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Stranger Things, I credit you with this finally happening.

Let’s think about doing a Girl With the Silver Eyes film next!  Thanks to Liz Burns for the link.

Now when I heard that Nieman Marcus was offering 36 Caldecott Award winning picture books for $10,000 . . . *checks notes*  I’m sorry.  I typed the wrong number there.  I’ll begin again.

When I heard that Nieman Marcus was offering 36 Caldecott Award winning picture books for $100,000 (that’s better) I was a bit baffled.  Perhaps these would be books that were all signed by their authors and illustrators?  Well, they are first printings, or early editions, yes.  But one can assume that you could purchase 36 such similar titles for far less money.  This is part of Nieman Marcus’s “Fantasy Gifts” collection, and the idea is that they’ll donate $10,000 to their own charity if you buy this collection.

Now the collection of 36 has been curated by Johnnycake Books and E.M. Maurice Books.  Here is the video that accompanies it.  See if you see what I saw.  Click on the image below:

Did you notice the books chosen to appear on this list?  I am a librarian, so my take on curation is going to be different from that of a bookseller.  That said, I have to wonder how many booksellers today would hand a child a stack of Caldecott books that included problematic titles like They Were Strong and Good. This is not to say that I think the book should be removed from library or bookstore shelves or anything like that.  But if you’re looking for books that speak to kids today, then for the love of all that is good and holy switch that book out for something with some contemporary gravitas like Jerry Pinkney’s The Lion and the Mouse.  My two cents.  Thanks to Sharyn November for the link.

Oo!  This is neat.  Matthew Reinhart goes in-depth on pop-up books.

Interesting that he cites Transformers toys as being so influential on him.  Sorry, Autobots.  Thanks to 100 Scope Notes for the link.

This is neat.  Kidlit TV created a livestream of the Bank Street Bookfest this year, and now the full series of events is available in full.  Would that the Newbery/Caldecott/Wilder Award ceremonies were done in the same way.  I dare to dream!

I’ve done it again.  Delayed my Fusenews too long and now this post is going to overflow with too much good stuff.  Forewarned is forearmed, as they say.

Me stuff for the start. And in fact, there just so much Me Stuff today that I’m just going to cram it all into this little paragraph here and be done with it. To begin, for the very first time my book Wild Things: Acts of Mischief in Chidren’s Literature (co-written with Jules Danielson and Peter Sieruta) was cited in an article. Notably, a piece in The Atlantic entitled Frog and Toad and the Self.  Woot!  In other news I’m judging a brand new picture book award. It’s the Hallmark Great Stories Award. Did you or someone you know produce a picture book in 2016 on the topic of “togetherness and community”? Well $10,000 smackers could be yours. In terms of seeing me talk, I’m reading my picture book (and more) at the Printer’s Row Lit Fest on June 11th.  If you’re in the Chicago area and ever wanted to see me in blue furry leg warmers, now your chance has come here.  Finally, during Book Expo I managed to coerce Hyperion Books into handing me three of their most delicious authors (Shannon Hale, Dean Hale, and Eoin Colfer) so that I could feed them to WGN Radio.  You can hear our talk here, if you like.  And check out how cute we all are:

Colfer, for what it is worth, is exceedingly comfortable.  I highly recommend that should you see him you just glom onto him for long periods of time.  Like a sticky burr.  He also apparently has an Artemis Fowl movie in the works (for real this time!) and you’ll never guess who the director might be.

This is interesting. Not too long ago children’s book author C. Alex London wrote a piece for BuzzFeed called Why I Came Out As a Gay Children’s Book Author.  It got a lot of attention and praise.  Then, earlier this month, Pseudonymous Bosch wrote a kind of companion piece in the New York Times Book Review. Also Known As tackles not just his reasons for a nom de plume (skillfully avoiding any and all mentions of Lemony Snicket, I could not help but notice) but also how this relates to his life as a gay children’s book author.

Hey, full credit to The New Yorker  for this great recentish piece on weeding a collection and the glory that is Awful Library Books.  My sole regret is that I never let them know when I weeded this guy:

The copyright page said 1994, but I think we know better.  Thanks to Don Citarella for the link.

Cool. The publisher Lee & Low has just released the winner of the New Visions Writing Contest, now in its third year.  Congrats to Supriya Kelkar for her win!

New Podcast Alert: With podcasting being so popular these days, I do regret that my sole foray into the form has pretty much disappeared from the face of the globe. Fortunately there are talented folks to listen to instead, including the folks at Loud in the Library. Teacher librarians Chris Patrick and Tracy Chrenka from Grand Rapids, MI (homestate pride!) get the big names, from picture books illustrators to YA writers. Listen up!

