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Viewing: Blog Posts Tagged with: Kate Greenaway Medal, Most Recent at Top [Help]
Results 1 - 9 of 9
1. Fusenews: “Rich. Famous. That’s all I’ve got”

  • We’re diving right in today.  Check out this killer poster:

Censorship

Now if you’re one of the lucky ducks living in NYC, or will be there on the date of 4/16, you now have your marching orders.  This is an event held at Bank Street College of Education and in wracking my brains I can’t think of anything more timely.  You can see the full listing of the events here.  Wish I were there.  Go in my stead, won’t you?


 

  • New Podcast Alert: This one sports a catchy moniker that will strike some of you as familiar.  Kidlit Drink Night (which would also make a good name for a band, a blog, or a dog) is the official podcast of one Amy Kurtz Skelding.  There’s a bit of YA cluttering up the works, but enough children’s stuff is present to make it worth your pretty while.  Do be so good as to check it out.

  • Hey!  Hey hey!  The Eric Carle Honorees were named, did you see?  And did you notice that amongst them Lee & Low Books was named an Angel?  Such fantastic news.  A strong year of nominees.

 

  • So Phil Nel shared something recently that I’d like you to note. There is apparently a Tumblr out there called Setup Wizard which consists of the, “Daily Accounts of a Muggle I.T. Guy working at Hogwarts.” Phil suggests reading them in order. I concur. Thanks to Phil for the link.

 


  • I have lots of favorite blogs, but Pop Goes the Page clearly belongs in the upper echelon.  Two posts by Dana Sheridan (the Education & Outreach Coordinator of the Cotsen Children’s Library at Princeton University) caught my eye recently.  Dana, as you will recall, is responsible for my little toilet paper tube profile picture on Twitter.  Well now she’s used her knowledge of all things cardboard to create the world’s most adorable subway system complete with Broadway posters.  In a different post Dana, in partnership with The Met Museum’s Nolen Library (the one for the kids), shows a killer display on taking care of your books.  It doesn’t necessarily sound interesting, until you see how they magnified a book eating buggy.

  • So the other day I’m talking up Evan Turk and his new book The Storyteller, as per usual, and I mention to a librarian that the guy not too long ago did some killer sketches of Chicago blues musicians.  Naturally she wanted to see what I was talking about.  After all, I practically live in Chicago these days, so if there’s a talented illustrator going about making Chi-town art, it’s well worth promoting.  I took her to Evan’s blog and there, beautiful as all get out, is the art.  Then I thought I might share it with you as well.  This is just a tiny smidgen of what he has up so go to his blog to see more. The sheer talent of it all floors me.

Blues1

Blues2

Blues3


 

  • Do you know who is awesome?  Sharyn November, former Viking editor, is awesome.  So awesome, in fact, that she has her own brand of tea.  You can buy this tea, if you like.  I’ll put its description right here:

“sdn tea was created specifically for the punk goddess of children’s publishing, Sharyn November. This deity, who is all sharp angles, quick wit, and extraordinary fashion, is a fiery force of nature–literally and figuratively. She already has her own time zone, so it’s high time she has her own tea. This blend is strong and highly caffeinated. Almost impossibly fruity on the nose, it tastes of warm spice and goes extremely well with a piece of chocolate and a cigarette.”


 

  • Do school librarians yield higher test scores?  You may have always suspected that was the case but a recent study out of South Carolina now has some facts so that you can put your money where your mouth is.  Are you a school librarian in need of justifying your existence to your employer?  You can’t afford not to read this SLJ piece.

 

  • I dunno.  I get Neil Patrick Harris playing Count Olaf in the new Netflix series of A Series of Unfortunate Events.  That makes sense to me.  It’s Dr. Horrible without the songs.  Sure.  But Patrick Warburton as Snicket?  Last time we had Jude Law, and I’m pretty sure that was the right move to make.  Puddy as Lemony Snicket seems to lack the right panache.

 

  • In America we have our Newbery and Caldecott Medals.  In England it’s all about the Carnegie and Kate Greenaway Awards.  And unlike the States, they create shortlists.  Those shortlists have just been released for 2016 and (also unlike the States) they nominate books outside their nation.  So Canadians like Jon Klassen and Sydney Smith have a fighting chance.  I agree with Travis Jonker, though.  The alternate title for Sidewalk Flowers was a surprise.

