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"Prologue," he says, "is the only thing so far in my career that I've ever been really been pleased with."

The post Interview: Richard Williams Talks About His Oscar and BAFTA-Nominated Short ‘Prologue’ appeared first on Cartoon Brew.

Today I thought I’d take a closer look at the differences between fables and parables and come up with some recommendations for readers of all ages who enjoy a little learning with their leisure. A fable is: a short story that conveys a moral to the reader, typically with animals as characters. A parable is: a short story designed […]

Now, it is a fact, that there was nothing at all particular about the knocker on the door, except that it was very large. It is also a fact, that Scrooge had seen it, night and morning, during his whole residence in that place; also that Scrooge had as little of what is called fancy about him as any man in the City of London, even including — which is a bold word — the corporation, aldermen, and livery. Let it also be borne in mind that Scrooge had not bestowed one thought on Marley, since his last mention of his seven-year’s dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change: not a knocker, but Marley’s face.

Marley’s face. It was not in impenetrable shadow as the other objects in the yard were, but had a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles turned up upon its ghostly forehead. The hair was curiously stirred, as if by breath or hot-air; and, though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be in spite of the face and beyond its control, rather than a part of its own expression. ~Charles Dickens, A Christmas Carol

                                             Best Wishes To All

  Holiday Dogs, Biscuit and Gravy, are courtesy of Richard Bradley's website, A Rock In My SHoe   

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Holiday Turning Point...

It was Charles Dicken's A Christmas Carol that transformed Christmas, first in Victorian England as the industrial age was barreling ahead, and then throughout Europe. Dicken's notion that the true Christmas spirit embodied caring and generouisity -- especially for those less fortunate --  influenced the thinking of multitudes and transformed the holiday.

The ancient orgins of Christmas and of Santa Claus have been traced to many cultures including Scandanavian (especially Danish), Germanic, Dutch and British. 

The legend of Santa Claus, himself, was greatly enhanced by the poem  A Visit from St Nicholas, written for his children, by the American, Clement Clarke Moore, in 1823.

Images by some of the great illustrators have deeply influenced perceptions of Santa and Chistmas. This is especially true for children. However, significant impressions in the minds of adults were also made by the Dicken's illustrations of John Leech (and later by Arthur Rackham) in Great Britain, and the yearly illustrations by Thomas Nast of A Visit From St Nicholas in the USA.  

With the passing of time, the spirit of Christmas has changed. The idea of gifts for children, and then others, has evolved with stories, TV, films, merchants, and ceaseless marketing into an often overwhelming distortion of the original spirit of A Christmas Carol. But the spirit does live on.

A Christmas Carol

"Few works in the history of popular culture have had as much pronounced effect as Charles Dickens’s A Christmas Carol, first published in 1843.  While Christmas Day had always been a sacred, solemn feast day within the Christian faith (just as the Winter Solstice had been in many pagan cultures before it), it wasn’t until the middle part of the 1800s that many began to see it less as a site of religious devotion than as a holiday to be celebrated, and to be celebrated most specifically through the act of giving.  While A Christmas Carol didn’t spawn this tradition itself, it, more than any other force, popularized it throughout the western world.  Through its powerful, secular story of redemption through charity and love, Dickens imparted to all that Christmas was a time to celebrate all that was worthwhile about the human race, most specifically our love for one another, and our compassion for those less fortunate."...

To read the rest of this excellent article by Jonathan Morris, the Antiscribe, follow this link  It will take you to his comprehensive and instghtful article on the significance and lasting
impact of Charles Dicken's and A Christmas Carol. Morris also provides, in this article, informed reviews of multiple film and TV versions of A Christmas Carol through the years; he includes photos and video links.
 
This link will enable you to download/read the original version of            A Christmas Carol by Charles Dickens"

This link will take you to the 1971 Annimated version of A Christmas Carol produced by Chuck Jones, directed by Richard Williams, and with the voice of Alister Sim as Ebeneezer Scrooge. This is a classic and a favorite of Jonathan Morris: Annimated Christmas Carol

The top two illustrations on the left are by John leech. The illustration, on the right, is by Thomas Nast. The illustrator of the bottom left Christmas scene is unknown. 

Happy Holidays! 

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"I don't know what to do.' cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoon of himself with his stockings. `I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody. A happy New Year to all the world. Hallo here. Whoop. Hallo.' "-- 

A Christmas Carol, Charles Dickens

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   A Foxwoods Holiday Celebration

This wonderful illustration is by Brian Fox-Patterson for a series of children's books by Brian and his wife, Cynthia. To see more of his delightful illustrations, visit  Foxwood Tales Illustrations.