New Blog Alert: The press release from SLJ sounded simple. “SLJ is pleased to welcome The Classroom Bookshelf to our blog network. In its sixth year, the Bookshelf features a weekly post about a recently published children’s book, including a lesson plan and related resources.” Then I made a mistake. I decided to look at the site. Jaw hit floor at a fast and furious rate leaving a dent in the linoleum. Contributors Randy Heller, Mary Ann Cappiello, Grace Enriquez, Katie Cunningham, and Erika Thulin Dawes (all professors at Lesley University’s outstanding school of ed.), I salute you. If I ever stop writing my own reviews, you’ll know why.

This:

This one’s just for the New Yorkers. I’m sure you already saw this New Yorker paean to the Mid-Manhattan library, but just in case you didn’t it’s here, “unruly pleasures” and all.

For whatever reason, PW Children’s Bookshelf always goes to my “Promotions” folder on Gmail, so I assume they already mentioned this article. Just in case they didn’t, though, I sort of love that The Atlantic (second time mentioned today!) wrote an ode to Sideways Stories from Wayside School. Thanks to Kate for the link.

Now some Bookshare info.  The idea of providing free ebooks for kids with print disabilities is a good one.  And, as it happens, not a new one.  Bookshare, an online accessible library, just added its 400,000th title to its collection and boy are they proud.  Free for all U.S. students with qualifying print disabilities and U.S. schools, they’ve a blog you might want to read, and they service kids with blindness, low vision, dyslexia, and physical disabilities.

Daily Image:

You probably heard that Neil Patrick Harris will be playing Count Olaf in the upcoming Netflix series of A Series of Unfortunate Events.  Now we have photographic proof.

I wonder if Brett Helquist ever marvels at how much power his art has had over these various cinematic incarnations.  The lack of socks is a particularly accurate touch.

• We’re diving right in today.  Check out this killer poster:

Now if you’re one of the lucky ducks living in NYC, or will be there on the date of 4/16, you now have your marching orders.  This is an event held at Bank Street College of Education and in wracking my brains I can’t think of anything more timely.  You can see the full listing of the events here.  Wish I were there.  Go in my stead, won’t you?

• New Podcast Alert: This one sports a catchy moniker that will strike some of you as familiar.  Kidlit Drink Night (which would also make a good name for a band, a blog, or a dog) is the official podcast of one Amy Kurtz Skelding.  There’s a bit of YA cluttering up the works, but enough children’s stuff is present to make it worth your pretty while.  Do be so good as to check it out.

• Hey!  Hey hey!  The Eric Carle Honorees were named, did you see?  And did you notice that amongst them Lee & Low Books was named an Angel?  Such fantastic news.  A strong year of nominees.

• So Phil Nel shared something recently that I’d like you to note. There is apparently a Tumblr out there called Setup Wizard which consists of the, “Daily Accounts of a Muggle I.T. Guy working at Hogwarts.” Phil suggests reading them in order. I concur. Thanks to Phil for the link.

• Ooo!  The Indies Choice / E.B. White Read-Aloud Award Finalists for 2016 were announced recently.  Fascinating choices, I must say.  Not the first books that would have come to my mind, but still good books.

• I have lots of favorite blogs, but Pop Goes the Page clearly belongs in the upper echelon.  Two posts by Dana Sheridan (the Education & Outreach Coordinator of the Cotsen Children’s Library at Princeton University) caught my eye recently.  Dana, as you will recall, is responsible for my little toilet paper tube profile picture on Twitter.  Well now she’s used her knowledge of all things cardboard to create the world’s most adorable subway system complete with Broadway posters.  In a different post Dana, in partnership with The Met Museum’s Nolen Library (the one for the kids), shows a killer display on taking care of your books.  It doesn’t necessarily sound interesting, until you see how they magnified a book eating buggy.

• So the other day I’m talking up Evan Turk and his new book The Storyteller, as per usual, and I mention to a librarian that the guy not too long ago did some killer sketches of Chicago blues musicians.  Naturally she wanted to see what I was talking about.  After all, I practically live in Chicago these days, so if there’s a talented illustrator going about making Chi-town art, it’s well worth promoting.  I took her to Evan’s blog and there, beautiful as all get out, is the art.  Then I thought I might share it with you as well.  This is just a tiny smidgen of what he has up so go to his blog to see more. The sheer talent of it all floors me.