 

  • On the old To Do list: Meet Jan Susina, the Illinois State English Professor who also happens to be an expert on children’s literature.  In a recent interview he produced this marvelous mention of Beatrix Potter: “Potter once said, ‘Although nature is not consciously wicked, it is always ruthless.’ Peter Rabbit is a survival story, not a cute bunny story.”  How perfectly that quote could have worked in Wild Things.  Ah well.  The entire interview is well worth your time, particularly his answer to the question, “What is the greatest secret in children’s literature?”  The answer will surprise you.  Thanks to Phil Nel for the link.

 

  • This Saturday I’ve a Children’s Literary Salon at 2:00.  Yet a couple months ago I hosted Jeff Garrett who spoke about his work with the Reforma Children in Crisis Project.  You can imagine how pleased I was to hear that ALSC will be donating $5,000 to the project as well.  Fantastic news.

 

  • Daily Image:

I was dumpster diving in the donation bin this week when an old book caught my eye.  Hate to say it, but this thing seriously disturbs me.  They just don’t make ’em like this anymore (phew!).

YourWonderfulBody

Run, girl, run!!  Or rather . . . skate, girl, skate!

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1 Comments on Fusenews: “Rich. Famous. That’s all I’ve got”, last added: 3/23/2016
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2. P.J. Lynch: Story illustration A-Z

The childhood thrill of make believe looms large for Dublin-based artist P.J. Lynch, 2X winner of England’s Kate Greenaway Medal for Illustration. He may not come out and say this. But you can’t not feel it in his illustrations and murals, his YouTube videos and his lectures about art and painting in Ireland and the U.S. He puts [...]

5 Comments on P.J. Lynch: Story illustration A-Z, last added: 6/5/2012
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3. Fusenews: In which I get to use the term “mankiest”

Daylight Saving (not “Savings” I just learned) has arrived and you know what that means?  It means babies have a terrible sense of telling time.  Just awful.  And that, in turn, means I’d better crank out a lickety-split Fusenews before I hear the telltale sound of little eyelids opening.

First up, The New York Times Best Illustrated Books of 2011 were announced.  I like to keep a tally of what I managed to review in time vs. what got missed.  The winners were:

  • “Along a Long Road,” written and illustrated by Frank Viva (Little, Brown Books for Young Readers)
  • “A Ball for Daisy,” written and illustrated by Chris Raschka (Schwartz & Wade)
  • “Brother Sun, Sister Moon: Saint Francis of Assisi’s Canticle of the Creatures,” written by Katherine Paterson, illustrated by Pamela Dalton (Chronicle Books)
  • “Grandpa Green,” written and illustrated by Lane Smith (Roaring Brook Press)
  • Ice,” written and illustrated by Arthur Geisert (Enchanted Lion Books)
  • Me … Jane,” written and illustrated by Patrick McDonnell (Little, Brown Books for Young Readers)
  • “Migrant,” written by Maxine Trottier, illustrated by Isabelle Arsenault (Groundwood Books);
  • “A Nation’s Hope: The Story of Boxing Legend Joe Louis,” written by Matt de la Peña, illustrated by Kadir Nelson (Dial)
  • “A New Year’s Reunion,” written by Yu Li-Qiong, illustrated by Zhu Cheng-Liang (Candlewick Press)

Well, three out of ten ain’t . . uh . . . ain’t all that hot, come to think of it.  Next year I shall vow to do better!  I liked Travis at 100 Scopes Notes and his reaction too.

  • Amazon has just put out their list of the Best of 2011 too.  I’ve read eight out of ten and reviewed five of those.  Much better.
  • While I’m thinking of it, there was announcement of the Carnegie Medal and Kate Greenaway Medal nominees over in Jolly Old England.  The Carnegie (their version of the Newbery) nominees include a couple Americans, a couple titles we’ve seen stateside, and a lot of surprises.  I’ll be rooting for Tall Story by Candy Gourlay, The Cardturner by Louis Sachar, and The Crowfield Curse by Pat Walsh.  On the Greenaway (their Caldecott) nominee side I’ll

    10 Comments on Fusenews: In which I get to use the term “mankiest”, last added: 11/10/2011
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4. Kate Greenaway winner Freya Blackwood



and


Thanks to http://www.readingupsidedown.com/?p=524 for the review and jpeg.

