definition of "ordinary book" excludes many popular children's books: for example, the "touch and feel" baby books like the classic Pat the Bunny by Dororthy Kunhardt; cookbooks and craftbooks with metal or plastic spiral or comb bindings; what the trade calls "book plus" formats (for example, a book packaged with a stuffed animal, one that incorporates a finger puppet or some other toy element, or a project book that incorporates supplies, like the enormously successful Klutz line and many American Girl craft books); many cloth and all vinyl baby books; and those horrid things that have buttons kids push to make screechy electronic sounds at the appropriate moments (or inappropriate ones, as the case may be - personally not sorry to see those go).

There's lots of gray area too: what about paper and board books that seem no different from other ordinary books except that they're intended more for play than reading, like the ones that form a play set or include paper dolls? What about pop ups that have a fabric element (since fabric is deemed safe too)? Books with metallic lettering or foil along the binding (like the Little Golden Books) or gilt edges like many children's Bibles?



I'll discuss these issues in later posts, but for today I'm going to focus on books with stapled bindings (which in the trade are called "saddlestitched" bindings). The books above and in the top photo below are typical examples of staple-bound paperbacks, held together not with glue or thread but with two small metal staples. Extra tall picture books might have three staples. (The ones in the second photo before are examples of glued bindings, called "perfect bindings.) These stapled books are tremendously important to literacy groups, schools, and other organizations that promote reading.

The staples are clearly metal and equally clearly part of the book, which under the CPSC's earlier definition of an ordinary book seems to make them subject to the same testing and certification requirements as other non-exempt children's products. I say "seems" because there's some confusion about whether they are in fact included in the ban, confusion that arises in part because of CPSC's inconsistent language in defining an "ordinary book." For example, in their more recently published Guide to Small Businesses, Resellers, Charities, and Crafters, a guide that nonprofit literacy groups, thrift stores, and small used booksellers might well rely on to make decisions about which books it's okay for them to distribute, an "ordinary book" is defined this way:

Children’s books printed after 1985 that are conventionally
printed and intended to be read, as opposed to used for play"


Note the absence of any language about metal, plastic or electronic parts. I've come across similarly abbreviated definitions of an "ordinary book" in other documents posted by CPSC. I spoke with a lawyer about whether this change in the wording could be interpreted to reflect an actual change in the definition. (While not an expert on CPSIA or product liability in general, this lawyer deals pretty much daily with other federal regulatory agencies.) He said that typically agencies are extremely precise about their language when offering guidance, so most of the time it would be reasonable to assume that yes, they'd changed their minds about the definition if they changed the wording. In this case though, because the language occurs in a glossy brochure written in layman's language, he'd caution against relying on the more casual definition and advise you to consult with someone at the agency.

Good luck with that.

I've emailed and called CPSC dozens of times now with specific questions about this and other issues. I assume my emails go through, but my calls to the ombudsman's office don't. I'm working on a couple assigned articles about the CPSIA, which makes me a member of the press so I tried the media number early in the week and did get through to someone - who couldn't answer my questions. Late Friday someone else finally called me back (after I got my congressman's office to intervene for me) but unfortunately I wasn't home and he didn't try my cell phone despite having been given both numbers. So I still don't know whether staples are in fact okay, but I'm inclined to think not.

I'm not the only one. Many booksellers are removing the stapled books from stock (see this post from semicolon and the coverage on books from Walter Olson at overlawyered.com). And other groups are simply panicking. I've spoken with representatives at several large literacy organizations. At Reach Out and Read, a very successful program in which pediatricians "prescribe" books and give out both books and lessons on reading to youngsters at regular health check ups (check out their website here), the coordinator opted to pay for testing of their inventory after doctors and parents expressed concern about the stapled copies that are the bulk of the books they give out to kids over three - and that's money she now doesn't have to buy new books or use to train doctors and nurses in teaching literacy. As she expected, all the books passed with flying colors. (In an earlier post, I linked to an article about this group's concerns - read it here if you missed it.)

But the most common reaction I get from groups that distribute these books to schools, from publishers to schools to other literacy organizations is "Huh?" If they've heard of the law, most have some significant area of misinformation: "It doesn't apply to us because we're nonprofit," or "They exempted all books except vintage ones," or "Someone would have notified us if we were supposed to comply with that." But the most common response is, "I have never heard of that law and I have no idea what you're talking about." (So far, no school district I've called has heard of the law at all so of course they are taking no steps to comply with it. One teacher I chatted with though noted that she regularly assembles packets of papers on a topic and staples them together herself or has the district bind them together with a plastic comb binding if they're thick and will get heavy use - guess that makes schools manufacturers of potentially deadly books too in need of testing and certification too.)

But back to stapled books. Why don't publishers and sellers just switch to glued bindings for their picture books and easy readers, if the stapled ones are a problem? After all, there are other reasons too that make stapled bindings less desirable than perfect bindings - the stapled books have no spine so it's hard to find a shelved book, they also often have lighter-weight covers and look more like a pamplet than a traditional book, and there's always the risk of getting poked by a bent staple, or swallowing one if you're inclined to eat your books (as CPSIA presumes).