• Do you know who is awesome?  Sharyn November, former Viking editor, is awesome.  So awesome, in fact, that she has her own brand of tea.  You can buy this tea, if you like.  I’ll put its description right here:

“sdn tea was created specifically for the punk goddess of children’s publishing, Sharyn November. This deity, who is all sharp angles, quick wit, and extraordinary fashion, is a fiery force of nature–literally and figuratively. She already has her own time zone, so it’s high time she has her own tea. This blend is strong and highly caffeinated. Almost impossibly fruity on the nose, it tastes of warm spice and goes extremely well with a piece of chocolate and a cigarette.”

• Do school librarians yield higher test scores?  You may have always suspected that was the case but a recent study out of South Carolina now has some facts so that you can put your money where your mouth is.  Are you a school librarian in need of justifying your existence to your employer?  You can’t afford not to read this SLJ piece.

• I dunno.  I get Neil Patrick Harris playing Count Olaf in the new Netflix series of A Series of Unfortunate Events.  That makes sense to me.  It’s Dr. Horrible without the songs.  Sure.  But Patrick Warburton as Snicket?  Last time we had Jude Law, and I’m pretty sure that was the right move to make.  Puddy as Lemony Snicket seems to lack the right panache.

• In America we have our Newbery and Caldecott Medals.  In England it’s all about the Carnegie and Kate Greenaway Awards.  And unlike the States, they create shortlists.  Those shortlists have just been released for 2016 and (also unlike the States) they nominate books outside their nation.  So Canadians like Jon Klassen and Sydney Smith have a fighting chance.  I agree with Travis Jonker, though.  The alternate title for Sidewalk Flowers was a surprise.

• On the old To Do list: Meet Jan Susina, the Illinois State English Professor who also happens to be an expert on children’s literature.  In a recent interview he produced this marvelous mention of Beatrix Potter: “Potter once said, ‘Although nature is not consciously wicked, it is always ruthless.’ Peter Rabbit is a survival story, not a cute bunny story.”  How perfectly that quote could have worked in Wild Things.  Ah well.  The entire interview is well worth your time, particularly his answer to the question, “What is the greatest secret in children’s literature?”  The answer will surprise you.  Thanks to Phil Nel for the link.

• This Saturday I’ve a Children’s Literary Salon at 2:00.  Yet a couple months ago I hosted Jeff Garrett who spoke about his work with the Reforma Children in Crisis Project.  You can imagine how pleased I was to hear that ALSC will be donating $5,000 to the project as well.  Fantastic news.

• Daily Image:

I was dumpster diving in the donation bin this week when an old book caught my eye.  Hate to say it, but this thing seriously disturbs me.  They just don’t make ’em like this anymore (phew!).

Run, girl, run!!  Or rather . . . skate, girl, skate!

Been a while, hasn’t it?  Well, better late than never.  And you probably get a better level of quality videos if there’s a month’s gap, eh?

Today we begin with the video of the week.  The Wall Street Journal released this article about Brian Selznick’s puppeteering work on his own book trailer.  For me, it’s the waves that are the most impressive.

When I was sent a copy of Diva and Flea, written by Mo Willems and illustrated by Tony DiTerlizzi, I almost immediately found myself reading it to my kiddo.  For me, child of the 80s, it had a bit of an Aristocats vibe to it.  For my daughter, it highlighted Paris (a city she already knew through her Madeline and other kidlit texts) and was an interesting tale of miscommunications (her interpretation).  Consequently, Disney upped the ante with its video for the book.  Here’s Mo sporting some Raschka locks in a kind of Dinner with Andre for children’s literary fans.  Be sure you stay for the drawn image at the end.  I think Tony’s version of Mo is the best thing ever.

Did I ever tell you about that time I went to a Scholastic event and there were a bunch of authors standing about talking, and I got into a discussion with Barbara McClintock and this guy who was all in black?  Yeah, we had a good talk and the guy (who was NOT wearing a nametag) wanders off and I turn to Barbara and say, “Who was that?”  And she says, “Jeff Smith”.  Yeah.  So basically I met the guy and wasn’t able to say anything pertinent to him at all.  I’m pretty sure we discussed skunks.  I don’t know why.  That’s just how it came out (which, technically, is right up there with the only conversation I ever had in person with Judy Blume and it was about black and white cookies).  Anywho, I missed this video when it came out in May, but I assure you that the folks in it are just as cute now as they were then.

