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Viewing: Blog Posts Tagged with: Jonathan Swift, Most Recent at Top [Help]
Results 1 - 16 of 16
1. Free Digital Books From Neil deGrasse Tyson’s List of Reading Recommendations

Neil deGrasse TysonWhat does astrophysicist Neil deGrasse Tyson recommend for reading? According to Brain Pickings, Tyson (pictured, via) participated in a Reddit AMA session and named the books he feels “every intelligent person on the planet should read.”

Below, we’ve collected links to download free digital editions for all eight titles which include a mix of both fiction and nonfiction choices. Will you be tackling Tyons’s suggestions in the year 2015?
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2. Embark on six classic literary adventures

Despite fierce winds, piles of snow, and the biting cold, winter is the best season for some cozy reading (and drinking hot chocolate). If you’re inclined to stay in today, check out these favorite classics of ours that will take you on wild adventures, all while huddled underneath your sheets.

Jules Verne’s The Extraordinary Journeys: Around the World in Eighty Days

What starts out as a bet to settle an argument between club members transforms into a grand adventure. It is fascinating, fast-paced, and enchanting, and brings you around the world in just eighty days!

Miguel de Cervantes Saavedra’s Don Quixote de la Mancha

In following the journey of Alonso Quixano, we find ourselves both amused and sad at the protagonist’s delusion of the world around him. The satirical elements of Don Quixote have permeated our modern literary culture and vocabulary: the term “quixotic” describes one who is too idealistic.

Alexandre Dumas’s The Count of Monte Cristo

Jealousy, revenge, romance, hope, and justice flavor this jam-packed classic. After being thrown into jail for accused treason, Edmond Dantès only escapes after his fellow prisoner discloses the location of a vast wealth on the island of Monte Cristo. Once Dantès retrieves the hidden treasure, he poses as the Count of Monte Cristo and thus begins his plot of revenge against the men who put him away.

Jonathan Swift’s Gulliver’s Travels

From the land of people no larger than six inches tall, to the land of horse people called Houyhnhnms, Lemuel Gulliver finds himself in lands like no other. His travels are sparked by (what we assume to be) a mid-life crisis, when his business fails. In a number of expeditions, Gulliver takes to the seas in a wanderlust sort of way, visiting his wife and children in between travels.

Image by Igor Ilyinsky. CC BY 2.0 via Wikimedia Commons.
Image by Igor Ilyinsky. CC BY 2.0 via Wikimedia Commons.

Robert Louis Stevenson’s Treasure Island

In this six-part adventure, Jim Hawkins narrates his journey from the death of a patron at his family’s inn — leaving behind a map and other clues pointing to buried treasure — to encounters with pirates on the high seas. Treasure Island captivates with its simple, yet lively prose. It’s a coming-of-age story for anyone at any age.

Alexandre Dumas’s The Three Musketeers

Athos, Porthos, and Aramis—the three musketeers—join up with a young noble named d’Artagnan, who seems to find trouble for himself. In this riveting tale full of assassination attempts, a scandalous love affair, and revenge, there is also fierce loyalty, camaraderie, and energy among the four musketeers.

Headline image credit: Irving Johnson. Original photo courtesy of Glenn Batuyong, Port of San Diego. CC BY 2.0 via Flickr.

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3. Moping on a broomstick

One of the dialogues in Jonathan Swift’s work titled A complete Collection of Genteel and Ingenious Conversation­ (1738) runs as follows:

Neverout: Why, Miss, you are in a brown study, what’s the matter? Methinks you look like mumchance, that was hanged for saying nothing.

Miss: I’d have you know, I scorn your words.

Neverout: Well, but scornful dogs will eat dirty puddings.

Miss: My comfort is, your tongue is no slander. What! you would not have one be always on the high grin?

Neverout: Cry, Mapsticks, Madam; no Offence, I hope.

This is a delightfully polite conversation and a treasure house of idioms. To be in a brown study occupies a place of honor in my database of proverbial sayings (see a recent post on it). I am also familiar with scornful dogs will eat dirty puddings, but high grin made me think only of the high beam (and just for the record: mumchance is an old game of dice or “a dull silent person”). But what was Neverout trying to say at the end of the genteel exchange (see the italicized phrase)?