First, there are as many reasons to prefer the stapled bindings as to dislike them. Glued bindings just don't hold well unless there are lots of pages, and a standard picture book has only 32 pages. You may have had the experience with a perfect-bound book of pages coming loose (like the book above - a copy of Alfie's Feet by Shirley Hughes, one of my favorite children's book author-illustrators) or even coming out all together and getting lost. The stapled bindings which fasten folded pages rather than individual sheets almost never lose pages unless they're ripped. In addition, the stapled bindings generally lay flat and stay opened, an advantage for little guys and kids just learning to read, who may find juggling holding a book open and steady to be just one task too many on top of the challenging job of deciphering the words.

Sometimes, especially with older books or ones that get heavy use like in classrooms, the glue in a perfect binding just gives out all together, and the whole book separates into chunks which come loose from the cover, as with this copy of Angus and the Ducks by the talented Marjorie Flack.

I'm going to blog about this vintage book in a separate post, so check back if you want to learn more about the notable book about the curious little Scottie .

The main advantage of the stapled bindings, though, is cost. Sticking a couple of staples through the pages and cover in one fell swoop is both faster and way, way cheaper than applying glue, letting it dry, then gluing the cover on and letting it dry again. The coverstock can also be thinner, which means it's cheaper, and in addition these books are often printed on thinner, lower quality paper.

Publishers can thus offer these stapled picture books at a pretty substantial discount, which is why they're common in the book club offerings, stocked by the checkout counter at the supermarket, popular with libraries with smaller budgets or who want to stock some books with time-limited appeal or lesser literary merit, used for classroom collections of literary readers, and much used for literacy programs that do free book distributions.

Many of the groups offering these inexpensive stapled books (like the book clubs, many of the larger publishers, etc.) also award bonus points that can be redeemed for classroom books or other supplies (like math manipulatives) when students order books, and others kick in extra books or even deeper discounts to organizations that buy in bulk.

Most of the book distribution programs, like RIF (Reading is Fundamental), Reach Out and Read, First Book, and Beginning with Books are nonprofits with tight budgets and a determination to get not just one new book but many in the hands of needy kids at risk for low achievement. These programs are consistently successful and have the research to prove it, but they don't have the funds to buy as many hardcover or even higher-priced paperbacks for all the kids they try to serve. This matters because research has shown that kids who own more books are more likely to become both capable and eager readers (see this pdf of a study from Columbia University's Teacher College as an example, and see these links to studies about the relationship between the number of books a family owns, poverty and outcomes in the U.S. at the First Book website).

If these literacy groups have to forgo both older donated books (which some distribute and others resell as fundraisers) and either or test or discard their inventories of the affordable stapled books, their programs will be severely affected and many fewer children will get books in their hands this year. It's unclear what will happen to the prices or availability of these books once testing and certification of non-exempt products goes into effect in February, 2010 - but it can hardly be good.

And now to why this really, really matters, in terms of children at risk for lead poisoning. Right now, there are no effective medical treatments for kids with elevated blood levels. For kids with dangerously high levels, doctors do chelation therapy which removes heavy metals, but it's risky and not effective at the low levels more commonly seen. Bellinger, one of the major researchers on lead poisoning, has noted that there is not a consistent dose-effect relationship between lead and neurological functioning (information I suspect was likely missing from the Congressional hearing on this issue). See this abstract of a journal article on the research here. Based on his review of the body of literature and his own research, Bellinger hypothesizes that an enriched environment can prevent or ameliorate the effects of lead exposure, which is especially significant in light of the absence of an effective medical treatment. In the journal Pediatrics, Bellinger noted (emphasis added is mine):

Finally, characteristics of a child’s rearing environment might influence the
toxicity of a given lead dose.47 Lead seems to be similar to other biological risks, such as low birth weight, in that children from environments that offer fewer developmental resources and supports express deficits at a lower blood lead level than do children from more optimal environments45,48
and show less recovery after exposure.
43

In his book Human Neurodevelopmental Toxicology (at $250 from Barnes and Noble not a cheap read, but you can view the relevant pages on p. 76 at Google Books here) Bellinger asserts that his idea about the benefits of enriched environments is also supported by animal studies (which are critical in lead research because experimental studies obviously cannot be conducted on human beings). For example, in one animal study, lead-poisoned rats raised in an enriched environment outperformed non-poisoned rats raised in a regular rat environment and didn’t differ significantly from non-poisoned rats raised in an enriched environment. These findings are also consistent with the every day observations you see in blogs and comments to news articles every where: "If lead is always so bad, why are people like me who were obviously exposed to lead as a child just fine?" It's also consistent with the research going back many decades that consistently shows that children who read a lot (and thus would likely have had the most exposure to lead in books) typically have better achievement scores and lower rates of the behavioral problems like ADHD and aggressiveness than kids who rarely read (and thus presumably have the lowest exposure to lead in books).

And, what's one of the easiest, cheapest ways for a low-income parent to provide an enriched environment for his child? Books of course - which are free through the public library and book distribution programs, and inexpensive through used booksellers and book clubs.

Or used to be. Good luck with that post-CPSIA.

