Title: Ira’s Shakespeare Dream Written by: Glenda Armand illustrated by: Floyd Cooper Published by: Lee & Low, May 2015 Themes: African Americans, biography, Ira Aldridge, Shakespeare, acting, diversity, abolition of slavery in the USA Ages: 7-11+ Genre: Picture Book Biography Opening: IRA COULD NOT KEEP STILL as he waited in the balcony of … Continue reading →

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What do you do when you are at a posh reception at the French embassy to celebrate the fiftieth anniversary of one of the top French Children’s publishing houses, ”Ecole des Loisirs, and you spot one of your favorite author/illustrators … Continue reading →

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Enter to win a copy of The 50 States: Explore the U.S.A with 50 Fact-Filled Maps (Quarto Publishing Group USA, 2015), written by Gabrielle Balkan and illustrated by Sol Linero. Giveaway begins October 21, 2015, at 12:01 A.M. PST and ends November 20, 2015, at 11:59 P.M. PST.

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The growth of United States' shale oil and gas production over the last decade has been nothing short of phenomenal. Already the premier natural gas producer, Already the premier natural gas producer, the United States is poised to surpass Saudi Arabia and Russia as the largest oil producer and will likely become a net exporter of both oil and gas within a decade or more.

The post Shale oil and gas in the United States [infographic] appeared first on OUPblog.

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Made from 20 cards you send.
www,PetrinaCase.com

Golf bag on the back and the gas pedal- everything  made form the cards you send.

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In the 1960s, the South, was rife with racial tension. The Supreme Court had just declared, in its landmark case Brown vs. Board of Education, that racial segregation in public schools was unconstitutional, and the country was in the midst of a growing Civil Rights Movement. In response to these events, Ku Klux Klan activity boomed, reaching an intensity not seen since the 20s, when they boasted over four million members. Surprisingly, North Carolina, which had been one of the more progressive Southern states, had the largest and most active Klan membership — greater than the rest of the South combined — earning it the nickname “Klansville, USA”. This slideshow features images from the time of the Civil Rights-era Klan.

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  A rally against school integration, 1959

  In the wake of the Brown vs. Board of Education decision, and in the midst of the growing Civil Rights Movement, Ku Klux Klan activity boomed, reaching an intensity not seen since the 1920s. (Image credit: United States Library of Congress via Wikimedia Commons)

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  United Klans of America Charter and Business Card

  The UKA adopted the trappings of a bureaucratic organization. North Carolina Klan leader Bob Jones distributed business cards that announced him as Grand Dragon. (Image courtesy of the National Archives and Records Administration)

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  Crowd at 1963 March on Washington

  “We have the same right as the Negro to demonstrate,” Bob Jones told reporters, responding in part to the previous week’s March on Washington, which had attracted an estimated quarter-million Civil Rights supporters to the nation’s capital. (Image credit: National Archives and Records Administration via Wikimedia Commons)

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  United Klans of America Flyer

  The UKA printed up to two thousand of these flyers to advertise each rally. Members passed them out to likely candidates at service stations, cafes, and other meeting spaces. (Image courtesy of the National Archives and Records Administration)

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  UKA Membership Cards

  UKA members stapling their membership cards to a cross burned at a rally in September 1969. With Bob Jones in prison on contempt of Congress charges, the group never recovered. (Image courtesy of Don Sturkey)

Be sure to check out the American Experience documentary Klansville U.S.A. airing Tuesday, 13 January on PBS.

Heading image: The Ku Klux Klan on parade down Pennsylvania Avenue, 1928. U.S. National Archives and Records Administration. Public domain via Wikimedia Commons.

The post The Civil Rights era and the rise of the Ku Klux Klan appeared first on OUPblog.

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After years of grinding away at various design agencies, Austin-based Jose Canales has left to launch his own studio. His portfolio, which can be seen here, showcases his ability to skillfully navigate between type, packaging, illustration and design all with ease.

 

 

 

 

 

 

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Atelier Tout va bien
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Caitlin Keegan recently updated her website with some some stellar new projects including this 2015 lunar calendar. In addition’s to her hand-drawn typography, the calendar features vegetable-based inks, space to write important dates and a charming moon illustrated in Caitlin’s signature style.

 

 

 

 

 

 

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A former designer for Johnny Cupcakes, Clark Orr now serves as a full-time freelancer focused on branding and packaging jobs. I especially appreciate his identity work for Powershift Labs – a UK-based development studio. In a simple yet elegant solution, Clark pairs a bold two-tone graphic with a custom script font.

