What is JacketFlap

  • JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans.
    Join now (it's free).

Sort Blog Posts

Sort Posts by:

  • in
    from   

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Posts

(from the Writer category)

Recent Comments

Recently Viewed

JacketFlap Sponsors

Spread the word about books.
Put this Widget on your blog!
  • Powered by JacketFlap.com

Are you a book Publisher?
Learn about Widgets now!

Advertise on JacketFlap

MyJacketFlap Blogs

  • Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Tag

In the past 7 days

Writer Category Blogs

Blog Posts by Date

Click days in this calendar to see posts by day or month
new posts in all blogs
Viewing: Blog Posts from the Writer category, Most Recent at Top [Help]
Results 49,551 - 49,575 of 238,070
49551. My New Favorite Writing Helper

Some of you may have heard of the Pomodoro Technique. It's a handy time management tool for breaking up seemingly endless hours of work. You work for twenty-five minutes and then take a five minute break. It's named after those tomato-shaped kitchen timers.

I tried it as soon as I first heard about it, and found it did help me stay focused and get work done everyday.

Recently I stumbled across what I'll term a Pomodoro enhancement. It's an App called Vitamin R. I don't know if it's available for PC. Basically, it's a timer in my computer, but there are a few things about it that I think supercharge my writing.

First, it asks for a little summary about what I'm going to do with my "time slice" before I do it. It let's me set my time slice to any length, but I continue to use twenty five minutes because for me it's long enough to get stuff done, but short enough that I always feel like time passed quickly.

Second, at the end of the "time slice" my screen dims and I have to stop working. I cannot type anymore. The program won't recognize my key strokes. (I can of course override if I need to, but I find that I'm unlikely to forget over my break and then I have something immediately to start right back up with when break's over.

Third, just like taking a break is enforced, ending the break is enforced as well. The screen dims when it's done and you have to go back to work.

This takes all the mental effort of starting and stopping my work time and break time and passes it off to someone else. Kind of like working with a trainer, which I love.  (You'll have to scroll down to the third post. I couldn't figure out how to link to it separately.)
I've found I am able to write for much longer stretches like this.

Thanks, Vitamin R.

0 Comments on My New Favorite Writing Helper as of 2/4/2013 12:20:00 PM
Add a Comment
49552. Cover for Coldest Girl in Coldtown, revealed!

I am super excited to be able to share with you the cover fo THE COLDEST GIRL IN COLDTOWN. I absolutely love it, especially the veins underneath the type which I think are perfect for the book and also gorgeous (in a creepy way, yes, but I am a creepy lady) and the blue brocade which almost looks composed of menacing faces. I was delighted when it was first shown to me and I love it even better now. I have put it as a background screen on my computer and each time I look at it, I am delighted all over again.

 photo Black_ColdestGirl_HC_zps819965b5.jpg

Want some ARC copy to tell you a little more about the book?

COLDTOWN WAS DANGEROUS, TANA KNEW. A GLAMOROUS CAGE, A PRISON FOR THE DAMNED AND ANYONE WHO WANTED TO PARTY WITH THEM?

Tana lived in a world where walled cities called Coldtowns exist. In them, quarantined monsters and humans mingle in a decadently bloody mix of predator and prey. The only problem is, once you pass through Coldtown’s gates, you can never leave.

One morning, after a perfectly ordinary party, Tana wakes up surrounded by corpses. The only other survivors of this massacre are her exasperatingly endearing ex-boyfriend, infected and on the edge, and mysterious boy burdened with a terrible secret. Shaken and determined, Tana enters a race against the clock to save the three of them the only way she knows how: by going straight to the wicked, opulent heart of Coldtown itself.

EEEEE! I am so happy to finally be able to show you the cover and talk a little bit more about the book. I very much hope you like the cover!

Add a Comment
49553. Review-a-palooza!

WONDERFUL reviews for I DARE YOU NOT TO YAWN from four of the biggies. *yawny happy dancing*

Publisher’s Weekly: “Boudreau… dispenses mock advice for children who want to avoid bedtime with a sly dose of comedy.”

Kirkus: “Just the ticket for nap-time or bedtime sharing.”

SLJ: “a fun selection”

Booklist: “Boudreau and Bloch work seamlessly here to deliver the funny…”

I DARE YOU NOT TO YAWN. Text copyright © 2013 by Hélène Boudreau. Illustrations copyright © 2013 by Serge Bloch. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

I DARE YOU NOT TO YAWN. Text copyright © 2013 by Hélène Boudreau. Illustrations copyright © 2013 by Serge Bloch. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

DiggLinkedInStumbleUponShare/Bookmark

0 Comments on Review-a-palooza! as of 1/1/1900
Add a Comment
49554. Review-a-palooza!

WONDERFUL reviews for I DARE YOU NOT TO YAWN from four of the biggies. *yawny happy dancing*

Publisher’s Weekly: “Boudreau… dispenses mock advice for children who want to avoid bedtime with a sly dose of comedy.”

Kirkus: “Just the ticket for nap-time or bedtime sharing.”

SLJ: “a fun selection”

Booklist: “Boudreau and Bloch work seamlessly here to deliver the funny…”

I DARE YOU NOT TO YAWN. Text copyright © 2013 by Hélène Boudreau. Illustrations copyright © 2013 by Serge Bloch. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

I DARE YOU NOT TO YAWN. Text copyright © 2013 by Hélène Boudreau. Illustrations copyright © 2013 by Serge Bloch. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.

Share/Bookmark

0 Comments on Review-a-palooza! as of 1/1/1900
Add a Comment
49555. Some thoughts for a new week…

Have you had that moment when you realize that no one else has it all together, either? To quote  Niecy Nash… We are all one big “hot mess”. But Isn’t it freeing to know we aren’t in this messy life alone? It frees us up to keep hoping… Keep trying… Keep on keeping on. And [...]

8 Comments on Some thoughts for a new week…, last added: 2/11/2013
Display Comments Add a Comment
49556. Bits and Pieces--and Good News

There is never a bad time for good news, and if we can start the week off with good news on a Monday morning, so much the better.I heard via Colleen @ Chasing Ray that our very own TANITA, of THIS BLOG RIGHT HERE, is on the ALA's 2013 Rainbow List... Read the rest of this post

1 Comments on Bits and Pieces--and Good News, last added: 2/4/2013
Display Comments Add a Comment
49557. -And *POOF*, Your Life is Gone

**WARNING – DISTURBING CONTENT – IT WILL MAKE YOU GASP IN HORROR**

Pay attention to the road, folks.