P.S. Reviewing the research on lead toxicity is tremendously difficult for the average person. Not only does it involve slogging through lots of technical language and reams of data and statistics, it's nearly impossible for someone who doesn't have access to a university library or a huge discretionary budget to obtain whole journal articles (you can often find abstracts on Google Scholar) and book-length professional summaries and analyses of the literature. It might not matter, except that folks like Jared, a staffer at the Senate commerce committee, informed me that the only thing likely to push the DeMint bill out of committee is high quality scientific research suggesting that the law is over-reaching. Since not only is conducting research like that out of the reach of the typical person affected by this law, but looking it up is too, it's going to be hard for the people who care to build the case that will persuade Congress to try again.

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46. CPSIA and Vintage Books: A Terrible, Horrible, No Good, Very Bad Law



I went to sleep with no coffee in the house and when I woke up there was still no coffee in the house and the garbagemen came before I could stick the smelly leftovers in the can and then I found an even stinkier new statement from the CPSC about books, and I could tell it was going to be a terrible, horrible, no good, very bad day.

I think I'll move to Australia.

If you've ever read this childhood classic by Judith Viorst with expressive black and white line illustrations by Ray Cruz (Atheneum, 1972,), I'm sure you get my literary allusion. And if not, here's the first page as a teaser - you have got to read this book, which is still completely relevant and delightful 37 years after it was published. It's just as appealing to adults as it is to kids.

Copyright 1972, Judith Viorst and Ray Cruz

So here's why it was a THNGVB day. The CPSC put up some new "helpful" powerpoint slides for their staff today (you can read them all here).

Here's the line that's got me ready to move to Australia. Or, better yet, ready to make Congress move to Australia and let the country start fresh. Page 6 has the guidance on children's books (ordinary books safe if published after 1985, limited staff analysis has shown some lead in older books, blah, blah). And then this line:

Children’s books have limited useful life
(approx 20 years)

I had to read this statement about a dozen times before I could believe it really said this.

What planet do these people live on? Have they never heard of Winnie the Pooh? The Wizard of Oz? Peter Pan? Alice in Wonderland? Peter Rabbit? Charlotte and Wilbur? Mike Mulligan and Mary Ann? I could go on for quite a while.

Maybe, my son suggested, they were referring to the physical book, that volumes wear out after 20 years. Except that's equally asinine. You don't have to be a rocket scientist to figure out that there are millions of copies of children's books published and printed before 1989 that are still in excellent, completely useable condition, with content still just as capable of stirring the souls of children or tickling their funny bones or teaching them something interesting. Otherwise, there'd be no one out here making a stink about old books, but there are tons of us.

Well, maybe, said my Devil's Advocate, they were referring to library copies which can get some pretty tough wear and tear. True - but libraries are still sweating bullets about having to purge the pre-1985 books from their collections, which makes me think those old books are surviving at a pretty high rate. Doesn't surprise me, when you consider the industrial strength of some of those bindings and the fact that past the age of 2 or 3 kids start to treat their books with a little more respect.

In fact I recently finished reading a truly outstanding library book, Mine for Keeps, by Jean Little (Little, Brown, 1962) and although after 46 years the cover art looked faded, there weren't even any ripped pages or significant stains or anything else that would make this book unusable. And the content, about a girl with cerebral palsy who struggles to fit in at her local school after returning from a special boarding school was timeless and universal. I really cannot recommend a book more highly. I read it first when I was in 2nd or 3rd grade and when I rediscovered it I was overjoyed. What's really wonderful about this book is, despite my initial description, is that it's not so much about a girl and her disability as it is about the typical kid challenges faced by a girl who also just happens to have CP. That's an important distinction, and it's only part of what makes this book so great. (It's a great dog story too.)

Illustration copyright 1962, Lewis Parker
I'm now reading my way through all of Ms. Little's sensitive, moving books (thanks to the many amazon sellers who haven't yet been forced to remove their inexpensive non-collectible copies of vintage kids' books), including her memoirs, which I also strongly recommend. In the first volume, Little by Little, there is a hilarious scene in which Jean, who is blind from shortly past conception, subs for a last minute scratch in a championship college intramural basketball game. Today that scene would have been videotaped, become a viral youtube video and been re-broadcast on ESPN and all the morning talk shows.

No, the CPSC's completely ignorant statement is the equivalent of saying that we have no need of Rembrandt, Matisse, or da Vinci paintings since some perfectly nice ones have been made in the last 20 years. No need of Shakespeare, Jane Austen or Dickens when you can read John Grisham or Janet Evanovich (not that I have anything against those latter authors - fine beach reading. In fact, Grisham could write a pretty good thriller featuring an evil congressman in cahoots with the consumer lobbyists and aided by a nefarious CPSC enforcer as they pursue a beautiful crafter fleeing with his movie-star beautiful fiancee, the vintage bookseller.)

I had started a completely different post about the impact of CPSIA on literacy programs (I've been collecting info from several prominent ones), the economics of binding, and the research on the link between lead poisoning and exposure to books and educational toys (which I have a feeling will surprise Congress). But I'll save it for tomorrow.