My beautiful beautiful first library.  Is it not gorgeous?  Wouldn’t you love to go there?  Do.  Plus the video shows a mysterious glass box in a tower that I’ve never seen before.  I would love a closer look!

Thanks to Marci Morimoto for the link

Here’s how long it’s been since I last did a Video Sunday.  I never posted this faux teaser trailer for the Series of Unfortunate Events video series.  Crazy, right?  It’s so beautifully done, particularly the choice of Amanda Palmer song (and she is a friend of Daniel Handler’s in turn . . .).

Do I really have to mention that Chuck Palahniuk’s Fight Club for Kids video isn’t, ah, appropriate for kids?  I don’t do I?  I mean, it’s Chuck Palahniuk, for crying out loud.

One video I’d love to show you and that I just don’t have on hand comes from a recent Children’s Literary Salon at NYPL that I help set-up but could never see.  There is footage out there, and I have seen it, of Rita Williams-Garcia, Jeanne Birdsall, and my former co-worker Christopher Lassen dancing like The Jackson 5.  I am not making this up.  I thought I might have a Facebook link but no go.  So if I find it, I will post it, but in the meantime please believe me that you live in a world where such things really do happen.

And for our off-topic video of the day, it’s a little old but there’s no reason not to do the Johnny Depp dressed as Jack Sparrow visiting sick kids in Australia video, right?  I do wonder . . . what did he smell like?  And do authors ever get asked to do this, visit sick kids?  Or write to kids as their own characters?

• Oh, thank the high heavens.  Good news, folks. The celebrities have arrived to show us how to write books with darker themes. Thank goodness they’re here!  Until now the field of children’s literature was just an unending vista of sunshine and daisies. But thanks to the combined efforts of Evangeline Lilly (“I look around me and I see a lot of young people who are very entitled and who are very confused when life isn’t perfect. I think that often comes from some of the messaging we receive as children from our stories, but that’s really not life and especially not on the playground”) and Bruce Springsteen (“Bruce Springsteen on Outlaw Pete and Not Sheltering Kids From the Realities of Life“) we can finally stop handing our children consistently sweet and innocent . . . hey. Psst.  You there.  Sit down.  You too.  And I don’t even want to talk about you.  All youse guys.  You’re ruining my moment.  Stop being so doggone subversive!  You don’t want to prove the singer and the elf wrong, do you?  They’re famous.  They know what they’re talking about.*

• Kudos to Sarah Seltzer and her Flavorwire piece Please, let’s not extend the literary genre wars to kids books.  Written as a response to Rebecca Mead’s recent New Yorker piece pooh-poohing Percy Jackson (and could you find a more innocuous thing to pooh-pooh if you tried?) it contains the phrase, “Burn, I guess?” which I shall now appropriate and work into at least one conversation today.

• Publishers. Love ‘em or hate ‘em, we need ‘em.  Hence the piece Save the book publisher.  Hard to argue the man’s points.

“Thousands of illustrations, books, comics, graphic novels, animations, products, paintings and more will be on view. In addition, a Children’s Reading Room within the gallery will hold hundreds of children’s books by SVA alumni.”  What’s that, you say?  It’s only the description of the upcoming We Tell Stories exhibition of work by more than 250 alumni of the School of Visual Art’s MFA Illustration as Visual Essay program.  Jules Danielson alerted me to this event and can’t go (seriously, someone just send her to New York City already – she deserves it!) but those of us in NYC can certainly try.

Lolly Robinson speaks truths bloggers may not like to hear. It’s not specifically blogger-related either.  It’s just an issue we all have to deal with these days.  Can you really and truly be critical of a children’s book if you’re buds with that particular author or illustrator?  Lolly weighs in and her thought process winds around until she ends with, “What would happen if EVERY picture book had a YouTube video revealing the details of its creation?”  Spoiler Alert: It would be fantastic.  Meantime, I’ll just say that she’s speaking in the piece as a Horn Book reviewer and not a blogger.  Bloggers, for the most part, are not held to the standards of a Kirkus or a Horn Book.  We have no editors.  We are judge, jury, and executioner (at times) all in one.  As such, you take every blogger with a grain of salt, just as you take every professional review with a similarly sized, if somewhat different, salt grain as well.  And for my part, I review so few books these days that my selection simply consists of those titles I think deserve particular attention or are deserving of criticism.  In fact, I’ve got a rip-roaring critical review on the horizon . . . but I shall say no more.