2 Comments on Kate Greenaway winner Freya Blackwood, last added: 7/7/2010
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5. The CILIP Carnegie and Kate Greenaway Children’s Book Awards

The 2009 CILIP Carnegie and Kate Greenaway Medal Winners have been announced! Two years after her untimely death from breast cancer at the age of 47, Siobhan Dowd’s fourth and final novel, Bog Child, has been awarded the UK’s premier accolade for children’s writing: the CILIP Carnegie Medal. Edinburgh-based illustrator Catherine Rayner has won the CILIP Kate Greenaway Medal, the UK’s most prestigious award for children’s book illustration, for her book Harris Finds His Feet. Click here to see photos from the award ceremony. Also, be sure to check out the latest issue of PaperTigers which focuses on Children’s Book Awards.

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6. “Monkey and Me”… and Emily


Reading All About Wolves
Reading All About Wolves

 

Award winning children’s book author-illustrator Emily Gravett of Brighton, England was in Austin, Texas Friday with her editor (and vice president and editorial director of Simon & Schuster Books For Young Readers) David Gale.

She read her wonderful picture book Monkey and Me to a crowd of delighted, bouncing younger children in the backyard of the home of Simon and Schuster sales rep Gillian Redfearn.

The children were bouncing because they were imitating kangaroos, which is what the child in the story and her toy monkey sidekick are also doing.  (They imitate the body motions of each group of animals they’re about to see at the zoo, and so the reader gets a chance to guess what the animals will be before he turns the page. 

Monkey and Me  is so kinesthetic and so cute and you will recognize every three or four year old child you know in the exuberant little girl character who pretends she is every animal.

The next day Gravett and Gale were scheduled to appear at the National Council of Teachers of English (NCTE) conference in San Antonio.

Members of the Austin chapter of the Society of Children’s Book Writers and Illustrators (SCBWI) had also been invited to the backyard party. A few of them would also be doing “author duty” at the NCTE conference (Jennifer Zeigler, whose recent work How Not To Be Popular was just named to the Texas Lone Star Reading List by the Texas Library Association, P.J. Hoover and Brian Anderson.)

This was Gravett’s first trip to the United States – and she said she was dealing with a touch of culture shock. She had found it difficult to understand some of the American English that was spoken to her in Miami. Texas was a little easier, she said, but not much.  She had done readings at Austin area schools during the day Friday, and when she wasn’t doing readings at the evening party, she was signing books for children who just kept quietly approaching her throughout the evening craddling their books. She treated all of them as friends.

Monkey and Me" by Emily Gravett      Wolves"  Emily Gravett's first book, which won the 2007 Kate Greenaway MedalEmily Gravett's acclaimed book was also shortlisted for the Kate Greenaway Medal.

Meerkat Mail" by Emily Gravett, published in the U.S. by Simon and Schuster  Little Mouse's Big Book of FearsThe Odd Egg" by Emily Gravett

Her books are audacious, surprising, hilarious – ballets of expression. One reviewer called them ’anthems to drawing.” They are that, but they include bits and pieces of computer art collage/ Photoshop tinkering — just enough to keep things feeling modern and a tad homemade at the same time.

Gravett’s works keep snapping up prizes and recognitions in the UK — the Nestle Children’s Book Prize short list for Little Mouse’s Big Book of Fears, and the Neslte Children’s Prize Bronze Award for Wolves. If she lived in the United States, she’d be in the running for Caldecott medals and honors, her fans say. She received her first Kate Greenaway Medal for her first book Wolves, which she completed as a school project. The second Kate Greenaway Medal was for Little Mouse’s Big Book of Fears in 2008.

The Kate Greenaway Medal is England’s equivalent of the Caldecott Medal, since it is awarded by librarians to the children’s book with the most distinguished illustrations each year.

Wolves also won the Macmillan Prize for Illustration, which is awarded by British publisher Pan Macmillan to books for children up to five years old. Gravett has won it twice – for Wolves in 2005 and Little Mouse’s Big Book of Fears in 2008.