The first correspondent to Notes and Queries who wrote on the subjectand the problem was being thrashed out in the pages of Notes and Queries—suggested that it means “I ask pardon, I apologize for what I have said” (4 October 1856). Two weeks later, it was pointed out that mapsticks is a variant of mop-sticks, but no explanation followed this gloss. When fourteen years, rather than fourteen days, passed, someone sent another query to the same journal (8 May 1880), which ran as follows: “Like death on a mop-stick. How did this saying originate? I have heard it used by an old lady to describe her appearance on recovery from a long illness.” Joseph Wright did not miss the phrase and included it in his English Dialect Dictionary. His gloss was “to look very miserable.” Although the letter writer who used the pseudonym Mervarid and asked the question did not indicate where she lived, Wright located the saying in Warwickshire (the West Midlands). We will try to decipher the idiom and find out whether there is any connection between it and Swift’s mapsticks ~ mopsticks.

As could be expected, the OED has an entry on mopstick. The first citation is dated 1710 (from Swift!). In it the hyphenated mop-sticks means exactly what it should (a stick for a mop). The next one is from Genteel Conversation. Swift’s use of the word in 1738 received this comment: “Prob[ably] a humorous alteration of ‘I cry your mercy’.” This repeats the 1856 suggestion. After the Second World War, a four-volume supplement to the OED was published. The updated version of the entry contains references to the dialectal use of mopstick, a synonym for “leap-frog,” and includes such words pertaining to the game as Jack upon the mopstick and Johnny on the mopstick (the mopstick is evidently the player over whose back the other player is jumping), along with a single 1886 example of mopstick “idiot” (slang). The supplement did not discuss the derivation of the words included in the first edition. By contrast, the OED online pays great attention to etymology; yet mopstick has not been revised. I assume that no new information on its origin has come to light. In 1915 mopstick was used for “one who loafs around a cheap or barrel house and cleans the place for drinks” (US). This is a rather transparent metaphor. Mop would have been easier to understand than mopstick, but mopstick “idiot” makes it clear that despised people could always be called this. Johnny on the mopstick also refers to the inferior status of the player bending down. The numerous annotated editions of Swift’s works contain no new hypotheses; at most, they quote the OED.

I cannot explain the sentence in Genteel Conversation, but a few ideas occurred to me while I was reading the entries in the dictionaries. To begin with, I agree that Swift’s mapsticks is a variant of mopsticks, though it would be good to understand why Swift, who had acquired such a strong liking for mopsticks and first used the form with an o, chose a less obvious dialectal variant with an a. Second, I notice that the 1738 text has a comma between cry and mapsticks (Cry, Map-sticks, Madam…). Nearly all later editions probably take this comma for a misprint and therefore expunge it. Once the strange punctuation disappears, we begin to worry about the idiom cry mopsticks. However, there is no certainty that it ever existed, the more so because the sentence in the text does not end with an exclamation mark. Third, mopstick, for which we have no written evidence before 1710, is current in children’s regional names of leapfrog, and this is a sure sign of its antiquity (games tend to preserve local and archaic words for centuries). A mopstick is not a particularly interesting object, yet in 1886 it turned up with the sense “idiot” in a dictionary of dialectal slang. Finally, to return to the question asked above, to look like death on a mopstick means “to look miserable,” and we have to decide whether it sheds light on Swift’s usage or whether Swift’s usage tells us something about the idiom.

An old woman took here sweeping-broom  And swept the kittens right out of the room.
An old woman took here sweeping-broom
And swept the kittens right out of the room.

I think Swift’s bizarre predilection for mopsticks goes back to the early years of the eighteenth century. In 1701 he wrote a parody called A Meditation upon a Broomstick (the manuscript was stolen, and an authorized edition could be brought out only in 1711). It seems that after Swift embarked on his “meditation” and the restitution of the manuscript broomsticks never stopped troubling him. At some time, he may have learned either the word mopstick “idiot” (perhaps in its dialectal form mapstick) and substituted mopstick ~ mapstick for broomstick; a broomstick became to him a symbol of human stupidity. To be sure, mopstick “idiot” surfaced only in 1886, but such words are often recorded late and more or less by chance, in glossaries and in “low literature.”