It’s only your life.


Filed under: random stuff

0 Comments on -And *POOF*, Your Life is Gone as of 2/4/2013 1:08:00 PM
Add a Comment
49558. The 5th Sort-of-Annual Stupendously Ultimate First Paragraph Challenge!

It's the grandaddy of them all. The big kahuna. The 32 oz porterhouse with a side of awesome.

It's our FIFTH Sort-of-Annual um don't point out that the last one was two years ago oops too late Stupendously First Paragraph Challenge!!!

Do you have the best paragraph of them all? Will you make Charles Dickens wish he ditched "It was the best of times, it was the worst of times" for your paragraph when he wrote A Tale of Two Cities?

Let's see.

First and most importantly: ALL THE PRIZES.

The ultimate grand prize winner of the SUFPC will win:

1) The opportunity to have a partial manuscript considered by my wildly awesome agent Catherine Drayton of InkWell. Who does Catherine represent, you might ask? Why, only authors such as Markus Zusak (The Book Thief), John Flanagan (The Ranger's Apprentice series), Becca Fitzpatrick (Hush Hush), and many more amazing writers. This is a rather excellent prize. You don't even have to write a query letter!

2) All the finalists will win a query critique from me trust me I've still got my query-revising skillz. Said critique is redeemable at any time.

3) All the finalists in the USA (sorry non-USAers, international postage is bananas) will win a signed copy of my new novel, last in the Jacob Wonderbar trilogy, in stores and available online on Thursday, Jacob Wonderbar and the Interstellar Time Warp!! Please check this bad boy out I swear you'll love it and you won't even get eaten by a dinosaur:


The Jacob Wonderbar trilogy:

Jacob Wonderbar and the Cosmic Space Kapow
Jacob Wonderbar for President of the Universe
Jacob Wonderbar and the Interstellar Time Warp

4) All finalists and winners win the pride of knowing that you are in some truly fantastic company. Let's review the now-published authors who were finalists in writing contests on this blog before they became famous and fancy published authors:

Stuart Neville! Victoria Schwab! Terry DeHart! Michelle Hodkin! Michelle Davidson Argyle! Joshua McCune! Natalie Whipple! Josin L. McQuein! Jeanne Ryan! Peter Cooper!

Are we missing anyone? I sometimes forget THERE ARE SO MANY.

There may also be honorable mentions. You may win the lottery during the time you are entering this contest. Who can say really?

So! Here's how this works. Please read these rules very carefully:

a) This is a for-fun contest. Rules may be adjusted without notice, as I see fit, but this one will always be here: Please don't take this contest overly seriously. This is for fun. Yes, the grand prize is awesome and I would have willingly picked a fight with Mike Tyson to have had my manuscript considered by Catherine Drayton without ever having to write a query, but please don't let that detract from the fact that this contest is for-fun.

b) Please post the first paragraph of any work-in-progress in the comments section of THIS POST. If you are reading this post via e-mail you must click through to enter. Please do not e-mail me your submission it will not count.

c) The deadline for entry is this THURSDAY 7pm Eastern time, at which point entries will be closed. Finalists will be announced... sometime between Friday and the year 2078. When the finalists are announced this suddenly becomes a democracy and you get to vote on the stupendously ultimate winner.

d) Please please check and double-check your entry before posting. If you spot an error in your post after entering: please do not re-post your entry. I go through the entries sequentially and the repeated deja vu repeated deja vu of reading the same entry over and over again makes my head spin. I'm not worried about typos. You shouldn't be either.

e) You may enter once, once you may enter, and enter once you may. If you post anonymously please be sure and leave your name (no cheating on this one).

f) Spreading the word about the contest is very much encouraged. The more the merrier, and the greater your pride when you crush them all.

g) I will be the sole judge of the finalists. You the people will be the sole judge of the ultimate winner.

h) There is no word count limit on the paragraphs. However, a paragraph that is overly long or feels like more than a paragraph may lose points. It should be a paragraph, not multiple paragraphs masquerading as one paragraph. Use your own discretion.

i) You must be at least 14 years old and less than 178 years old to enter. No exceptions.

j) I'm on the Twitter! And the Facebook! And the Google+! And the Instagram! It is there I will be posting contest updates. Okay maybe not Instagram but pretty pictures!

That is all.

GOOD LUCK. May the best paragraph win and let us all have a grand old time.

823 Comments on The 5th Sort-of-Annual Stupendously Ultimate First Paragraph Challenge!, last added: 2/7/2013
Display Comments Add a Comment
49559. Uppity

We like to ring in Groundhog Day
with high style over here.

He sees his shadow, he doesn't see his shadow,
either way we get balloons

because Sugar Snack is four!
Bring on the sweets and sprinkles.
  
Sugar high!
 
I'm thinking of changing his name to "Cheeks."
 
Everyone likes a party.

Even small sewn friends.
 
 




Happy day, Cheeks.

And speaking of happy days,
Happy book birthday to Margaret Bloom of We Bloom Here.
"Making Peg Dolls" is a gorgeous book.
I can't wait to rave all about it.
And I will!
I get to be part of Margaret's blog tour, which starts today.

Margaret will be giving away a copy of "Making Peg Dolls"
to one of my lucky readers this month.
Stay tuned for giveaway details.

You can also visit Margaret as she tours the blog-globe.
Giveaways and surprises, oh my!


February 4th:  The Crafty Crow
February 5th:  The Magic Onions
February 6th:  The Toymaker
February 7th:  Clean
February 8th:  Anna Branford
February 11th:  Red Bird Crafts
February 12th:  Art is a Way
February 13th:  Softearth's World
February 14th:  Chocolate Eyes
February 15th:  Rhythm and Rhyme
February 18th:  Wild Faerie Caps
February 19th:  Sacred Dirt

I'm the caboose! 
It's going to be brilliant.

Hooray, Margaret!

and in other news, goodbye Pip's tonsils...
That's our next adventure.
I'll let you know how we do.