• The Best Books lists have begun with a mad sprint.  On the one hand you had PW’s Best Books of 2014.  The middle grade fiction category is particularly remarkable.  Then you have the New York Times Best Illustrated list.  Now just as that Lolly article talked about, I’m buds with two of the jurors who were on that committee.  So I can inquire with calm patience and certainty WHAT THE HECK WERE YOU GUYS THINKING WHEN YOU DIDN’T INCLUDE LINDBERGH?!?  *ahem*  That was awkward.  Good show, blokes.  Nice list.  Moving on.

• By the way, Travis Jonker’s analysis of the NY Times Best Illustrated books and how well they do Caldecott-wise upset a lot of my expectations.  I did NOT see those stats coming.  Fascinating!

• In the words of the great Jan Thomas, can you make a scary face? Cause I can.  So can Kate Milford, Jonathan Auxier, and Aaron Starmer for that matter.

• Here’s my dirty little secret.  I have never, not a single day of my life, biFirsnge watched a single show.  Maybe I indulged in a few too many Northern Exposure‘s when I was young, but that’s it.  However, upon hearing that A Series of Unfortunate Events is slated to be an all-new Netflix series, this record I hold may have to change.  This interview with Handler about the show is worth reading, particularly when the subject of casting comes up. Sez he, “As Count Olaf, James Mason. In 1949. You can see why my involvement may or may not be welcome.”  Thanks to Kate for the news.

• The old book smell.  Want to know its chemical composition?  Darn tootin’ you do!  Thanks to Mike Lewis for the link.

Daily Image:

Halloween has come and gone but one thing remains clear.  The folks at FirstBook DC?  They won it.  They won Halloween.

If this picture means nothing to you then go here and read up.

*As you might imagine, Bruce is far less to blame here than Ms. Lilly.  He didn’t seek out the picture book writing life and says nothing detrimental about the state of children’s literature today.  It’s the article writer I probably have more of a beef with.

#48 The Bad Beginning by Lemony Snicket (1999)
43 points

Also brought me a huge list of new readers – boys and girls and teachers loved to read them out loud to the class. – Cheryl Phillips

I’m a Snicket girl, loving the play with wit and words in this Series of Unfortunate Events. – Pam Coughlan

Unlike other series no one had any desire to nominate a Snicket title other than this, the first. That helped its rating considerably.  Previously #71 it now leaps up to the 40s.  Not too shabby.  My encounters with the book precede my library degree.  When I lived in Portland, Oregon after college I started reading children’s books out of the blue (yet never dreamed I’d be a children’s librarian, odd as that may sound).  I read the first few Snicket books in Powell’s on a lark and loved them, so after the publication of #4 I went and saw Mr. Snicket speak.  He was wonderful, and the crowd was reasonable if not excessive.  Later, when he would command entire buildings like the Union Square Barnes & Noble, I missed the early days of Snicketmania.  Ah, nostalgic me.

Library Journal described the plot in this manner: “This series chronicles the unfortunate lives of the Baudelaire children: Violet, 14; Klaus, 12; and the infant, Sunny. In Bad Beginning, their parents and possessions perish in a fire, and the orphans must use their talents to survive as their lives move from one disastrous event to another. Surrounded by dim-witted though well-meaning adults, the Baudelaires find themselves in the care of their evil relative, Count Olaf, a disreputable actor whose main concern is getting his hands on the children’s fortune. When Olaf holds Sunny hostage to force Violet to marry him, it takes all of the siblings’ resourcefulness to outwit him. Violet’s inventive genius, Klaus’s forte for research, and Sunny’s gift for biting the bad guys at opportune moments save the day.”

In Funny Business: Conversations with Writers of Comedy (edited by Leonard Marcus) an interview was conducted with Daniel Handler, the face behind the Snicket.  The son of a man who escaped the Holocaust, Handler’s career as a children’s author began when his editor suggested (after reading an adult manuscript) that he write for kids.  The editor was Susan Rich, a woman we will now refer to as “Resident Genius” because I doubt that many editors would have seen the possibilities in Handler’s wordplay.  The ideas?  Not a problem.  “That’s what always happens to me: I have a clear idea for a story right away, and then as I’m writing it I find that it has more twists and corners than I knew.”  He told his editor it would be a thirteen book series.  She told him he’d be lucky if he could publish four.

The charm of the series is well defined by Sandra Howard in the August 25, 2001 edition of Spectator. “As a child I had an invented other child that I used to enjoy pretending to be; she had a permanently wretched time, always cruelly treated, slaving away. I’m sure Lemony Snicket’s constant exhortations to expect only the direst events to occur will have a happily morbid appeal and I found myself impatient to know how the orphans were going to get out of one scrape to be ready for the next. The tales are straightforward, no foe-defying magic, just companionable sharing of a disastrous state of affairs.”