Swift hated contemporary slang. The last sentence in the quotation given above (Cry, mapsticks, Madam; no offence, I hope) seems to mean “I cry—d–n my foolishness!—Madam…”). The form mapsticks is reminiscent of fiddlesticks, another plural and also an exclamation. The dialectal (rustic) variant with a different vowel (map for mop) could have been meant as an additional insult. If I am right, the comma after cry remains, while the idiom cry mapsticks, along with its reference to cry mercy, joins many other ingenious but unprovable conjectures.

The phrase to look like death on a mopstick has, I believe, nothing to do with Swift’s usage. In some areas, mopstick probably served as a synonym of broomstick, and broomsticks are indelibly connected in our mind with witches and all kinds of horrors. Here a passage from still another letter to Notes and Queries deserves our attention.

“Fifty years ago [that is, in 1830] I recollect an amusement of our boyish days was scooping out a turnip, cutting three holes for eyes and mouth, and putting a lighted candle-end inside from behind. A stake or old mop-stick was then pointed with a knife and stuck into the bottom of the turnip, and a death’s head [hear! hear!] with eyes of fire was complete. Sometimes a stick was tied across it, to make it ghostly and ghastly….”

Those who have observed decorations at Halloween will feel quite at home. The recovering lady looked like death on a mopstick, and we now understand exactly what she meant. In 1880 the letter writer (Mr. Gibbes Rigaud) resided in Oxford. Oxfordshire is next door to Warwickshire, and of course we do not know where our “heroes” spent their childhood.

Image credits: Witch, CC0 via Pixabay. Kittens, public domain via Project Gutenberg.

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4. Wee folk, not twee folk

From the wee folk of long ago (fairies, leprechauns, pixies…) to Hans Christian Andersen’s Thumbelina, and to Mary Norton’s The Borrowers, sentient beings of very small size have fascinated, delighted, and horrified us, but they never fail to capture our attention. In writing this piece I discovered there are far more books about wee folk […]

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5. An Irish literature reading list from Oxford World’s Classics

By Kirsty Doole


With today being St Patrick’s Day, we’ve taken the opportunity to recommend a few classic works of Irish literature to dip into while you’re enjoying a pint (or two) of Guinness.

386px-Djuna_Barnes_-_JoyceFinnegans Wake by James Joyce

Joyce is one of the most famous figures in Irish literature, and Finnegans Wake is infamous for being one of the most formidable books in existence. It plays fantastic games with language and reinvents the very idea of the novel in the process of telling the story of Humphrey Chimpden Earwicker and his wife Anna Livia, in whom the character of Ireland itself takes form. Around them and their dreams there swirls a vortex of world history, of ambition and failure, pride and shame, rivalry and conflict, gossip and mystery.

A Tale of a Tub and Other Works by Jonathan Swift

This was the first major work written by Jonathan Swift. The author explains in a preface that it is the practice of seamen when they meet a whale to throw out an empty tub to divert it from attacking the ship. Hence the title of the satire, which is intended to divert Hobbes’s Leviathan and the wits of the age from picking holes in the weak sides of religion and government. The author proceeds to tell the story of a father who leaves as a legacy to his three sons Peter, Martin, and Jack a coat apiece, with directions that on no account are the coats to be altered. Peter symbolizes the Roman Church, Martin (from Martin Luther) the Anglican, Jack (from John Calvin) the Dissenters. The sons gradually disobey the injunction. Finally Martin and Jack quarrel with the arrogant Peter, then with each other, and separate.

The Playboy of the Western World and Other Plays by J. M. Synge

In The Playboy of the Western World, the action takes place in a public house, when a stranger enters and is persuaded to tell his story. Impressed, the admiring audience thinks he must be very brave indeed to have killed his father, and in turn the young tramp blossoms into the daring rollicking hero they believe him to be. But then his father, with a bandaged head, turns up seeking his worthless son. Disillusioned and angry at the loss of their hero, the crowd turns the stranger, who tries to prove that he is indeed capable of savage deeds, even attempting unsuccessfully to kill his father again. The play ends with father and son leaving together with the words “Shut yer yelling for if you’re after making a mighty man of me this day by the power of a lie, you’re setting me now to think if it’s a poor thing to be lonesome, it’s worse maybe to go mixing with the fools of earth.”