Sugar Snack's birthday books:
I, Crocodile
Little Tug
Alphabet City
Shortcut 
In the Town All Year 'Round

I, Crocodile, by Fred Marcellino
Little Tug, by Stephen Savage
Alphabet City, by Stephen T. Johnson
Shortcut, by David Macaulay
In the Town All Year Round by Rotraut Susanne Berner








2 Comments on Uppity, last added: 2/5/2013
Display Comments Add a Comment
49560. February Friendship Challenge

I know. Everywhere you go-you see hearts. Candy sentiments. Balloon bouquets. Reminders of relationships and valentines day consumes your tv, computer pop-ups and your inbox. Let's start a new trend. Let's make February the month that we focus on friendship. Who has been by your side all year? Who has sat with you at the hardest times in your life? Who could use your support right now? Let's do some reinventing. I propose that we make over February. I am not saying that we completely do away with recognizing our significant others (I mean, I still want stuff from my hubistrator). I am proposing that we include friends and even a few strangers in our kindness efforts this month. Can we make cupcakes for the office? Bring candy bars to the classroom? A small gesture like a handwritten note can make someone smile in a beautiful way. If you want to take the February Friendship challenge. Please tell us how it went. We want to know! -Read something great

0 Comments on February Friendship Challenge as of 2/4/2013 11:08:00 AM
Add a Comment
49561. New Downton Abbey Recap

Season 3, Episode 5 (U.S. reckoning) over at GeekMom.

Add a Comment
49562. Event Report: Montgomery County (TX) Book Festival

By Cynthia Leitich Smith
for Cynsations

Last week's highlight was the Montgomery County Book Festival in The Woodlands, Texas.

Thank you to Natasha, Tabatha, their fellow planners, volunteers, the author faculty and reader-participants for making the event such a success!

Please note that a handful of signed copies of Feral Nights are now available (on a sneak preview basis) at Murder By the Book in Houston.

Thanks also to fellow Austinite Cory Putnam Oakes for driving me to the fest!

Authors gather before the reception: Mari Mancusi, Bettina Restrepo, E. Kristin Anderson, Cory Putnam Oakes.
Bettina, Bethany Hegedus & E. Kristin
E. Kristin & Anna Myers at the Friday night reception
Mari & Suzanne Crowley
Krissi Dallas & Cory
Mary Lindsey & Diana Lopez
Lisa McMann & David Macinnis Gill
Tracy Deebs
Me with Kimberley Griffiths Little & Carolee Dean
Dom Testa & Kimberley
Jill S. Alexander & Bethany
Best shoes: Cari Soto
Victoria Scott & Cory
Jo Whittemore in the author green room
David & Kathi Appelt
Sophie Jordan & Mari
Janni Lee Simner & origami triceratops
Krissi in the teen room
Montgomery County goddesses Natasha & Tabatha at Louie's Bar, after the festival
Jo & Nikki Loftin
Me with fellow Walker Books Australia author Brian Falkner
Victoria Scott & Cory
Suzanne, Janet S. Fox & Greg Leitich Smith

Add a Comment
49563. February 4 Birthday: Honus Wagner




Honus Wagner, athlete
February 4, 1874-December 6, 1955

All Star! Honus Wagner and the Most Famous Baseball Card Ever by Jane Yolen, illustrated by Jim Burke (Philomel Books, 2009)

Honus Wagner grew up playing baseball. Wanger grew into a professional baseball player who “had more home runs, RBIs, doubles, triples…more steals…and played in more games than any other player in the National League.” And that makes his baseball card the most valuable of them all.


The Official Site of Honus Wagner features his biography, photos, career highlights and more.

0 Comments on February 4 Birthday: Honus Wagner as of 2/4/2013 11:42:00 AM
Add a Comment
49564. February 4 Birthday: Charles Lindbergh


flight



Charles Lindbergh, aviator
Feb. 4, 1902-Aug. 26, 1974

Flight by Robert Burleigh, illustrated by Mike Wimmer (Putnam Juvenile paperback, 1997)

This is one of my all-time favorite picture book biographies. It is the dramatic account of Lindbergh’s solitary flight across the Atlantic in 1927 with picture-perfect artwork.

Information about the flight, flight timeline, Spirit of St. Louis, photos, documents, articles, and biographies can be found at CharlesLindbergh.com.

0 Comments on February 4 Birthday: Charles Lindbergh as of 2/4/2013 11:42:00 AM
Add a Comment
49565. February 4 Birthday: Alexis Soyer

fadventurous_chef




Alexia Soyer, chef
Feb. 4, 1810-Aug. 5, 1858

The Adventurous Chef: Alexis Soyer by Ann Arnold (FSG, 2002)

French chef Soyer organized a soup kitchen during the Irish potato famine and worked with Florence Nightingale during the Crimean War.

To read more about Soyer, visit the Victorianweb.org site.

0 Comments on February 4 Birthday: Alexis Soyer as of 2/4/2013 11:42:00 AM
Add a Comment
49566. "You might as well be a mensch": Messages from My Father/Calvin Trillin


Yesterday was a celebration of my father on his birthday—a surprise cake among his many friends at his church, a lunch at his favorite, cafe, a somewhat disorderly assemblage of preferred foods from the Farmers' Market, organized into sub-specialty themes (here we have our cheeses and crackers, here our apple fritters, here our quiche, here our pecan pie), tickets to an upcoming high school production of Grease.

None of it being close to enough to honor the man who has always done so much for his wife (whose grave he still visits daily, even in blasts of winter cold), his three children and his three children's children. Kep Kephart has been a stealth benefactor, a man who has given without the slightest expectation a quid pro quo. Where there has been need, he has stepped in. Where there was college to pay for, he did. Where there were little TVs or kitchen pots that might have helped ease the lonesomeness of first studio apartments on Camac Street, say, little TVs and kitchen pots materialized. Where a trip away was precisely the cure for the tedium of too much stuck in a rut, a check arrived in the mail."Your father is a very good man," I was told, time and again, as I planned his surprise moment at the church. "We don't know what we'd do without him."

I was thinking about Kep Kephart, a Penn grad, devoted Presbyterian, retired businessman, and active consultant, while I was reading about Abe Trillin, the Jewish grocer of Kansas City, in Calvin Trillin's memoir Messages from My Father. Trillin's slender memoir never pronounces its guiding questions, its framing themes. Rather, it begins with a declaration—"The man was stubborn."�and proceeds to limn the life of a father who may not have made a strong first impression, with his "unprepossessing name," his "prominent nose," and his "negligible chin," but whose manners, values, and behaviors were of presidential caliber and consequence.