 Author-Illustrator Emily Gravett    Wolves launched her. It’s a book about a little rabbit who checks out a book about wolves at his neighborhood library and begins to read about them with great interest….and I will not tell you what happens.. . 

It began in her last year at Brighton University. She was hanging out a lot in the  art school’s Bookbinding department. “I loved it down there. So few people ever came there. But I’d made a little book of 6 or 7 pages. It was like a filligree of paper made to resemble a forest. Each page was flat, with no words, and a wood cutter was cutting it down. When you looked at individual pages, the forest took the form of a wolf,” she said.

Wolves

“I sketched that forest for different projects and I drew a little rabbit in my sketchbook and I thought could this be combined for a fairy story? 

“I thought it would be fun if the rabbit was reading. Then I thought it would be more fun if he was reading this nonfiction book. 

“So I did a little thumbnail and a little dummy book, very quick. And that’s how I made it, as a dummy,  with book binding with red cloth.

“I originally thought the rabbit was going to escape somehow. But I got the to the page where it shows the [chewed up book cover] and just said ‘rabbits.’ I couldn’t figure out how to rescue him so I just left it. It was funny.

“Then I panicked and wrote the happy ending. It was funny, too. So I left it in, also.”

Wolves" by Emily Gravett

 Gravett has a sensational command of the picture book form and its possibilities. 

Could it be from all of those years of reading to her little daughter (now age 9)  when nothing else seemed to work to keep her (the daughter– well maybe both of them) content and calm? 

“I think the more you steep yourself in picture books the better off you are,” she said. 

Reviewers repeatedly comment on Gravett’s ”skillfull drawings.” Done in simple Faber-Castell Pitt oil-based pencil, they’re typically of cartoonish animal characters in action, against backdrops of minimal or no detail, which gives her pages a choreographed quality. 

Even the stuffed toy animals feel anatomically right and that they’re moving correctly, somehow. I asked her if she researched and sketched a lot of animals. “Not particularly, although I have animals, you know.

“But I imagine myself as the animal when I’m drawing. I think about, ‘what would my legs be doing’ if I tried to do …this….and ‘how would my arms be?’”

(”My aim is to combine interesting use of words with quality drawing,” she once told an interviewer with the London Telegraph, citing the “looseness of Quentin Blake’s drawings” as one of her inspirations.)

Her draftsmanship probably owes more to her lifelong practice of keeping sketchbooks than academic training, she told How To Be A Children’s Book Illustrator.  

“Brighton [University] has a very good reputation as an art college. I chose it because it’s my home town, I’d have family to help out, and since Brighton is one of the larger cities, my partner would be able to find work. But they didn’t teach drawing except once every two weeks we’d have a class in it. A lot of students couldn’t draw very well; They did photography. There was a lot of photography, a lot of conceptual curriculum. ..I’d wanted something more traditional.”
 

Wolves eat mainly meat.

For their class projects (Wolves was one of these), students broke into teams, met regularly and taught each other within their ‘Crit groups.’ These did not always work out because of personalities and temperments in some of the groups. But she did enjoy the bookbinding department, where she spent a lot of time. She also appreciated an eight session-module she was able to get into that focused on  picture book structure.

Gravett thumbnails her books first in her sketchbook. And in these thumbnails the words count as much as the pictures, she said. ”I have to do both at the same time or it doesn’t work out so well. So I write a little bit, draw a little bit…

“The finished pictures [in the published books] look very much like my thumbnail sketches,” she said. 

Just like her books, her website is a joy that sneaks up on you. It features her drawings of her characters popping in and out of the West Bucks Public Burrowing Library and Emily herself as the librarian behind the counter. If you go in there, though, make sure you don’t check out any books about dangerous carnivores.

Monkey and Me"
From Monkey and Me by Emily Gravett (Simon & Schuster Books for Young Readers)

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7. Books at Bedtime: Isolophobia…

Little Mouse’s Big Book of Fears by Emily Gravett…that’s a fear of solitude or “I don’t like being alone, or in the dark”, as Little Mouse puts it in Little Mouse’s Big Book of Fears by Emily Gravett, which has just been awarded the prestigious Kate Greenaway Medal. While bedtime itself can be such a cosy, reassuring end to the day, with a story and a cuddle, there often comes a time when children don’t want to be left alone in the dark. Logical reassurances go unheeded and sometimes the turning-out ritual takes on the stuff of the very stories they’ve been laughing at, as monsters are chased from under beds and spooks are ousted from wardrobes… This is where Little Mouse comes in.