"Their first story was published in 1985, and seven more followed. Since then the series of eight children's books have become modern classics. Over 1.3 million copies have been sold across 18 countries." (Wikipedia)  
For summaries of six of the books, visit  loveReading4Kids. A compilation of four of the Tales can be found in the book, A Foxwood Treasury.

I discovered the Foxwood Tales through the illustrations. I haven't read the books, but I wanted to share the superb illustrations.

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Kwanzaa- A Holiday Celebration 

by Holly Hartman  

"The year 2014 will see the 48th annual Kwanzaa, the African American holiday celebrated from December 26 to January 1. It is estimated that some 18 million African Americans take part in Kwanzaa.

 Kwanzaa is not a religious holiday, nor is it meant to replace Christmas. It was created by Dr. Maulana "Ron" Karenga, a professor of Black Studies, in 1966. At this time of great social change for African Americans, Karenga sought to design a celebration that would honor the values of ancient African cultures and inspire African Americans who were working for progress. 

Kwanzaa is based on the year-end harvest festivals that have taken place throughout Africa for thousands of years."...Kwanzaa ends with a feast and gift giving... Holidays are forever

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“One can never have enough socks," said Dumbledore. "Another Christmas has come and gone and I didn't get a single pair. People will insist on giving me books.” 
― J.K. Rowling, Harry Potter and the Sorcerer's Stone

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 The Spirit of Christmas Embodied in a Therapy Dog

This is about Susan and Rose. That's Rose in the photos. It is also about the thousands of therapy dogs bringing unconditional love to young and old. Susan Purser is a retired teacher and has been working for several years with Rose in schools , hospitals, nursing homes and hospices. These are Susan's comments about working with Rose. 

“No matter who you are or why you do pet therapy, it is the dog that opens the door…doors that would otherwise be closed to a well meaning human...

“I consider myself a facilitator…if my dog could drive, she would not need me. Rose seems to enjoy seeing people multiple times and developing a relationship with the people… She is a working dog by nature and she just loves these jobs.  I am constantly amazed at the doors that Rose opens…she goes to places I could never get without her…reaches beyond my reach, touches a person deeper than my touch.  The restless or agitated patient who is calmed by Rose’s touch...the child in the classroom who won’t settle down and get to work but when Rose sits by them, they quiet right down and the hyperactivity seems to dissipate.  The child getting excited about reading to Rose every week; they wouldn’t do that for me, but they do it for Rose...

It is their touch or look that gives people that inner peace when their world is shrinking or spinning so fast they have lost control.  When doors begin the final closing, there is that one last smile, nod, a hand that reaches for a dog that allows some of them to say good bye and close their eyes in peace.”
The photos of Rose are courtesy of Susan Purser.

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The Gift of Reading from LitWorld

Here is a joyous video from Litworld, celebrating the joy of reading, the joy of being somebody, the joy of hope. LitWorld gives the gift of reading to disadvantaged and at-risk children around the world...and they do this not only during the Christmas season, but throughout the year! 

LitWorld supports hopes, possibilities and lives in fourteen countries around the world! This link will take you to an interactive map of where Litworld works, from Columbia to India and from Kosovo to California. Interactive Map.

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Interview With Santa

This interview was conducted as part of a program to determine the truth behind the incredible story of The Snow Valley Heroes....

Interviewer: Thanks for taking the time to answer our questions and clarifying things. 

Santa: I’m happy that the story is finally coming out. 

Interviewer: Is it a true story? 

Santa:  Absolutely. 

Interviewer: Why haven’t we known about it before? 

Santa:  I think it was lost in the mists of time…It took place hundreds and hundreds of years ago. 

Interviewer: Is it true that there was to be no more Christmas? 

Santa: I’m sorry to say that it’s true. Until the dogs arrived. 

Interviewer: The dogs? 

Santa: It was a surprise to all of us in Santa Claus village. None of us, and that includes all the elves,had even heard of dogs. 

Interviewer: Is that because you were so far North and rather isolated? 

Santa: Well, that and the fact that dogs has just started arriving on planet earth. Prior to that time, there had been no dogs on Earth. 

Interviewer: Really! Where did they come from? And how did they find you? 

Santa: They had started coming down from their own planet – the Planet of the Dogs. They came down to help people. Somehow, they had heard we were in trouble, and one day, there they were, just like that...