The contempt Abe feels "for people who felt the need to pump up their own importance" was encapsulated in a term; "that sort of person was "big k'nocker" (a phrase that would have fit nicely in with the recent New York Times story about parental boasting "A Truce in the Bragging Wars"). The fun he had with simple things—silly phrases, songs, marching tunes—seemed more important, looking back, than anything money might buy. His tenderness in letting an employee go, his admirable work ethic, his decision to be remembered, most of all, by his choice of yellow-tinted ties—all this gentleness, all this manliness, all this fatherliness. Calvin Trillin may have inherited his father's stubbornness, but he noticed, and absorbed, the bigger lessons his father taught.

Perhaps for Abe, and therefore Calvin, it all came down to a single phrase: "You might as well be a mensch." I hadn't seen the phrase before (the word, of course, but not the phrase), but I think I'd like to make use of it now—to seed my thoughts with its power. Here's Calvin in his trademark simply meaningful prose, parsing the line for the rest of us:

Even the words to live by that I have always associated most strongly with him—"You might as well be a mensch."�lack grandiosity. The German word Mensch, which means person or human being, can take on in Yiddish the meaning of a real human being—a person who always does the right thing in matters large or small, a person who would not only put himself at serious risk for a friend but also leave a borrowed apartment in better shape than he found it. My father clearly meant for me to be a mensch. It has always interested me, though, that he did not say, "You must always be a mensch," or "The honor of this family demands that you be a mensch" but "You might as well be a mensch," as if he had given some consideration to the alternatives.

I take mensch to mean a sweep of things, and also these essential things: Remember others. Acknowledge others. Be happy for what they achieve. Listen more than you talk, if you can. Don't make too much of your own glory.

For more thoughts on memoirs, memoir making, and prompt exercises, please visit my dedicated Handling the Truth page.

3 Comments on "You might as well be a mensch": Messages from My Father/Calvin Trillin, last added: 2/14/2013
Display Comments Add a Comment
49567. Joyce Sweeney Critique Giveaway and Plotting Workshop Notes

Joyce at a book signing

I’m thrilled to share information from another one of Joyce Sweeney’s amazing workshops. Dialogue and humor are some of my writing strengths, but I’ve always had to work extra-hard to plot my novels well.  I love brainstorming a story idea and jotting down character traits ahead of time, but have never been a fan of outlining.  I was thrilled to see how well Joyce’s Plot Clock works for me—on existing manuscripts I want to rewrite and before writing new manuscripts.  It’s a tool I plan to use throughout my career!

Speaking of helpful tools…don’t forget to read all the way down to the bottom of this post, to see how you can win a critique from Joyce Sweeney!

Before I describe Joyce’s plot clock, fill in this important sentence about your novel:

My book is about _____ who grapples with _______ and discovers _________.

*Make sure it’s the external main plot, not an internal one!

**If there are flashbacks, the main plot is what is happening in real time.

The Plot Clock has four acts (picture a circle divided into four equal parts).  The length of the acts in your manuscript should be even, or at least close to even, if possible.

ACT 1

Show the ordinary world, and that something is wrong (something needs to happen).  Readers need to feel a lack, a need, just before the inciting event…which is the new thing that comes into the character’s life and changes everything.  The main character resists the change.

If very commercial, the inciting incident has to come up soon!

End of Act 1 is the binding point.  You can push characters into it, have them trapped, or some external event can make them want to do it.

*Note: Start putting the external events you know on the Plot Clock first.  Don't rush--you don't want to cram your own events in.  You might find that they're missing on the clock and you have to brainstorm a new scene

~That’s what happened to me!  I had trouble finding the binding point on the MG I brought with me…and it led to a huge discovery about my character that I was able to weave through the entire novel.  I had a misunderstanding between my MC and her best friend, where the friend got mad that she didn’t tell her important things.  It used to be that my MC was embarrassed, and just didn’t have the chance (or didn’t go out of her way) to tell her…but after looking at the Plot Clock, I now see how important it is for her to not tell her friend on purpose, for fear of losing her after having her last best friend ditched her a year ago.

ACT 2

Characters usually try to use their old techniques to solve this new problem.  But not doing the right thing causes losses or failures that escalate in a sad way.

At the low point between Act 2 and Act 3—characters think they can’t make it through this.  They change!  Try something different.

ACT 3: 

You can’t go straight from the low point to the climax—this act shows progress.  Things start getting better!  To counteract that, you escalate the stakes. As the protagonist gets stronger, the antagonist gets stronger, too. The second half of the book should signal where the climax will be. We pretty much have a clue what will need to be fought—what's right, wrong, etc. But you still need to keep the reader in suspense!

End of Act 3 is the turning point.  Joyce says most people don’t know anything about the turning point.  It raises the stakes and affects the climax in really important ways.  I wish I could go into more detail, but I’m trying not to give away all of Joyce’s secrets.

I feel so lucky to live close enough to attend Joyce’s weekly workshop, plus her other local events.  I’m really excited that she now has a virtual class that starts on Monday, February 11th.  I’m signed up and ready to take my writing to the next level, and I hope to see a lot of my online friends in the class forum!

In order to celebrate the launch of her virtual class, Joyce has offered a ten page novel critique or a picture book critique as a prize!  And guess what…if this awesome giveaway receives more than 50 entries, she’ll add a grand prize, which will be revealed on Wednesday, when I post an interview of her—AND IT WILL BE A MUCH LARGER CRITIQUE THAN THE ONE ALREADY LISTED!

Enter using the Rafflecopter link below.  You’ll receive one entry for:

*Leaving a comment on this post or on Joyce Sweeney's website

*Signing up for Joyce Sweeney's free monthly newsletter

*Plus one entry for each shout out on a blog, Facebook, Twitter, or other social media. (Please list where you’ve shared it in the comments of this post).


                                        CLICK HERE TO ENTER THE GIVEAWAY!

Don’t forget to come back on Wednesday to read an interview with Joyce where you’ll find out more about her virtual class, plus see what advice she’d give writers who keep coming close to getting an agent or editor, but haven't received that magical ‘yes’ yet.  You’ll also find out what incredibly generous grand prize could be added to the giveaway.  The winner/s will be announced on Sunday, February 10th.  Good luck!