The book’s template is a self-help book for people to log their own fears: and each pair of phobias on a double page is cleverly interlinked.

“Each page in this book provides a large blank space
for you to record and face your fear using a combination of:
Drawing
Writing
Collage.

REMEMBER!
A FEAR FACED IS A FEAR DEFEATED.”

Only, what we have here is Mouse’s personally completed copy – and what a timorous wee beastie he is! He has filled in every page, from Entomophobia, a fear of insects, through monsters, yes, to, well, everything (that’s Panophobia!). In fact, Mouse has chewed it and glued it; and with all he goes through, it’s amazing that both he and his pencil survive until the end.

There is genius behind this book – every time I look at it I am struck by the lightness of touch Gravett has brought to this tricky subject. There is so much humor (not least in the way it ends) and this provides a very real opening for children to talk openly about their fears, however irrational – and, in fact, not just their own: my Arachnophobia (though I’m loathe to acknowledge it by its proper name) was pounced upon gleefully by my two…

The artwork is stunning, right down to the tiniest detail of a dog-eared page corner. As well as the holes and torn edges, there are collages with flaps, some terrifying feathers and an annotated “Visitors’ Map of the Isle of Fright”. This is a book to be drooled over - though perhaps not literally. Button and Mr Moo, the rats to whom the book is dedicated, have already done their business… In fact, some of the illustrative techiniques involved seem set to cause a furore – but that mustn’t be allowed to detract from the quality of the book itself. I go along with The Ultimate Book Guide’s comments about the publishers too – Macmillan are indeed to be congratulated; and I can only envy Daniel is preview peek at Gravett’s soon-to-be-published The Odd Egg!

Here’s a link to yesterday’s interview with Emily in The Guardian and do look at her own website, including this activity to “Make Your Own Collage of Fears”. She was also recently selected as one of The Big Picture campaign’s ten Best New Illustrators in the UK, as announced at the Bologna Book Fair. You can read The Big Picture’s interview with her here.

And a little PS – we will be featuring three of The Big Picture’s longlisted artists in our Gallery in our next PaperTigers update…

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8. Carnegie and Greenaway announcement

The Carnegie and Kate Greenaway medals have been announced. Guy Dammann reports for the Guardian, "Philip Reeve has won the 2008 Carnegie Medal for children's books with his searching re-examination of one of England's national legends, Here Lies Arthur. Emily Gravett, meanwhile, has won the Kate Greenaway Medal for the second time in three years with her latest illustrated tale, Little Mouse's Big Book of Fears."

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9. Delicious Dinner

Tonight I made Pad Thai for dinner. A few months ago my friend Sunaree who is Thai and her husband had my husband and I over for dinner and she cooked Pad Thai for us. I have to tell you it was the most amazing and delicious experience. I didn't take a photo of dinner as it was the first time we had dinner together and I thought it would be rude. The food was incredible and the presentation so colorful. Her husband loves her cooking too and is her perfect match.

Yesterday Sunaree brought me some rice noodles and I tried my first hand at it. I bought a sauce mix ( I know, not very original) however I am going to try making the sauce on my own when I have more time. I only have about an hour in the evening during the week so cooking quickly is often a must. My husband and I had seconds and we'll both have some left over for work tomorrow. Yum!

This is the closest photo to what Sunaree served us for dinner that night (an exceptional photo of Pad Thai I might add!). Pim used a few different ingredients than Sunaree did and I used a packet of sauce picked up at the store which my husband and I both found quite good. I also substituted the shrimp for chicken and left out the egg as we are watching our cholesterol which is a good thing but fresh shrimp with this meal is incredible. I'll save the times to have it with shrimp when Sunaree is doing the cooking. Visually, hers looks so much more vibrant.

I can't say enough about Sunaree, she is an amazing cook and so sweet too, I can't wait until she cooks for us again. After all, why have a copy when you can have the real thing! :)

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