 

 

 

 

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Hailing from the Pacific Northwest, Rationale is a multi-disciplinary design studio representing the likes of Sean Wolcott and Associates.  With a focus on branding projects, Rationale crafts work that is often straightforward and bold in it’s approach. I especially appreciate this identity system created for the Xerox Jazz Fest, which gives a solid nod to the era from which Jazz was born.

 

 

 

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From Greece to the United States, across Europe and in South America – sovereign debt and the shadow of sovereign debt crisis have loomed over states across the world in recent decades. Why is sovereign debt such a pressing problem for modern democracies? And what are the alternatives? In this video Lee Buchheit discusses the emergence of sovereign debt as a global economic reality. He critiques the relatively recent reliance of governments on sovereign debt as a way to manage budget deficits. Buchheit highlights in particular the problems inherent in expecting judges to solve sovereign debt issues through restructuring. As he explores the legal, financial and political dimensions of sovereign debt management, Buchheit draws a provocative conclusion about the long-term implications of sovereign debt, arguing that “what we have done is to effectively preclude the succeeding generations from their own capacity to borrow”.

Click here to view the embedded video.

Buchheit speaks at the launch of Sovereign Debt Management, edited by Rosa M. Lastra and Lee C. Buchheit.

Lee C. Buchheit is a partner based in the New York office of Cleary Gottlieb Steen & Hamilton LLP. Dr Rosa María Lastra, who introduces Buchheit’s lecture, is Professor in International Financial and Monetary Law at the Centre for Commercial Law Studies (CCLS), Queen Mary, University of London.

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Portsong will never host a World Cup. Our only stadium is open air, mowed by livestock, and has no bleachers.  It would take too long to mark Hargit’s Field and we simply aren’t prepared for the crush of humanity that such a tournament would bring. I’m not one of those Americans who hates soccer. I really have no problem with it and would be okay if it took hold. With all of the kids playing and international flavor in the U.S., it really is amazing that professional soccer can’t seem to get off the ground.

So what’s the problem? Why does the average football or baseball fan have such a disregard for the sport? Some say it is too slow. Okay, I get that – we like things fast and instant. But nothing is slower than baseball. When you have the league itself changing rules to speed up the game, you know you are in the paint-drying business.

Last week, I watched a little bit of Ghana vs. Germany and think I stumbled on a few things.

First, what is the deal with the goaltender wearing a different uniform? What makes that guy special – either you are on the team or you’re not! If they do that so the ref can tell who gets to touch the ball with their hands, they need new refs. Can these guys not identify one guy quickly enough to call a handball? They usually wear Mickey Mouse gloves anyway, which kinda stand out. No, the refs aren’t the problem. There is clearly some socialistic motive behind the goalie’s garb.

Second, the flopping. It has become a big topic of conversation around here. I have never seen grown, athletic men act like such drama queens in all my days. It is crazy how when their shin gets touched, their arms fly up wildly before they flop, drop, and roll. Have you further noticed that each victim assumes the same paralyzed position holding their knee until they realize the call didn’t go their way? Then instantly, they pop back up and resume play at full speed as if a good, old-fashion faith healer has smacked them on the forehead and made them well. Hockey and Basketball have instituted rules to punish such behavior. Since they have yellow and red, maybe soccer could give a pink card for flopping.

Lastly, it’s the low scoring and the fact that a game can end in a tie. Nobody likes that. Ties are like whacking off the last five minutes of a movie and saying The End. Somebody has to win!

I’ve come to the rescue with a simple idea that kills all three objections. Here is what soccer should do. If a player flops, he has to stay face-down on the ground motionless like a kid playing freeze tag until the guy with the big gloves comes over and tags him. Think about that! Empty nets while the goalies run all over the field bringing players back to life means higher scores. Motionless players make for built-in impediments – therefore, more contact – which leads to additional flopping and more speed bumps. Soccer has just become a high-scoring, contact sport, with frozen men lying face down all over the field! Genius.

And if anyone shows up in a different uniform, they have to lay down in the center of the field and balance the ball on their lips as a tee for kick-off. That’ll teach him teamwork.

If I can get to someone with this idea, we’ll have a thirty team mega-league in the United States by 2016.

 

Photo credit: Leon Rugilo

Filed under: It Made Me Laugh

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Born and raised in Japan, Ayaka Ito is talented designer that now calls New York her home. Her  portfolio is a refreshing mix of identity work and hand drawn typography, but I especially appreciate her quirky yet playful illustrations.