Let this sink in meanwhile: Mary Poppins: irrelevant. Pippi Longstocking: useless. Babar, Ferdinand, Curious George, Frances, Corduroy, Harriet the Spy, the Very Hungry Caterpillar, Madeline, the Borrowers, Little Tim, the Runaway Bunny, Max in his wolf suit, Horton and the Whos, the Grinch, Sam-I-Am, Amelia Bedelia: who needs them?


Now this book above you might argue is an example of why a children's book is "useless" after 20, well, more like 40-some years. As you can see from the cover, this volume has had a long, rough life. The Trolley Car Family by Eleanor Clymer (David McKay, 1947 - my copy is from the late 50s or early 60s) was one of the many books in my family's collection of "bathtub books." The house we moved into when I was 10 had a huge claw-footed bathtub on the third floor, and my sisters and I spent substantial chunks of our moody teens in it reading and re-reading our favorite childhood books. But even though this book's cover is rather the worse for the wear and it's a bit wrinkled from too much hot water and Calgon, it still has all its pages. Twenty years after its bathtub duty, my own kids enjoyed sharing the old-fashioned adventures of the family who was forced to move into the trolley car their dad drove until the trolleys were replaced by more modern buses, Pa lost his job, and the family was forced out of their home.

Come to think of it, a story about job loss, home foreclosure and useful things deemed obsolete doesn't sound so old-fashioned these days, does it?

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47. CPSIA and Vintage Books 3: Girl Eats Dangerous Vintage Book; Gets into Yale Anyway




The book above, by the renowned English illustrator L. Leslie Brooke was my first literary love. There's no copyright date in my copy (not too unusual with older books), much less a printing date (also not unusual, even in books printed since 1984), but I'm guessing from the copies I've located online that it was published in the 1920s. It has to have been printed prior to 1958 (when it came into my family's possession) but whenever it was published, it's clearly in the suspect category of pre-1985 books. It's long, long out of print, somewhat rare, but not apparently in the too valuable to be given to a child, as I easily located three copies online today, all for less than $20 (which is less than many new hardcover nursery rhyme collections retail for). (Some of Brooke's books have been preserved by the Gutenberg Project, but this is not one of them.)

My mother began reading to me as soon as I was born. I enjoyed all the books she shared with me and my older sister, but this book was my hands-down favorite, and the page above, an illustration from the rhyme "Cock-a-Doodle-Doo," was the one I loved best of all. I loved it so much that I "kissed" it (in the big open mouthed slobbery style typical of babies) until it simply dissolved into a pulpy, mushy mess. I was terribly sad when it was gone (though that didn't stop me from loving many other pages in the book to mush), so my kind grandmother Kee gave me this replacement copy for Christmas that year, when I was 15 months old. This copy shows no signs of having been chewed or licked at all and is in remarkably good shape considering that in the years since I have often used it for artistic inspiration/reference, and I also read it to all three of my kids many times when they were babies and toddlers. 

Despite my consumption of this evil, almost certainly lead-laced vintage book (look at the bright reds on the rooster), and despite growing up in a generally lead rich environment (I've lived my whole life in older homes, several of which were extensively renovated while I was in them, drank tap water that flowed through lead-soldered pipes, played and gardened in soil undoubtedly contaminated by the leaded gas that was used then, and of course always had my nose buried in those dangerous pre--1985 books), I managed to be accepted to Yale, and even graduate with honors. And then I went onto the University of Virginia where I got an M.Ed. and a Ph.D. in clinical child psychology.

There are several reasons this story is important with regards to CPSIA. First, the way I loved my book with my mouth as well as my eyes is typical of babies.  Few babies actually consume pages (especially now that board books are widely available and much sturdier), but most do lick, suck and chew on the cardboard pages. Thus the people who worry about babies' lead exposure are right to be concerned about whether books pose a lead poisoning hazard. And based on my reading and the reactions of many parents when I tell them about the law, parents are scared of books now (and not just the vintage ones). See this article and the comments on Parent Dish and this piece by an Australian pediatrician if you doubt that.

This by no means though indicates that I think the CPSIA position toward vintage books for kids 12 and under is even remotely reasonable. Note that although I devoured my first copy of the book, the second copy is unmouthed, despite many more years of loving. This pattern is actually fairly typical. As this research study indicates, children's "mouthing behavior" peaks between 6 and 15 months and by age 3 years, the licking and chewing of inappropriate objects has dropped to quite low levels . This is why both the U.S. and the EU have special "small parts" rules for toys intended for children below the ages of 36 months; after that, it's reasonable to expect that most typically developing children will have learned not to put unacceptable items in their mouths. (Interesting side note: according to many parents from my own folks' generation, mouthing of books ended at a much age than it does today; because there weren't sturdy board books available, parents taught even little ones to treat books with more care.) 

It is thus hard to understand why on earth Congress fought hard to extend the age range under CPSIA to 12, well past the age when mouthing is a concern. The only explanation I've seen is that some consumer groups argued that young children sometimes play with their older siblings' toys; by that argument, though, we ought to limit lead severely in ALL products for any age, since youngsters also get into their parents' things (ever seen a baby chewing on Daddy's keys or sucking Mommy's shirt?) and have frequent exposure to household objects meant for use by the whole family. Yet we're not regulating lead in bathtubs, sofas, kitchen utensils, TV remotes (another favorite of the small fry set), cell phones (saw a baby chewing his grandma's today at Costco), or the family car, which is definitely a lead and phthalate hazard (in the battery, in weights used to balance wheels as well as other metal alloys, with phthalates likely in the vinyl components). By the way, I'm not arguing for an adult version of CPSIA; the economy is tanking well enough on its own and with this law without more onerous provisions to push it over the cliff. I'm just saying.