Add a Comment
49568. How a Novelist Learned to Write Picture Books by Anna Staniszewski

My friend and agency mate, Anna Staniszewski's publishing success sounds a little like a fairy tale -- hugely popular novels, sequels, prequels. WOW! Then, just like Jenny, the main character in her latest novel My Epic Fairy Tale Fail, Anna took on what seemed an impossible task ... she wrote a picture book.

So how did she make the transition? Brilliantly ... with a few lessons she learned from novel writing ... that all picture book writers need to know.

Now, take it away, Anna!

How a Novelist Learned to Write Picture Books
by Anna Staniszewsk

For years, I considered myself to be strictly a novel writer. I thought I was far too wordy to write picture books, and besides, I never had any good picture book ideas. I mean I had ideas, but they were TERRIBLE.

But over the years, something strange happened. In writing novels, I learned to:

-Focus focus focus and cut cut cut!
-Choose active verbs and interesting nouns. (My thesaurus and I are now best friends.)
-Make each scene active and give the story forward momentum.
-Make the ending tie into the beginning.




Why look at that. In my efforts to improve my novels, I’d trained myself to do many of the things that are required when writing picture books.

Okay, so now I knew how to write a picture book, but I still didn’t have any good ideas. Then one day, as I was getting ready to walk the dog and she was squeaking her furry head off to try to hurry me along, I said: “Calm down, dogosaurus. We’re going.” And there it was. An idea.

Of course, an idea is not a story. It took me about a year and many revisions (with help from my agent and my critique partners) to get the manuscript to where it needed to be. And amazingly, Dogosaurus Rex found a home at Henry Holt and is scheduled to be published in 2014. Finally, my years of inadvertently training myself as a picture book writer had paid off!

These days, while I still think myself primarily as a novelist, I’m getting more comfortable with my picture book identity. And I have to say, I love working on picture books. They’re a challenge that I really enjoy. Who knew there was hope for a former rambling writer with terrible ideas?

About Anna:
Born in Poland and raised in the United States, Anna Staniszewski grew up loving stories in both Polish and English. She was named the 2006-2007 Writer-in-Residence at the Boston Public Library and a winner of the 2009 PEN New England Susan P. Bloom Discovery Award. Currently, Anna lives outside of Boston with her husband and their adopted black Labrador, Emma.
 

When she’s not writing, Anna spends her time teaching, reading, and challenging unicorns to games of hopscotch. Her first novel, My Very UnFairy Tale Life, was released by Sourcebooks Jabberwocky in November 2011. The sequel, My Epic Fairy Tale Fail, is coming on March 1, 2013. Visit her at www.annastan.com.

About her latest book:  
Jenny has finally accepted her life of magic and mayhem as savior of fairy tale kingdoms, but that doesn't mean the job's any easier. Her new mission is to travel to the Land of Tales to defeat an evil witch and complete three Impossible Tasks. Throw in some school friends, a bumbling knight, a rhyming troll, and a giant bird, and happily ever after starts looking far far away. But with her parents' fate on the line, this is one happy ending Jenny is determined to deliver.

Watch the book trailer for more FAIL fun! 


Now it's your turn to chime in. What lessons have you learned from one genre of your writing that inform or inspire your others?






9 Comments on How a Novelist Learned to Write Picture Books by Anna Staniszewski, last added: 2/5/2013
Display Comments Add a Comment
49569. Review: Peanut by Ayun Halliday & Paul Hoppe

 

 

Title: Peanut

Author: Ayun Halliday and Paul Hoppe

May Contain Spoilers

From Amazon:

"Before you write me off as a delusional psycho, think about what it’s like to be thrown into a situation where everyone knows everyone . . . and no one knows you." Sadie has the perfect plan to snag some friends when she transfers to Plainfield High—pretend to have a peanut allergy. But what happens when you have to hand in that student health form your unsuspecting mom was supposed to fill out? And what if your new friends want to come over and your mom serves them snacks? (Peanut butter sandwich, anyone?) And then there’s the bake sale, when your teacher thinks you ate a brownie with peanuts. Graphic coming-of-age novels have huge cross-over potential, and Peanut is sure to appeal to adults and teens alike.


Review:

When I received this book, I was a bit mystified.  Why, oh why would anyone pretend to have a fatal peanut allergy?  Baffled, I dug right into this graphic novel, intrigued to see if there was a compelling reason for Sadie to fabricate such a serious health issue.  After finishing the book, I have to say that I didn’t find it.  While the characters are likable, the rationale behind Sadie’s pretend illness just didn’t cut it for me.  Sadie’s little white lie, which quickly spirals out of control, is spun in an effort to be more popular at her new school. 

After talking to a girl about her medical alert bracelet, Sadie is so fascinated by the thought of having a severe peanut allergy that she orders a bracelet of her own.  I wanted to question how she was able to accomplish this, online, without a credit card or her mother’s knowledge, but I didn’t.  I just followed along with Sadie as she experiences the unintended consequences of her little lie.  A concerned teacher has her freaked out because she hasn’t turned in a health form, signed by her mother,  to the school nurse, and that EpiPen that she’s supposed to carry with her at all times?  Yeah, she needs a prescription to have access to that prop.  When a new friend asks to see it, she flips out on him.  When her new boyfriend thinks that she’s eaten a chip cooked in peanut oil, she realizes that living with this lie isn’t going to be easy.

The thing that kept me engaged in the story was Sadie’s fear of discovery.  Afraid to fess up to her new friends, she just keeps digging herself into a deeper and deeper hole.  She is terrified that the truth will come out, and when it does, that she will lose all of the friends that she’s made.  When reality does come crashing down around her, it is every bit as awful as she feared.  I think that the fallout was shortchanged, and that mending her bridges went too easy for her.  From her first day of school, the image of herself that she projected was all based on fallacy, and the small amount of page time given for her repentance was disappointing.

The art is quirky and it works well with the tone of the story.  I loved the splash of color from Sadie’s clothes. 

Grade:  C+

Review copy provided by publisher

Add a Comment
49570. My Writer's Bookshelf Favorite: The Small Blue Book That Says It All


My Writer’s Bookshelf consumes just about every inch of my writing room’s cleverly-extended window sill.  While I peck away at my laptop’s keyboard, wandering and wondering, each book sits there, winking and waving.