Dracula by Bram Stoker

One of the greatest horror stories ever written. This is the novel that introduced the character of Count Dracula to the world, spawning a whole host of vampire fictions in its wake. As well as being a pioneering text in horror fiction, it also has much to say about the nature of empire, with Dracula hell-bent on spreading his contagion into the very heart of the British empire. Fun fact: Bram Stoker’s wife, Florence Balcombe, had previously been courted by Oscar Wilde.

The Major Works by W. B. Yeats

W. B. Yeats was born in 1865 and died in 1939. His career crossed the 19th and 20th centuries, from the Romantic early poems of Crossways and the symbolist masterpiece The Wind Among the Reeds to his last poems. Myth and folk-tale influence all of his work, most notably in Cathleen ni Houlihan among others. The importance of the spirit world to his life and work is evident in his critical essays and occult writings, and he also wrote a whole host of political speeches, autobiographical writings, and letters.

The Wild Irish Girl by Sydney Owenson (Lady Morgan)

This is the story of the son of an English lord, Horation, who is banished to his father’s Irish estate as punishment for gambling debts, he adopts the persona of knight errant and goes off in search of adventure. On the wild west coast of Connaught he finds remnants of a romantic Gaelic past a dilapidated castle, a Catholic priest, a deposed king and the king’s lovely and learned daughter, Glorvina. In the process he rediscovered a love for the life and culture of his country. Written after the Act of Union, The Wild Irish Girl (1806) is a passionately nationalistic novel and an essential novel in the discourse of Irish nationalism. The novel was so controversial in Ireland that the author, Lady Morgan, was put under surveillance by Dublin Castle. There is a bust of Lady Morgan in the Victoria and Albert Museum in London and the plaque mentions that Lady Morgan was “less than four feet tall.”

In a Glass Darkly by J. Sheridan Le Fanu

This dark collection of five stories was said by none other than Henry James to be “the ideal reading… for the hours after midnight”. Indeed, J. Sheridan Le Fanu himself had a reputation for being both reclusive and rarely seen in the daytime. His fascination with the occult led to his stories being truly spine-chilling, drawing on the Gothic tradition and elements of Irish folklore, as well as on the social and political anxieties of his Anglo-Irish contemporaries.

Kirsty Doole is Publicity Manager for Oxford World’s Classics.

For over 100 years Oxford World’s Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more. You can follow Oxford World’s Classics on Twitter, Facebook, or here on the OUPblog. Subscribe to only Oxford World’s Classics articles on the OUPblog via email or RSS.

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Image credit: James Joyce. By Djuna Barnes. Public domain via Wikimedia Commons.

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6. Dalkey Archive Press Job Posting ‘Was a Modest Proposal’

Dalkey Archive Press director John O’Brien caused controversy this week with a difficult job posting, setting an impossible set of demands for his future employee.

In an interview with Irish Times, O’Brien explained: “The advertisement was a modest proposal. Serious and not-serious at one and the same time.” What do you think? You can compare the ad with Jonathan Swift’s A Modest Proposal,” one of the most famous pieces of satire ever written.

The job posting included this challenging set of requirements: ”Any of the following will be grounds for immediate dismissal during the probationary period: coming in late or leaving early without prior permission; being unavailable at night or on the weekends; failing to meet any goals; giving unsolicited advice about how to run things; taking personal phone calls during work hours; gossiping; misusing company property, including surfing the internet while at work; submission of poorly written materials; creating an atmosphere of complaint or argument; failing to respond to emails in a timely way; not showing an interest in other aspects of publishing beyond editorial; making repeated mistakes; violating company policies. DO NOT APPLY if you have a work history containing any of the above.”

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7. Neil deGrasse Tyson Shares Free Books That ‘Should Be Read By Every Single Intelligent Person on the Planet’

Does the universe have a purpose? Physicist and author Neil deGrasse Tyson responded to that cosmic question in the video embedded above–do you agree with his answer?