The question remaining that I haven't answered of course is whether it matters that a baby sucks on a book with lead in the printing inks. I've been combing the internet, trying to track down research about the absorption of lead from ink, and I think it's intriguing that there are no reported cases ever (that I've been able to find) of anyone being harmed by the lead in ink. You'd think the occasional bookworm, printer, or literary-minded toddler would show up with a case of lead poisoning traced back to the printed word (or picture). I did, however, find this old NIH study that examined the pH conditions that caused lead to leach from printed paper; stomach acid pH did cause some leaching, but saliva level pH did not. This finding suggests that babies are likely only at risk if they're consuming the pages (as I did) -- but that ordinary gumming, sucking, and licking is not a problem. Maybe a little parent education to discourage them from letting babies eat paper would be good -- look at the success of educational programs like "Back to Sleep." Not every problem needs a heavy handed law to solve it.

I'm sticking in a few more illustrations by L. Leslie Brooke here, to give you a little break from so much reading in case you're too lead-damage to sit still and pay attention for long. This is another illustration from the same book ("Simple Simon" fishing for a whale in his mother's pail).

The next is the cover of one of Brooke's best known books, also a vintage copy. It at least is available in post 1985 copies, though none is close to as nice in quality as this.
The picture below is one I made in high school as an illustration for a story I wrote for my much younger brother. You may be able to detect the influence of Brooke (and also Beatrix Potter). I was so lucky to have had the outstanding reproductions in my old books, which were printed on a heavy, glossy stock that really brings out the subtle layers of wash and the textures of the brush strokes and pen and ink. 



Okay, now for the big finale. It would be just as silly to conclude that eating a lead book caused me to get into Yale (or that it was harmless and irrelevant) as it is for CPSIA to conclude that these old books are so dangerous that they must be kept from everyone under the age of 13. The fact that two things occur together (they are "correlated" in the lingo of science) does not indicate that one caused the other. (Obviously, but for my lead exposure, I'd be another Einstein.)

Just kidding, of course. But it's not silly to hypothesize that there is a cause and effect relationship between wide and frequent exposure to books and school achievement. This correlation has been known since at least the 1920s (and probably suspected by many teachers and parents before then). And that's why it's such a tragedy that CPSIA could lead to the loss of so many books. Aside from the fact that it will reduce the variety of children's books (since most have never been reprinted and never will be), it will also decimate the number of inexpensive or free books available to children. It's easy to find vintage books for as little as a quarter at library or yard sales or thrift shops (or at least it used to be) - try to find a new book available for that. Even more importantly, books published before 1985 make up a significant portion of the collections at many public and school libraries. Particularly in these tough economic times, they'd be unable to buy newer replacements for even those that had new copies available. Finally, older children's books were often more intellectually challenging than today's books; they used bigger vocabularies, more complex sentence structure, and overall more demanding texts.  (I'll try to add sources for all these claims tomorrow - I'm ready for bed now.)

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48. CPSIA and Vintage Books 2 - and Silhouette Art

Sara Reading, copyright 1997
I love silhouette art. The stark black and white contrast, the carefully picked out details, the sense of shape and mass - just utterly beautiful to me.  I remember going to have my portrait cut as a child in Cleveland by the silhouette artist Wally Spatz, who was a traveling regular to department stores around the midwest. Her speed and accuracy were truly amazing.

I cannot even approach her finesse with scissors, and I definitely can't work freehand. The portrait above is a papercut made from a drawing I did of my daughter Sara and was loosely modeled on a black and white woodcut silhouette of a nude on a bed by the Swiss artist Felix Vallotton. I transferred the drawing onto black silhouette paper and cut it out with an xacto knife (and it took many, many hours). I always cut the smallest interior "whites" first, and save the largest areas for last.

I trace my own interest in this kind of art back to even before I had my own silhouette cut, to children's books illustrated with silhouettes, created in a number of ways. I owned several Arthur Rackham books, and he often had spot silhouette illustrations, though I believe they were largely pen and ink creations. You can find materials and learn techniques about making silhouettes here, and read more about the history and techniques of silhouette art here.