 To read all of the Interview With Santa, click this link:  Interview with Santa 

The illustrations from Snow Valley Heroes, A Christmas Tale, are by Stella Mustanoja McCarty

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Free copies of Snow Valley Heroes, a Christmas Tale; Planet Of The Dogs; and Castle In The Mist  are available  for therapy dog owners and organizations, as well as librarians and teachers with therapy reading dog programs. Simply email us at [email protected] with your postal address.

All of the Planet Of The Dogs series of books are available through your favorite independent bookstore and online through Barnes&Noble, Amazon, and many other sources.  

 Here is a link to sample chapters of  Snow Valley Heroes 

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We're on Holiday...The Beagle Freedom Project found us a new home after life in a cage as a test animal....wow!

"The Beagle Freedom Project is a mission to rescue beagles used in animal experimentation in research laboratories and give them a chance at life in a loving forever home." 

This wonderful organization has several excellent, touching, videos and clear, basic information: The Beagle Freedom project 

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"Then the Grinch thought of something he hadn't before! What if Christmas, he thought, doesn't come from a store. What if Christmas...perhaps...means a little bit more!"

―Dr Seuss, How The Grinch Stole Christmas

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Finding Fido for Doglovers

"Finding Fido is a book that we believe each and every PetParent should not only read, but own. Finding Fido is a PetParent’s guide to: preventing the loss of their pets in the first place & also serves as a guide to PetParents for essential steps to recovering their pets if they ever are lost. If you’re a first time Pet Parent or a long time, seasoned Pet Parent, there are tips and tricks in here that will be helpful to you!...

As great as this book truly is, we’ve got one detail to share that completely sweetens the pot…the cherry on top if you will. All proceeds from the sale of Finding Fido are donated toward the Beagle Freedom Project " Kaitlin Jenkins- PetParent  The cover design and content are by author and dog advocate C.A. Wulff 

The dystopian story appears to be a theme for success in today's YA film market. In reviewing The Maze Runner, Jack Cole wrote that The Maze Runner doesn't separate itself from its YA dystopian bretheren. Here is the headline and an excerpt from Cole's insightful review:In 'The Maze Runner,' the maze itself is a letdown and the film presents boring explanations to the plot's mysteries. By Jake Coyle, Associated Press.

Has a cottage industry ever sprung up as fast as the YA land rush brought on by "Twilight" and "The Hunger Games"? I'd like to use a mortal instrument to put an ender to this game. Please, giver me a break.

 The Giver 

After reading Jerry Griswold's enthusiastic comments about The Giver in the Unjournal of Children's Literature, I decided to research the movie and write about it. The film was based on a controversial, but well received book by Lois Lowry.The book was published in 1993 and the movie was released in July, 2014. The Giver had a different take on dystopia and the use of violence. 

I have now decided to see the movie before writing further about The Giver. To be continued...

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Into The Woods

Into the Woods, which seems to be a Disney family film for children, YA, and parents, is now opening on Christmas Day, 2014. The film's slogan, "Be careful what you wish for", relates to the witch, a central character, played by Meryl Streep. Music by Stephen Sondheim, adds to the story, as it did in the original long running Broadway production.

In the story, the witch uses her magical powers to teach lessons in living to Little Red Riding Hood, Cinderella, Rapunzel and Jack and the Beanstalk. The original production was a big hit with audiences. 

Here is a link to the trailer for Into the Woods.

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 Annie

Opens Dec 18... Annie, a family movie, is based on the hit Broadway musical. The cast includes Jamie Fox, Quvenzhane Wallis and Cameron Diaz...Here is a summary from IMDB where you will also find more information, photos and trailers.

Annie looks joyous and entertaining in the trailer preview.

"Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change..." 

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 Holiday Children's Movies Galore

Here are three more kid's films that look good in their trailers and have been generally well received by reviewers. I have previously posted good notices for the following recently opened movies: Box Trolls, Book of Life, and Hero of Color City -- 

 Big Hero 6 

Critics Consensus from Rotten Tomatoes :  "Agreeably entertaining and brilliantly animated, Big Hero 6 is briskly-paced, action-packed, and often touching." In 3D. Now Playing. Box office: 200 million thus far. Here is the trailer for Big Hero 6 ...Looks like fun.

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Paddington

 Paddington Review...Here is an excerpt from the 3 star review by Xan Brooks in the Guardian

 

"Paddington, directed by Paul King from the original Michael Bond stories, spins the tale of a small bear (voiced very ably by Ben Whishaw) weaned on marmalade jars and idealised notions of England. The film is as warm as an eiderdown and as fluffy as its feathers. Cast out of his forest home, Paddington hops a cargo ship and comes to London, where his decorous dreams bump up against modern reality"

Opening December 12. Here is the trailer: Paddington Adopted from a classic children's book.