Books on Craft, the Writing Process and Children’s Literature,
books on Elements of Narrative,
books on Storytelling.
How To’s, handbooks, manuals, Dummies Guides,
dictionaries (abridged and unabridged),
my trusty Roget’s.

Smack dab in the middle of the line-up, though, rests my very favorite writer’s book - M.B. Goffstein’s A Writer (Harper & Row, 1984).  Its sky-blue book spine short and slight brilliantly shines as my writer’s North Star.

 
I’m almost hoping you’ve never ever heard of this title, so this post can gift you the way the book first gifted me.

I came upon it at Florence Shay’s antiquarian bookstore Titles, in Highland Park,
Illinois while out and about on my Writer’s Journey sometime in the late 80’s.
I was figuratively lost, unsure of my path.
Opening this small treasure of a book, I was instantly found.
Everything was okay.
Really and truly.
Days spent daydreaming, imagining, probing my heart…
According to A Writer, that’s what writers do.

A writer
sits on her couch,
holding an idea,
until it’s time
to set words
upon paper,
to cut, prune,
plan, and shape them.

Thoughts that open
in her heart,
and weather every mood
and change of mind,
she will care for.

Back then, I was seeding and feeding my own stories as well as my writer self.
Marilyn Brooke Goffstein’s simplicity in words and lines spoke to the gardener in me.
Today I still grow my own stories but I also spend my days seeding and feeding other writers – Young Authors and authors young-at-heart.
Goffstein’s A Writer speaks even more loudly.

But, don’t take my word for it. See for yourself! 

Come to know this Minnesota-born writer, illustrator, children’s book creator, Parsons School of Design faculty member.
Visit her website.   
Read about her books, including the 1977 Caldecott Honored Fish for Supper.

Be sure to check her Tips for Picture Book Writers and Illustrators.
  • Write something you don't know but long to know.
  • It is tiresome to read a text that the author hasn't fought for, lost, and by some miracle when all hope is gone, found.
  • Do them (your readers) the honor of reaching for something far beyond you.
And, while Florence Shay and Titles, Inc. are sadly no longer with us, search other antiquarian bookstores for Goffstein’s one-of-a-kind books.

Lucky you should you come upon A Writer for sale so it can shine on your Writer’s Bookshelf!

Esther Hershenhorn

P.S.
I especially love that Goffstein dedicated A Writer to Charlotte Zolotow, beloved children’s book author and award-winning Ursula-Nordstrom-trained editor whose Admiring Declines I still treasure as much as my first edition copy of M.B. Goffstein’s A Writer

 

10 Comments on My Writer's Bookshelf Favorite: The Small Blue Book That Says It All, last added: 2/5/2013
Display Comments Add a Comment
49571. 15 Days of Giveaways: Richard Michelson

This interview originally ran in August of 2010. Since then Richard Michelson has published Lipman Pike: America's First Home Run King in 2011 and Twice as Good: The Story of William Powell and Clearview, the only golf course designed, built, and owned by an African-American. To win a copy of Busing Brewster leave a comment on this post.



 

This week author Richard Michelson is giving us a tour of his writing space. Richard Michelson is a both a poet and a children's book author. Some of his children's books include As Good As Anybody: Martin Luther King and Abraham Joshua Heschel's Amazing March Toward Freedom, illustrated by Raul Colón; Tuttle's Red Barn, illustrated by Mary Azarian; and Across the Alley, illustrated by E. B. Lewis. As Good as Anybody won the Sydney Taylor Award, and in the same year his book A is for Abraham was awarded the Silver Medal. This was the first time in the award's 41-year history that both top honors went to the same author.

His latest book is Busing Brewster, illustrated by R. G. Roth. This is a historical fiction picture book about desegregation in the 1970s. Brewster is about to start first grade when his Mama announces that he and his older brother will be taking the bus to a new school this year, the one in the white part of town. The transition to the new school isn't an easy one as Brewster and his brother aren't given a warm welcome, but Brewster finds sanctuary in the school library and kindness in the librarian. The story gives a very focused, individual perspective of this time period, with an author note at the end to expand on the history.



I'm embedding a video interview with Richard Michelson in the Rockstars of Reading series put together by JustOneMoreBook.com, which I highly recommend if you have 15 minutes to spare. In the video Richard shares some of the manuscript drafts and work that went into creating one of his picture books. He also talks about his first children's book, Did You Say Ghosts?, illustrated by Leonard Baskin, and how after that book went out of print he was approached by Harcourt who wanted to reissue the book but with new illustrations. And so an adapted version of that story lives on now with illustrations by Adam McCauley. I thought it was particularly interesting to hear what Richard had to say about seeing his words illustrated in two different ways.


In addition to being an author, Richard is also the owner of R. Michelson Galleries in Northampton, MA, and the curator of exhibitions at The National Yiddish Book Center. For more information about Richard Michelson and his writing, visit his website.

Describe your workspace.

Once upon a time, a long time ago, I had a large sunny upstairs room overlooking the woods in front of my Amherst home.

Then my daughter was born.


Next upon a time I was moved to a smaller, less sunny upstairs room overlooking the backyard of my Amherst home. 


Then my son was born.


So here is the window in the back corner of the unfinished basement where I have my study.


Come on in. Let's walk downstairs.   Watch your step. 


 Turn left at the ping pong table and left again at the boiler.


Here it is. Come on in. Look around. Leonard Baskin's bronze Sentinel sits in the window sill. Neil Waldman's cover illustration for Too Young for Yiddish is above my desk (my son posed as "the young me" in the book). 

 This bookshelf is where I keep children’s books. 

And this shelf is for poetry (top 2 rows), history (next 2) and novels (bottom 2). 
BTW: The woodcut (by Cyril Satorsky) was above my desk when the study was upstairs. When I moved out, I neglected to transfer the art, until a friend suggested that a picture of the father, Abraham about to sacrifice his son, Isaac, was an odd choice to be hanging above my son's crib for the first two years of his life.


So now that my kids have grown up and moved out--my daughter has been living in NYC for ten years, and my son, for seven, will I ever move back upstairs?

No. Their bedrooms upstairs remain empty,  but I’ve come to love it down in my cozy dark burrow, where sunny skies cannot distract me from my work.

Describe a typical workday.

I'm up at 7:30—or maybe 8:30. I drink coconut water and eat my oatmeal in bed while I read the paper and  check morning email on my computer. 