The book below, Rhymes About the Country, features some outstanding silhouette illustrations, the kind that made me catch my breath as a child and still do. They rhymes too are sweet and funny and great to read aloud, which I did often with my own kids. The book, written and illustrated by Marchette Chute, was published by Macmillan in 1941, and was reprinted a few times in the 1940s and never since. Ms. Chute died in 1994 and you can read her NY Times obituary here

This book might fall into the rare half of too rare and valuable to given to a child under CPSIA, as I was only able to locate a handful online - but at prices ranging from $8 to $19 it hardly qualifies as too valuable. Too bad, because as rare as this lovely book already is, there's a good chance it could end up discarded into extinction by booksellers worried about lead liability and not willing to spend money on an $8 book for XRF testing to find out if it's okay or not. (And of course when destructive testing goes into effect next February, it would not be possible for a seller to test it, since I've yet to find any who have more than one copy).I love both this illustration and the poem that it accompanies. Made my kids laugh every time I read it. Ms. Chute had a real knack for cutting objects so that your brain "filled in" the blanks - you easily "read" the curved shapes by the bat as a playground ball. And you can feel how the child has tipped his weight forward along with his chair. Masterful.
The illustration above is just stunning to me. I hope someone somewhere has preserved the original silhouette art for this book.

Books like this one tend not to be reprinted. The poems, although they scan perfectly and are in touch with a child's psyche, would be categorized as "quiet" and therefore not likely to make a big enough splash in today's children's market. Also, I'm not sure what the deal is with the copyright of this book. Perhaps it's out of copyright in which case the Gutenberg project could at least scan it and preserve it that way. (Copyright laws have changed over the years and I find it tricky to figure out which one applies. Currently, books get the author's life plus 70 years -- and that's a discussion for another time.) Black and white only illustrations are also rare since color printing became inexpensive and easier. (Illustrators used to have to make time-consuming and technically challenging "color separations" to reproduce the colors in their final art; I for one am very glad to be well past that era; I think it would have exceeded my skill.) Publishers today see kids as more drawn to colorful artwork, and perhaps they're right, but I'm convinced nonetheless that there are many kids who would still enjoy these charming illustrations. (There are some exceptions. This year's Caldecott winner, The House in the Night, illustrated by Beth Krommes [and written by Susan Marie Swanson] features black and white scratchboard art, with touches of yellow. It's a beautiful book and a timeless, and quiet goodnight story. Maybe it bodes well for Marcette Chute's books.)
These last three silhouettes are by me. They're portraits of my three kids that I gave to my in-laws as part of a larger piece featuring all their grandkids. The technique and poses, so different from the traditional head and shoulders profiles I remember from my Wally Spatz portrait, were inspired by Ms. Chute's art. (I'll be hanging onto my copy and writing a fierce note to my heirs to keep it out of the trash bin.)

I'm keeping my fingers crossed that CPSIA goes away before every copy of Ms. Chute's lovely books do.

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49. CPSIA and Vintage Books: Lotta on Troublemaker Street

This is my childhood copy of Lotta on Troublemaker Street by Astrid Lindgren (of Pippi Longstocking fame), translated from Swedish by Gerry Bothmer and sensitively illustrated by Ilon Wikland. 


It was published by Macmillan in 1963, putting it in the category of pre-1985 books made suspect by CPSIA. I found a number of used copies from online booksellers, ranging in price from $3.20 up to about $35, so it doesn't fall into the protected category of a book that's of sufficient "value and age [that it] wouldn't be expected to be used by children." (CPSIA guide pamphlet, p. 12) Given the SmartMama's experiences with testing the inks in older books, I wouldn't be surprised if the bright reds on the cover and in most of the interior illustrations would fail the 600 ppm lead limits now in effect (and the limit will drop to 300 ppm in August, and later to 100 ppm). All of this means that the book probably falls into the "hazardous waste - discard" category of CPSIA (if I were thinking of getting rid of it, which I'm not).

It was a gift from my grandmother for my 5th birthday, and it was the perfect choice for me, seeing as it was about a five year old girl remarkably like me. Not only did the Lotta of the illustrations look quite a bit like me, with blond hair flying every which way, but she had the same sense of being treated unfairly by her family that I was prone to at that age, as well as my fierce temper, independent streak - and loving heart. It's small wonder that I demanded that my parents read this short chapter book to me over and over until I learned to read myself and could satisfy my need to return to the familiar, comforting pages. I read it repeatedly to my own three kids, who also loved it (though only one shared my fierce temperament), and I've still not tired of reading about how everyone is so mean to Lotta and her beloved Bamsie, the piggly bear.

Lotta wakes up one day in a crabby mood after a bad dream, and the morning goes downhill from there. After Mother unreasonably insists that Lotta wear the sweater her grandmother made (which "tickles and scratches") rather than her Sunday best blue velvet dress (boy, were these familiar details in my world!), Lotta pouts in her room, forbidden to come to breakfast or join in the shopping trip until she gets dressed. After she cuts up the tickly, scratchy sweater, she's struck by remorse, blames it on a dog and decides to run away. Fortunately, Mrs. Berg next door has a nice little treehouse-like room above her shed, and it's available for Lotta to set up her own "househole." You'll have to get a copy of your own to read the rest of Lotta's adventures and the reassuring ending.

Ilon Wikland's illustrations so perfectly capture the mixture of anger, misery, regret, and inability to make things right that Lotta experiences as she digs herself into a deeper and deeper hole with her pouting and tantrum. And the details are wonderful, like Lotta's slipped down stocking and the grubby look of the well-loved Bamsie.

You can really feel Lotta's relief and Mother's love and understanding in this illustration near the end of the book. The lines and textures are lovely and so appealing to me.