 

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Penquins of Madagascar

 

This is one I missed before...Opened in mid-November. Here is the trailer: Penguins of Madagascar

 

Critics Consensus from Rotten Tomatoes: "Penguins of Madagascar is fast and brightly colored enough to entertain small children, but too frantically silly to offer real filmgoing fun for the whole family."

 

 

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Christmas Lights Moving Through the Hills

A Holiday treat, and a wonder to behold, the moving lights are on hundreds of sheep, running in the darkness, guided by sheepdogs...this is a classic video...Moving Lights

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From Rescue to Reading...A Holiday Salute

We Salute the Planet Dog Foundation for their years of support for "the exemplary work of non-profit organizations training and placing dogs working to help people in need all over the country."

Through the years, they have given over one million dollars; in 2014, alone, they have given over one hundred thousand dollars.

For more information, here is a link to the Planet Dog website 

The photo is from Brigadoon Youth and Service Dog Programs in Bellingham,WA

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Circling The Waggins at Christmas

Here is an an excerpt from the doglover's book, Circling the Waggins, by CA Wulff. The dogs seen in the ebook cover (below) are the current residents of the cabin in the woods wherein this saga of a life with rescued dogs takes place.

"I feel like we are haunted by the ghost dog of Christmas past. The season brings a million reminders of our Troll, a dog who had loved Christmas more than any other time of year. He would get excited at the first signs of holiday decorations, and his eyes would shine with a child’s wonder. On Christmas morning, he would race to be the first dog under the tree, to tear at the packages full of biscuits and rawhides. Each of the dogs would tear at a package, but Troll unwrapped with such gusto and fervor, that they would all abandon their presents to stand back and watch him, and then make off with whatever treats he had revealed." 

CA Wullf also created the cover for her book.

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Way Cool Dogs On Finding a Puppy That's Good for Kids 

Choosing the right puppy is a critical decision...here is an excerpt from a helpful article on Way Cool Dogs.

"How do you choose a puppy that is good for your children? It is a question every parent should ask before deciding to adopt one of the small puppy breeds for their child. Toy puppies can make great companions for kids if they are chosen properly, and the child is trained to handle small puppies properly. And to be fair, a child is the only one who can keep up with the boost of energy that puppies seem to be born with!

The good news is that you have a variety of small puppy breeds to choose from: mini Yorkies, Maltese, Havanese, Cavalier King Charles Spaniel and many others. Smaller dogs seem to be less intimidating around children. If the puppies are small, it doesn’t mean that they can’t be aggressive with children. You just need to be careful when choosing a perfect small puppy for your home...

The illustration, from Planet Of The Dogs, is by Stella Mustanoja McCarty

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Sunbear Squad guides good hearted people like those who sent Sunbear this post.... 

Christmas Rescue of a Lost Rescue Dog

Are you ready for a sweet Christmas story about a little lost doggy? We were walking our two dogs a few days ago and saw a little scared pup that looked like a Shitzu/Llasa Apso mix. He was limping, his hair was shaved, he had no collar. We scooped the little guy up and brought him home with us. We drove to Petco and Petsmart to ask if they recognized him. No one did. So we had him scanned to see if he was microchipped. He wasn't. So we listed the little fella on Craigslist and a lost and found pup website also. No luck. We called around to a few vet clinics in our area ... to no avail. So we took care of this little lost boy in our home for a few days.

We named the little guy Buddy. He was so sweet. He stayed with us and my two little dogs who played and slept and ate along with him. He seemed to limp a little less as the days went by. We wondered how his life was before he met us. We wondered if he was limping because he may have been a caged dog used for breeding because he was not neutered. We wondered if he came from a loving home or an abusive home. We were getting worried after our fourth day of loving on the little guy...

Here is the link to read the complete post on Sunbear Christmas Rescue. 

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  "Christmas is the season for kindling the fire of hospitality in the hall, the genial flame of charity in the heart." -Washington Irving

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Following yesterday’s recipe for roast goose by Mrs Beeton, here’s that classic Christmas dinner portrayed by Charles Dickens in the famous scene from A Christmas Carol. Here Ebeneezer Scrooge watches with the Ghost of Christmas Present as the Cratchit family sits down to roast goose and Christmas pudding.

‘And how did little Tim behave?’ asked Mrs Cratchit, when she had rallied Bob on his credulity, and Bob had hugged his daughter to his heart’s content.