 

 

 

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Variety Show is the latest venture from the husband-and-wife duo of Amber and Mike Asay. Pulling inspiration from a variety of sources the design studio/online shop is focused on creating memorable work with a purpose.

 

 

 

 

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Sign Painters is a documentary showcasing the past, present and future of the hand painted sign in the USA . Directed by Faythe Levine and Sam Macon the film serves as a companion to Princeton Architectural Press’s 2012 book release of the same name. The film features legends such as Keith Knecht and Bob Dewhurst and is now available online at signpaintersfilm.com, Amazon Instant Video and iTunes. The producers of the film have graciously offered grain edit readers a dollar off coupon for instant streaming and HD downloads.  To redeem the coupon, visit signpaintersfilm.com and enter promo code “typography”.

 

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Oliver Munday is a graphic designer living and working in New York City.  His work is consistently clever, smart and engaging. Along with his studio, he co-founded “Piece”, a socially based design collaborative that believes that designers can play a significant role in positive change and social justice.

 

 

 

 

 

 

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By Martin Bunton

It may be premature to completely write off the recent round of the US-sponsored Israeli-Palestinian peace process. The talks faltered earlier this month when Israel failed to release a batch of prisoners, part of the initial basis for holding the negotiations launched last July. The rapidly disintegrating diplomacy may yet be salvaged. But the three main actors have already made it known they will pursue their own initiatives.

They each may think that their actions will allow them to accumulate more leverage, maybe help position themselves in anticipation of a resumption of bilateral negotiations which, for over twenty years now, has been directed towards establishing a Palestinian state living peacefully alongside Israel. But it is also possible that the steps the parties take will instead deepen the despair of a two state framework ever coming to fruition.

The United States will focus their attention to other pressing issues, such as securing a deal on Iran’s nuclear program. Progress on this front may encourage, perhaps even empower, the Obama administration to resume Israeli-Palestinian negotiations later in its term. But the chances of their success will depend less on yet another intense round of shuttle diplomacy by US Secretary of State John Kerry, and more on whether a distracted Obama presidency will be prepared to pressure Israel to end its occupation. True, Obama enjoys the freedom of a second term presidency (unconcerned about the prospects of re-election). So far however he hasn’t appeared at all inclined to challenge Israeli prime minister Benjamin Netanyahu.

As for Israel, the Netanyahu government will take steps to make life even harder for Palestinians under occupation, and no doubt further entrench its settlement infrastructure in the West Bank, the territory on which Palestinians want to build their own state. Netanyahu, now one of the longest serving prime ministers in Israeli history, has provided very few indications that he is willing to enable the Palestinians to build a viable and contiguous state. He appears confident that the status quo is tenable, and that occupation and settlement of the West Bank can continue to violate international law without facing any serious repercussions. The more likely outcome of such complacency, however, is the irrevocable damage inflicted on the prospects of a two state solution and the harm done to Israel’s security, possibly subjecting it to a wide ranging international boycott movement.

Meanwhile, the Palestinian government, led by Mahmoud Abbas, will desperately strive to ensure that the breakdown of talks not lead to the collapse of his Palestinian Authority. Abbas may seek to use this opportunity to lessen the overall reliance on US sponsorship and achieve Palestinian rights in international bodies such as the UN and the International Court of Justice.  This move may placate the growing number of Palestinians who until now have angrily dismissed Abbas’ participation in American-sponsored bilateral negotiations as doing little more than provide political cover to the on-going Israeli occupation, begun almost 50 years ago. But the majority of Palestinians will continue to disparage of how the pursuit of their national project has been paralysed by the weakness and corruption of their leaders and the absence of a unified government and coherent strategy.

Though no side wants to be blamed for the collapse of negotiations, it is easy to see how a cycle of action and recrimination could scupper all attempts to revitalize them. More to the point, however, is to ask whether the steps taken will end up burying the very prospects of a two-states solution to the century long conflict which the negotiations are supposed to achieve.

Martin Bunton is an Associate Professor in the History Department of the University of Victoria and author of the recently published The Palestinian-Israeli Conflict: A Very Short Introduction (Oxford University Press, 2013).

The Very Short Introductions (VSI) series combines a small format with authoritative analysis and big ideas for hundreds of topic areas. Written by our expert authors, these books can change the way you think about the things that interest you and are the perfect introduction to subjects you previously knew nothing about. Grow your knowledge with OUPblog and the VSI series every Friday, subscribe to Very Short Introductions articles on the OUPblog via email or RSS, and like Very Short Introductions on Facebook.