This edition of Lotta was reprinted several times in the 1960s but then fell out of print. In the early 1980s, the story was republished by Simon and Schuster with illustrations by Julie Brinkloe. That edition is also out of print, suspect under CPSIA guidelines, and actually harder to find than the editions from the 1960s. More recently (2001), it was reissued as an Aladdin paperback, with illustrations this time by Robin Preiss Glasser, and it is still available from amazon.

But that is small comfort to me. A paperback is NOT the same reading experience as a hardcover (even the size and shape are different), and although I've not seen the whole book and I've nothing against Ms. Glasser as an illustrator in general, well, her cover illustration just does not capture the same feeling at all to me. 
This Lotta lacks the innocence of the Wikland's Lotta and she even looks older. She seems sassy, rather than spunky, an important distinction to my mind, and of course, she's just not the Lotta who's almost as familiar as a family member to me and my kids. I'd buy this if I had no other options, but I'd feel sad indeed.

Below is the inscription to me from my grandmother that's on the flyleaf of my copy.
I've stuck this in, because of course it's part of what makes this book so valuable to me. If CPSIA were to "recall" these older books and insist that they be discarded, or if they threatened caregivers with abuse charges for letting children handle them, well, I'd be forced to take a Charleton Heston stand, vowing to relinquish my book only when they pried it from my cold, dead hands.

And that's significant omission in regards to this law. Because every other time that CPSC has classified a children's product as dangerous, they've issued a recall, suggesting that parents return the product or discard it. Why haven't they done that with the millions of products now deemed so dangerous to children that they can't even be sold at a yard sale or given to the kid next door?

I suspect for several reasons. First, it simply wouldn't be practical. Landfills would be overrun, there'd be a tremendous public outrage, and it would kill the bookselling and publishing industries. But more importantly, I suspect it's because the risk from most of these suddenly illegal products is really quite small. And so it makes me extra, extra sad that so many of these books will likely be lost forever before long.

I had to buy an extra copy quickly before the CPSIA police catch up with the online sellers. Now I'm thinking I should buy a couple more, so each of my kids will have one to share with his/her kids.


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50. CPSIA Updates

Illustration from my picture book Mimi, Bloomsbury, copyright 2008

I'm back again and apologize for the break. I've been busy with work and family, but also with following and fighting the Consumer Product Safety Improvement Act which I blogged about earlier. I never used to think of myself as an activist, but for the past six months I've been getting my hands dirty with the political process, and I do believe it's possible, though not easy, for ordinary people to join together and have a real impact on the direction of our government. 

In the case of this law, I believe it's essential for us regular people to get out there and fight it.

Since I last blogged about CPSIA, there have been a number of developments. Most significantly to me as a children's book author and illustrator, the CPSC ruled that "ordinary books" (i.e., not novelty books or those with spiral or staple bindings) printed since 1985 can be presumed to be lead free and don't have to tested. This is a huge help to publishers of new children's books who can cross at least one giant threat to the kids' book industry off the list, as well as to us authors and illustrators who can worry less about their recent books being pulled from school, library, and bookseller shelves, and maintain hope that there will continue to be publishers out there to buy our new manuscripts. (Plus we can continue to donate copies of our books to literacy groups and libraries, as well as give copies to friends' kids without looking over our shoulders for the lead police.)

The other ruling that has made me sigh with relief is the one that items made 100% from a handful of materials that are known for sure to be lead-free can also be sold without needing to be tested. These materials include most textiles, threads, and yarns (metallics, vinyls, treated leathers, etc. are excluded), and untreated/unpainted wood as well as those "commonly" used materials for children's toys and clothing like 14 carat gold, diamonds, rubies, pearls, etc. (I am not kidding about these last materials -- see the list of safe materials on p. 8 of the CPSC's Guide for Small Businesses, Resellers, Crafters and Charities.) My kids and I like to make quilts and afghans for Project Linus and I knit teeny tiny hats for preemies, and it really distressed me to think I'd never be able to donate things like that again. (Neither my quilts nor the hats has any fasteners, and while in the past I've helped kids make quilts with pictures they'd drawn with fabric pens or crayons which aren't exempt from testing, I guess I can shift my decorative approach.)

But on the whole, the rulings and clarifications have done little to ease my concerns or those of other small businesses, crafters, consumers of small batch items, and yes, kids themselves. 

Although the CPSC stayed the testing requirement for a year and has ruled that resellers like thrift stores and people having yard sales don't have to test at all, the stays provide only the illusion of relief. First, none of the 50 states' attorneys general are bound to abide by CPSC's rulings, and neither are the private plaintiffs' lawyers authorized to pursue cases against "wrongdoers." Second, everything you manufacture (and you're a manufacturer if you so much as add a ribbon to a hair bow and try to give it away) still has to comply with the lead and phthalate limits - and how can you tell for certain that something is in compliance if you don't test? Many thrift stores like Goodwill and the Salvation Army are pulling all or most children's products from their stores, refusing donations, and turning away the families that really need these items in this troubled economy. (See this front page article from last week's Boston Globe if you don't believe this would happen.) Finally, when the stay ends a year from now, the destructive testing provisions will still go into effect for all children's products except the small percentage that have been given a reprieve - the costs of that testing will force the remaining small businesses that have limped along this year into oblivion (and the destructive testing will obviously signal the end of one of a kind products).