Last year, Tyson answered another question that matters to all Galleycat readers: “Which books should be read by every single intelligent person on the planet?” The famous physicist and author responded with a concise list of classic books. Follow the links below to download free ePub, Kindle or text versions of the books.

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8. Free eBook Flowchart

What’s your favorite kind of book? We’ve created a giant flowchart to help you browse the top 50 free eBooks at Project Gutenberg.

Click the image above to see a larger version of the book map. Your choices range from Charles Dickens to Jane Austen, from Sherlock Holmes to needlework. Below, we’ve linked to all 50 free eBooks so you can start downloading right now. The books are available in all major eBook formats.

Follow this link to see an online version of the flowchart, complete with links to the the individual books.

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9. Handel conducts London premiere of Messiah

This Day in World History

March 23, 1743

Handel conducts London premiere of Messiah

Source: NYPL.

On March 23, 1743, composer George Frideric Handel directed the first London performance of his sacred oratorio, Messiah. While the composition has become revered as a magnificent choral work — and a staple of the Christmas holiday season — it met some controversy when it first appeared.

Remarkably, Handel needed only three weeks in the summer of 1741 to write Messiah. As his text, he used a libretto compiled by Charles Jennens from verses of the Bible and from the Church of England’s Book of Common Prayer. Jennens was apparently upset that Handel wrote the work in such a short time; he thought the sacred subject needed more time.

He was also annoyed because Handel debuted the work in Dublin in the spring of 1742, not reserving it for a London premiere. Leading Irish clerics (led by Jonathan Swift) insisted that, if their church choirs were to be used to sing the oratorio, ticket sales had to go to charity. That precedent established a longstanding tradition for Messiah.

When Handel finally prepared to present the work in London, more controversy arose. Some people objected to a work on a sacred theme being performed in a secular setting — London’s Covent Garden Theater. The controversy disappeared with the popular acceptance of Handel’s music, however. Even Jennens became reconciled to the composer, in part because Handel rewrote some sections his collaborator considered poor.

Today’s performances do not reflect the scores of these initial performances. Handel revised the piece often, and current productions use one or another of these later versions. The full Messiah tells not only the Christmas story but also of Jesus’s crucifixion and resurrection. Groups that perform the oratorio at Christmas generally only perform the first part.

“This Day in World History” is brought to you by USA Higher Education.
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10. 5 Upcoming Literary Adaptations

Thanksgiving isn’t the only thing to look forward to this fall–Hollywood has lots of new literary movies scheduled. Here is a round-up of five upcoming literary movies.

1. Harry Potter and the Deathly Hallows: Part 1 will show chapters 1-24 of the original J.K. Rowling book on November 19th.

2. Tangled is based on the Grimm Brothers‘ fairy tale, Rapunzel. It arrives in theaters on November 24th. The trailer is embedded above.

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11. Good Day Sir! (Bigfoot and Yeti edition)

A little something I put together for the Cryptozoology challenge at Illustration Mafia. As a kid I was really into Bigfoot, the Loch Ness Monster, and Yetis. These days, I tend to think actual discoveries of furry lobsters are a little more interesting. I'm going to try to do some more crypid art this week if I get a chance. (And I still want to do a Blue Falcon redesign for the challenge this week, but no Dynomutt, I hated that dog.)


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12. Suprise click to enlarge Another in the yeti s...

Suprise



click to enlarge

Another in the yeti series.

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13. the Fox and the Yeti, Hiding Place

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14. Hiding Place, Part 2 Here's the illustration I'm ...

Hiding Place, Part 2

Here's the illustration I'm posting for this week's Picture-Bookies Showcase theme, Hiding Place.



click here to enlarge

It's a Bigfoot hiding from the fox from that famous children's book story, the Fox and the Yeti. I'm sure you are all familiar.

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15. 'Lil Bigfoot


This guy is the star of a kids focused story I was thinking about not long ago.
He's much more of a pacifist than the rest of his family, likes hanging out with his woodland friends, and munching on the occasional camper's cooked marshmallow.
S'mores anyone?

  • me
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    16. Bigfoot


    Bigfoot
    Originally uploaded by Trophiogrande.

    My monster of the week: Bigfoot

    He looks little like my father...hmmm.

    My Blog

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