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Image credits: (1) Benjamin Netanyahu. Public domain via Wikimedia Commons; (2) Mahmoud Abbas. By World Economic Forum from Cologny, Switzerland (AbuMazem). CC-BY-SA-2.0 via Wikimedia Commons

The post Kerry On? What does the future hold for the Israeli-Palestinian peace process? appeared first on OUPblog.

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Outstanding type work from Jessica Svendsen, a recent graduate of the Yale School Art now working for Pentagram.

 

 

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I was first introduced to Javier Garcia through his intoxicating blog, No Barcode, where he posts his latest vintage finds. It was here that I discovered that he is an accomplished illustrator and designer in addition to having an amazing collection of design related ephemera.  A resident of the Bay Area via Mexico he is developed an audience for his highly expressive and colorful illustrations. In today’s interview, the 4th part of our ongoing design in process series, Javier speaks on his passions outside of design, his workflow and more. Enjoy!

Lets start off with a little bit about your background. Where are you from originally? When and how did you become interested in design?
I was born and raised in México. I grew up drawing since I can remember so my three options when I was going to college were architecture, industrial design or graphic design. I was a bit indecisive and went for a combined industrial and graphic design major back in México. That made me realize that what I wanted to do was more graphic and so I came to the US to go to school.

Could you walk us through one of your projects? Please describe your workflow, including the tools, from pen and paper to software and devices.
I’m going to walk you through my Hail to the King illustration. First I think about what I want to say with the piece even if it’s subjective. In this case, the princes represents power which is something that both evil and good wants. I started by drawing  small sketches of the general idea. Since it was a collage of illustrations, I rearranged them multiple times in sketch form until I found the right placement for them. I proceeded to drawing each character multiple times until I got the desired look keeping in mind it’s placement. Then I scan those drawings and trace them in Illustrator. In this phase I play with the scale of the characters and just moving things around. Once I got this down I proceeded to play with a bit of texture which I have created my own photoshop brushes from actual hand inked textures that I drew and scanned myself. For this piece since there wasn’t much texture I converted that to vectors but I usually work with a lot of bitmaps. I used illustrator, photoshop and a wacom tablet to do this. And that’s it!

Early sketches for Hail to the King!

Hail to the King Poster

How has your process evolved since you first started designing?
As far as designing logos, packaging and print it’s been about the same. The drawing tablet replaced my mouse at some point but it’s all been the same process which starts on sketch form in the initial stage and then it’s all computer work from there. But as far as illustration, I have been going a bit backwards. My work is turning more into the hand drawn/inked direction. I use a lot more india ink and brushes now.

Album cover for Mr. Ho’s Orchestrotica’s

Are you a creature of habit or do you like to try new technologies, applications, and features?
I’m not that much of a techie, I mostly use illustrator and photoshop to edit everything I do. Even when working with hand inked drawings I take it into photoshop and clean up/edit my files quite a bit. I try to mimmic old design and illustration techniques like inking by hand and creating textures by hand as close as possible. I feel that modern technology is not the same when it comes to translating that into the screen. I work in digital mediums but at least there’s a hand done quality to it. I can usually tell when someone used the computer to brush something. Some people are very good at it but I really enjoy the hand done process. So I think technology really speeds up my process but I don’t like to skip that human aspect phase of design.

Herb Lester Maps

What are your passions and interests outside of design and why?
This is very tough as I spend most of my time looking at design in one form or another. Architecture, pottery, furniture, interior design, and things of that sort are always on my mind. But outside design I really enjoy listening to music, surfing and being with my little boy and wife.

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We would like to thank Javier for taking time to share with us. You can see more of his work at javiergd.com and his etsy shop.

This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.

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Mike Cina Interview
Katie Kirk Illustration
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It’s hard not to smile when viewing Danielle Kroll’s latest project. Inspired by vintage flash cards and picture books, the Brooklyn-based designer has created a series of “word recipes” as a way to add some art and whimsy into children’s education. Each recipe features images on the left that illustrate the syllables of the word on the right. The illustrations are silly and fun and always feature Danielle’s signature whimsical style.

 

 

 

Other projects by Danielle

 

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Non-Format recently revised their website and with the update came a slew of new work including Gridiron – a stellar typeface family for ESPN.

 

 

 

 

 

 

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It was.

Tagged: About Me, Allen Capoferri, Art, character design, Christmas, Illustration, people sketches, quick sketch, sketchbook, sketchbook drawing, USA

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