You can read about the myriad of consequences in more detail than I can provide here at several excellent blogs, including Walter Olson's Overlawyered, Rick Woldenberg's business site, Learning Resources, Inc. and the blog of used bookseller Valerie Jacobsen (she's also a homeschooling mother of eleven - makes me feel like a slug). I'm also awed by the encyclopedic coverage of the law and vintage book fallout news provided by Deputy Headmistress (another homeschooling mom -- slacker -- she "only" has seven kids. How do these women accomplish so much?). And check out the  Adventures of Whimsical Walney, who unfortunately has been forced to shutter her small business because of the law; she offers lots of help for people who want to contact their congressmen but don't know what to say or how to find addresses and phone numbers, as well as links to the major players covering different things affected by the law (see her 2-28-09 posting).

There was finally an article in my local paper, the Pittsburgh Post-Gazette about the law the other day. (Read it here.) It's by Brian O'Neill, a columnist I really enjoy, who has a good track record of achieving reforms locally, so I was especially glad to see it. He only covered the dirt bike angle (the youth dirt bike and ATV industry is basically eliminated by this law, since lead is a necessary component in some of the alloys used to make them). But since he failed to address the parts of the law that have me utterly up in arms these days (like equipment and supplies for special needs kids and vintage books), I had to send him rather a long letter begging him to write about those issues too. I haven't heard back from him yet (urk, he's probably still trying to get through my missive), but I'm hopeful he'll take up the fight, along with his battle to restore passenger rail service to at least its inadequate-but-way-better-than-now status. (That's a battle I care about too.)

Here's an excerpt from my letter to him:
Libraries and used booksellers are similarly paralyzed and the threat to the history of children's literature is dire. The CPSC granted another last minute exemption for "ordinary books" (i.e., not novelty books or inexpensive paperbacks bound with staples) printed after 1985 (it's apparently really just a coincidence that the magic year is 1984 -- that's when lead was banned in printing inks) because publishers were able to provide a wealth of scientific evidence that the inks, glue, papers, chipboard they currently use don't have lead in them. There may, however, be trace amounts of lead in the inks used in older books or in metal staples -- so EVEN IN THE ABSENCE OF A SINGLE CASE OF LEAD POISONING FROM BOOKS and plenty of evidence that lots of exposure to books is associated with better outcomes for kids -- the CPSC has advised libraries and booksellers to "sequester," test or discard books printed before 1985, novelty books, and wire, plastic or staple-bound books. They did grant an exclusion for books and other collectibles "of sufficient age or value that they would not be given to a child." This situation is a calamity as far as I'm concerned (or would be if people were complying. Libraries, for instance, many faced with the loss of huge parts of their collections, have mostly just decided to do an about face and take the position that the law doesn't mean them. Good for them.) The vast majority of older children's books do not fall in the category of being so valuable they wouldn't be given to a child (I rarely spend more than $5 per volume to expand my collection), and most are out of print. They couldn't or wouldn't be likely to be reprinted either, for many reasons. The old printing plates were usually destroyed when a book went out of print and the text and illustrations of older books are rarely available electronically, so books would have to be scanned (an expensive and time-consuming proposition) or re-typeset and/or re-illustrated. There are other reasons old books wouldn't/aren't typically reprinted: tastes have changed, there are thousands to millions of new good manuscripts awaiting or emerging for publication, it can be extraordinarily difficult to track down the holders of the copyrights (the authors and illustrators or their heirs typically), books have to compete with other media and have been hurt by the bad economy -- so it's likely most of the history of children's literature will be lost, particularly the books printed in the 20 years or so before 1985 that are not possibly considered to be special collectibles. The loss would be terrible for many adults -- illustrators and writers value the old books as sources, mixed media artists repurpose components of damaged books, historians use them to trace trends and attitudes, ordinary people delight in the memories they evoke. But the loss for children would be even greater. The content of an old book is no more made worthless by a newer one than your first child is made obsolete by your second born. In particular, poetry, nonfiction of all sorts, and anthologies would be severely depleted by this law with nothing to replace them. In addition, happening upon a favorite book from childhood is often the event that spurs a parent to start reading to a child, and this may be an especially important incentive to start sharing books in disadvantaged populations, for whom the benefits of books can be particularly great.

Okay, I'm running on at the fingers again, so I'll stop for now. But my pledge is that for the foreseeable future, or until this law is substantially changed or repealed, I'm going to blog most days about a vintage book that's threatened by this law, while also looking at the law (what makes sense, what doesn't), thinking about how best to combat it, and directing you to other good information. I'll also occasionally feature a useful product, small business, child, consumer, or taxpayer affected by the law. If you have any suggestions/requests, let me know.

I'm going to take a few minutes now to try to figure out how to add the "Say No to CPSIA" button to my blog (I'm such a techno idiot at times), add a list of CPSIA links, and do a little more blog housekeeping like that. And then I have to get back to my work -- but later today, I'll post about one of my all time favorite kids' books: Lotta on Troublemaker Street by Astrid Lindgren and illustrated by Ilon Wikland. 




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