8:30 (or maybe 9:30) to 11 in my study, whether writing or just sitting. Then off to the gym (Pilates) or out on my bike.

1 to 6 (or 9 Fri/Sat) I am at R. Michelson Galleries, where I get to hang out with the work of many of our greatest illustrators and artists—(you can check out www.RMichelson.com) but yes, it is still a job, and keeps me from my writing.

List three of your most favorite things in your workspace and why they are meaningful.

1. The Poem Book my daughter wrote for me is on the window sill, blocking out what little light there is. . .


2. The ducks my son made for me. . .


3. And my family photos:


They are all meaningful for the same reason. They remind me – when work is going badly—what life is really about.
  
And  also, coming in at #4, I like my old typewriter, retired in the corner.


 Do you have any rituals in your work habits? If so, describe them.
 
I sharpen pencils before I begin typing (still do this though I write on my computer).

What do you listen to while you work? 

The silence and my imagination.

What is your drink and/or snack of choice while you’re working?

Baby carrots. Hummus and crackers. Bananas. Sounds boring but I have reached the age where I follow doctor's orders.  

What keeps you focused while you’re working?

Who’s focused? Check email, write sentence, check email, check email again, write sentence, check Facebook, answer questions about what keeps you focused for a blog entry, take pictures of workspace, check clock, write sentence.

Do you write longhand, on a computer, or another way? 
Computer. Can’t read my own handwriting.
How do you develop your story ideas? Do you use an outline, let the muse lead you, or another technique?

I would be happy to let the muse lead me, were she/he to visit. Unfortunately, my address must be unlisted. So I plow ahead word by word and line by line. It is a bit like building a road by laying bricks in front of myself as I walk. And each time a new line is added, I go back to the beginning and start reading all over again from the first word, until I forge on a little bit further.  Fortunately I write poetry and picture books. I could not imagine constructing a novel in this manner.

If you were forced to share your workspace but could share it with anyone of your choosing, who would it be?

I need total solitude. I get distracted enough as it is. But my dog Mollie is always welcome at her usual spot.

   
What is the best piece of writing advice you’ve heard or received?

I tend to overwork, not under-work, so I need to apply the brakes, and give myself perspective, more than I need a prod. Here are a few reminders I keep in my desk drawer:

“One of the symptoms of an approaching nervous breakdown is the belief that one's work is terribly important.”  --Bertrand Russell

“I have not failed. I've just found 10,000 ways that won't work. --Thomas Alva Edison

“It is harder to live one day with honor, than write a book as great as any the world has known.” --Stefa Wilczynska to Janusz Korczek


10 Comments on 15 Days of Giveaways: Richard Michelson, last added: 2/5/2013
Display Comments Add a Comment
49572. More Oliver Jeffers - because I'm a fan...

You have to check out this positively charming video about award-winning children's book creator, Oliver Jeffers:

Some of Oliver's titles you may recognize are:
THIS MOOSE BELONGS TO ME
STUCK and
LOST AND FOUND
Thanks to SwissMiss for the heads up.

Add a Comment
49573. 15 Days of Giveaways: Richard Michelson

This interview originally ran in August of 2010. Since then Richard Michelson has published Lipman Pike: America's First Home Run King in 2011 and Twice as Good: The Story of William Powell and Clearview, the only golf course designed, built, and owned by an African-American. To win a copy of Busing Brewster leave a comment on this post.

Congratulations, Michelle! You've won the copy of BUSING BREWSTER! Please email me with your mailing address and I'll send the book out to you.


This week author Richard Michelson is giving us a tour of his writing space. Richard Michelson is a both a poet and a children's book author. Some of his children's books include As Good As Anybody: Martin Luther King and Abraham Joshua Heschel's Amazing March Toward Freedom, illustrated by Raul Colón; Tuttle's Red Barn, illustrated by Mary Azarian; and Across the Alley, illustrated by E. B. Lewis. As Good as Anybody won the Sydney Taylor Award, and in the same year his book A is for Abraham was awarded the Silver Medal. This was the first time in the award's 41-year history that both top honors went to the same author.

His latest book is Busing Brewster, illustrated by R. G. Roth. This is a historical fiction picture book about desegregation in the 1970s. Brewster is about to start first grade when his Mama announces that he and his older brother will be taking the bus to a new school this year, the one in the white part of town. The transition to the new school isn't an easy one as Brewster and his brother aren't given a warm welcome, but Brewster finds sanctuary in the school library and kindness in the librarian. The story gives a very focused, individual perspective of this time period, with an author note at the end to expand on the history.



I'm embedding a video interview with Richard Michelson in the Rockstars of Reading series put together by JustOneMoreBook.com, which I highly recommend if you have 15 minutes to spare. In the video Richard shares some of the manuscript drafts and work that went into creating one of his picture books. He also talks about his first children's book, Did You Say Ghosts?, illustrated by Leonard Baskin, and how after that book went out of print he was approached by Harcourt who wanted to reissue the book but with new illustrations. And so an adapted version of that story lives on now with illustrations by Adam McCauley. I thought it was particularly interesting to hear what Richard had to say about seeing his words illustrated in two different ways.


In addition to being an author, Richard is also the owner of R. Michelson Galleries in Northampton, MA, and the curator of exhibitions at The National Yiddish Book Center. For more information about Richard Michelson and his writing, visit his website.

Describe your workspace.

Once upon a time, a long time ago, I had a large sunny upstairs room overlooking the woods in front of my Amherst home.

Then my daughter was born.


Next upon a time I was moved to a smaller, less sunny upstairs room overlooking the backyard of my Amherst home. 


Then my son was born.


So here is the window in the back corner of the unfinished basement where I have my study.


Come on in. Let's walk downstairs.   Watch your step. 


 Turn left at the ping pong table and left again at the boiler.


Here it is. Come on in. Look around. Leonard Baskin's bronze Sentinel sits in the window sill. Neil Waldman's cover illustration for Too Young for Yiddish is above my desk (my son posed as "the young me" in the book). 

 This bookshelf is where I keep children’s books. 

And this shelf is for poetry (top 2 rows), history (next 2) and novels (bottom 2). 
BTW: The woodcut (by Cyril Satorsky) was above my desk when the study was upstairs. When I moved out, I neglected to transfer the art, until a friend suggested that a picture of the father, Abraham about to sacrifice his son, Isaac, was an odd choice to be hanging above my son's crib for the first two years of his life.