It’s probably not too surprising that the first book Handler bought with his own money was Edward Gorey’s The Blue Aspic.  He was in first or second grade at the time.  His other influences

Lemony Snicket's A Series of Unfortunate Events

In what seems like my never-ending quest to read some children's books that I've always wanted to read, I checked out the first three books in Lemony Snicket's (Daniel Handler) A Series of Unfortunate Events series.

In the first book, The Bad Beginning , Snicket lets us know from the very beginning that this not a book with a happy ending and that truly unfortunate things happen to the Baudelaire siblings: Violet, Klaus, and Baby Sunny. And indeed he keeps his promise when the siblings are orphaned early on in the book. The banker, Mr. Poe takes is the executioner of the Baudelaire estate and is in charge of placing the orphans with a family member. Unfortunately, there aren't a lot of family members, and the orphans are placed with the murderous Count Olaf who is intent on receiving the Baudelaire fortune. It's up to the orphans to stop him, but as you can imagine, just when things are looking good for the children, they're hit with yet another misfortune.


In the second book, The Reptile Room, the children are placed with the very kind and very generous Uncle Monty who has a very impressive collection of reptiles. Things are going very well, for the children who believe their luck is improving until Count Olaf makes an appearance and commits a terrible crime. The children are once again left without a guardian at the book's end, and things look bleaker than ever.




In the third book, The Wide Window, the children are sent to live with a distant cousin whom they call, Aunt Josephine. She lives in a rickety house that is precariously dangling over a lake filled with killer leeches. Aunt Josephine is terrified of everything, from telephones to stoves, but she does love grammar. The children are forced to eat horrendously cold meals and their grammar is constantly corrected, even poor Sunny, who is just a baby. At least they all agree that it's better than living with Count Olaf. But lo and behold, Count Olaf finds them, and due to more unfortunate events, the children are left homeless and without a guardian.


Alright...so my apologies in advance to all of you Lemony Snicket fans. It's not that I DIDN'T like the books, but seriously, can't you give the poor kids a break? I don't even want to read the rest of the books because I'm not sure I can handle all of the misfortune. I know, I know...the kids are SUPPOSED to suffer misfortune. Snicket told me this in the beginning and continued to tell me throughout the book, but I didn't listen to his advice and kept reading even when he told me I shouldn't if I wanted things to turn out well.

That aside, as a cynic, I did enjoy the humor in the book. I love Snicket's tounge-in-cheek style and tidbits of advice, like this one from Book 3: "If you are allergic to a thing, it is best not to put that thing in your mouth, particularly if the thing is cats."

I also love the way he defines vocabulary words that may be a little difficult for readers. Take this instance from Book 1:

"But one type of book that practically no one likes to read is a book about the law. Books about the law are notorious for being very long, very dull, and very difficult to read. This is one reason many lawyers make heaps of money. The money is an incentive - the word 'incentive' here means 'an offered reward to persuade you to do something you don't want to do - to read long, dull, and difficult books.'"

The books themselves are repetitive, and the characters are flat and predictable, but I know that many kids and parents enjoy them. The three I did read were short and fast-paced, but I don't know if I'd read them to very young children. If I couldn't handle the sadness, I'm not sure young children would be able to. But I never said I was brave...


Other books in the series:


Book 4: The Miserable Mill

Book 5: The Austere Academy

Book 6: The Ersatz Elevator

Book 7: The Vile Village

Book 8: The Hostile Hospital

Book 9: The Carnivorous Carnival

Book 10: The Slippery Slope

Book 11: The Grim Grotto

Book 12: The Penultimate Peril

Book 13: The End

DANCE LIKE THERE'S NO TOMORROW or
The joyful unawareness of extinction

My dinosaur extinction theory:

Personally, I blame the tyrannosaurus rex. So fond of raves were these behemoths. So oblivious of their surroundings were they. While gyrating and stomping about to their trancey, music, these scaly party goers never even noticed the giant earthquakes that resulted from their dance party. The seismic activity that followed tripped a volcano or two and set off a chain reaction of further volcanic eruptions. The climate change brought about by the post-rave eruptions, is, what I believe caused the extinction of the dinosaurs.

Look it up.
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The Illustration Friday theme this week is "Theory" and the Sugar Frosted Goodness challenge is "Joy." So I thought I'd kill two birds with one stone.

A colláge with some aliens added with Illustrator. Done for Illustration Friday.
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