So now that my kids have grown up and moved out--my daughter has been living in NYC for ten years, and my son, for seven, will I ever move back upstairs?

No. Their bedrooms upstairs remain empty,  but I’ve come to love it down in my cozy dark burrow, where sunny skies cannot distract me from my work.

Describe a typical workday.

I'm up at 7:30—or maybe 8:30. I drink coconut water and eat my oatmeal in bed while I read the paper and  check morning email on my computer. 

8:30 (or maybe 9:30) to 11 in my study, whether writing or just sitting. Then off to the gym (Pilates) or out on my bike.

1 to 6 (or 9 Fri/Sat) I am at R. Michelson Galleries, where I get to hang out with the work of many of our greatest illustrators and artists—(you can check out www.RMichelson.com) but yes, it is still a job, and keeps me from my writing.

List three of your most favorite things in your workspace and why they are meaningful.

1. The Poem Book my daughter wrote for me is on the window sill, blocking out what little light there is. . .


2. The ducks my son made for me. . .


3. And my family photos:


They are all meaningful for the same reason. They remind me – when work is going badly—what life is really about.
  
And  also, coming in at #4, I like my old typewriter, retired in the corner.


 Do you have any rituals in your work habits? If so, describe them.
 
I sharpen pencils before I begin typing (still do this though I write on my computer).

What do you listen to while you work? 

The silence and my imagination.

What is your drink and/or snack of choice while you’re working?

Baby carrots. Hummus and crackers. Bananas. Sounds boring but I have reached the age where I follow doctor's orders.  

What keeps you focused while you’re working?

Who’s focused? Check email, write sentence, check email, check email again, write sentence, check Facebook, answer questions about what keeps you focused for a blog entry, take pictures of workspace, check clock, write sentence.

Do you write longhand, on a computer, or another way? 
Computer. Can’t read my own handwriting.
How do you develop your story ideas? Do you use an outline, let the muse lead you, or another technique?

I would be happy to let the muse lead me, were she/he to visit. Unfortunately, my address must be unlisted. So I plow ahead word by word and line by line. It is a bit like building a road by laying bricks in front of myself as I walk. And each time a new line is added, I go back to the beginning and start reading all over again from the first word, until I forge on a little bit further.  Fortunately I write poetry and picture books. I could not imagine constructing a novel in this manner.

If you were forced to share your workspace but could share it with anyone of your choosing, who would it be?

I need total solitude. I get distracted enough as it is. But my dog Mollie is always welcome at her usual spot.

   
What is the best piece of writing advice you’ve heard or received?

I tend to overwork, not under-work, so I need to apply the brakes, and give myself perspective, more than I need a prod. Here are a few reminders I keep in my desk drawer:

“One of the symptoms of an approaching nervous breakdown is the belief that one's work is terribly important.”  --Bertrand Russell

“I have not failed. I've just found 10,000 ways that won't work. --Thomas Alva Edison

“It is harder to live one day with honor, than write a book as great as any the world has known.” --Stefa Wilczynska to Janusz Korczek


0 Comments on 15 Days of Giveaways: Richard Michelson as of 1/1/1900
Add a Comment
49574. Syd Mead's design for Blade Runner


Joel Johnston of BoingBoing TV hung out with concept artist Syd Mead to talk about his design work for the 1982 science fiction movie classic Blade Runner.


(Video link) The convincing detail and atmosphere of the film is a mix of director Ridley Scott's noirish vision, Doug Trumbull's visual effects work, and Mead's thoroughness in approaching the concept art, for which he received a "visual futurist" credit. 

Mead, who created most of his gouache renderings for the steel or automotive industry, enjoyed the change of pace. “I wasn’t in the movie business," he says. "I didn’t particularly care. It was just doing a design job.” 


The "spinners" or flying cars were given a low windshield and an open gap in front to let the driver see downward.

“It was very carefully designed to be intensely mechanical,” he says.

Mead says that Blade Runner had about five proposed opening sequences, but limited time and budget ruled out the first four.

1. The first one was 'too Holocaust.' The storyboards showed them shoveling these retired replicants down into this furnace.

2. The second version showed them in the off-world situation where they killed their squad leader, but that was never shot.

3. Deckard is on the train coming across the desert, but they couldn’t afford to dress the train car and build the miniatures.

4. The fourth one showed Deckard on the freeway.

5. The fifth one was the one that appeared in the movie.



1 Comments on Syd Mead's design for Blade Runner, last added: 2/4/2013
Display Comments Add a Comment
49575. Classroom Connections: THE BALLAD OF JESSIE PEARL


THE BALLAD OF JESSIE PEARL - Shannon Hitchcock
setting: 1920's, North Carolina
age range: 12 and up
release date: February 1, 2013
study guide based on Common Core State Standards

Please tell us about your book.
It’s 1922 and Jessie has big plans for her future, but that’s before tuberculosis strikes. Though she has no talent for cooking, cleaning, or nursing, she puts her dreams on hold to help her family. She falls in love for the first time ever, and suddenly what she wants is not so simple any more.

What inspired you to write this story?
A snippet of a family story and my son’s 8th grade history project. His teacher had each student collect ten family stories. Each story had to take place during a different decade. I decided to write a novel loosely based on one of the stories Alex collected.

Could you share with readers how you conducted your research?
I read novels set in the 1920’s, North Carolina history books, memoirs written from sanatoriums, and doctors’ accounts of the disease. I also contacted a local historian in my hometown who helped me locate resources about life on a tobacco farm in the early 1900’s.

What are some special challenges associated with writing historical fiction? 
Not to tell everything you know, but just enough to add flavor to the story.

What topics does your book touch upon that would make your book a perfect fit for the classroom? 
THE BALLAD OF JESSIE PEARL could be used in a cross curricular unit by ELA and Social Studies teachers. Keely Hutton, who’s an eighth grade ELA teacher, reviewed my curriculum guide and gave this feedback:
With JESSIE you have the perfect opportunity to tie in [the following]: 


  •  non-fiction pieces about the time period
  • TB
  • women’s rights and roles in family/society
  • health care during epidemics 
  • historically what was happening during those years in the US and the world



  • 3 Comments on Classroom Connections: THE BALLAD OF JESSIE PEARL, last added: 2/5/2013
    Display Comments Add a Comment

    View Next 25 Posts