‘As good as gold,’ said Bob, ‘and better. Somehow he gets thoughtful, sitting by himself so much, and thinks the strangest things you ever heard. He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk, and blind men see.’

Bob’s voice was tremulous when he told them this, and trembled more when he said that Tiny Tim was growing strong and hearty.

His active little crutch was heard upon the floor, and back came Tiny Tim before another word was spoken, escorted by his brother and sister to his stool before the fire; and while Bob, turning up his cuffs — as if, poor fellow, they were capable of being made more shabby — compounded some hot mixture in a jug with gin and lemons, and stirred it round and round and put it on the hob to simmer; Master Peter, and the two ubiquitous young Cratchits went to fetch the goose, with which they soon returned in high procession.

Such a bustle ensued that you might have thought a goose the rarest of all birds; a feathered phenomenon, to which a black swan was a matter of course — and in truth it was something very like it in that house. Mrs Cratchit made the gravy (ready beforehand in a little saucepan) hissing hot; Master Peter mashed the potatoes with incredible vigour; Miss Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob took Tiny Tim beside him in a tiny corner at the table; the two young Cratchits set chairs for everybody, not forgetting themselves, and mounting guard upon their posts, crammed spoons into their mouths, lest they should shriek for goose before their turn came to be helped. At last the dishes were set on, and grace was said. It was succeeded by a breathless pause, as Mrs Cratchit, looking slowly all along the carving knife, prepared to plunge it in the breast; but when she did, and when the long expected gush of stuffing issued forth, one murmur of delight arose all round the board and even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife, and feebly cried Hurrah!

There never was such a goose. Bob said he didn’t believe there ever was such a goose cooked. Its tenderness and flavour, size and cheapness, were the themes of universal admiration. Eked out by apple-sauce and mashed potatoes, it was a sufficient dinner for the whole family; indeed, as Mrs Cratchit said with great delight (surveying one small atom of bone upon the dish), they hadn’t ate it all particular, were steeped in sage and onion to the eyebrows! But now, the plates being changed by Miss Belinda, Mrs Cratchit left the room alone — too nervous to bear witness — to take the pudding up and bring it in.

Suppose it should not be done enough! Suppose it should break in turning out! Suppose somebody should have got over the wall of the back-yard, and stolen it, while they were merry with the goose — and supposition at which the two young Cratchits became livid! All sorts of horrors were supposed.

Hallo! A great deal of steam! The pudding was out of the copper. A smell like a washing-day! That was the cloth. A smell like an eating-house and a pastrycook’s next door to each other, with a laundress’s next door to that! That was the pudding! In half a minute Mrs Cratchit entered — flushed by smiling proudly — with the pudding, like a speckled cannon-ball, so hard and firm, blazing in half of half-a-quartern of ignited brandy, and bedight with Christmas holly stuck into the top.

Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he regarded it as the greatest success achieved by Mrs Cratchit since their marriage. Mrs Cratchit said that now the weight was off her mind, she would confess she had her doubts about the quantity of flour. Everybody had something to say about it, but nobody said or thought it was at all a small pudding for a large family. It would have been flat heresy to do so. Any Cratchit would have blushed to hint at such a thing.

At last the dinner was all done, the cloth was cleared, the hearth swept, and the fire made up. The compound in the jug being tasted, and considered perfect, apples and oranges were put upon the table, and a shovel-full of chestnuts on the fire. Then all the Cratchit family drew round the hearth, in what Bob Cratchit called a circle, meaning half a one; and at Bob Cratchit’s elbow stood the family display of glass. Two tumblers, and a custard-cup without a handle.

These held the hot stuff from the jug, however, as well as golden goblets would have done; and Bob served it out with beaming looks, while the chestnuts on the fire sputtered and cracked noisily. Then Bob proposed:

‘A Merry Christmas to us all, my dears. God bless us!’ Which all the family re-echoed.

‘God bless us every one!’ said Tiny Tim, the last of all.

A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. The Oxford World’s Classics edition, edited by Robert Douglas-Fairhurst, reprints the story alongside Dickens’s four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man.

For over 100 years Oxford World’s Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Image credit: Reproduced from a c.1870s photographer frontispiece to Charles Dicken’s A Christmas Carol. By Frederick Barnard (1846-1896). Digital image from LIFE. Public domain via Wikimedia Commons

The post Christmas dinner with the Cratchits appeared first on OUPblog.

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December has been a big month for Dark Horse, with two much anticipated books finally hitting the shelves: Mike Mignola’s HELLBOY IN HELL #1 and Evan Dorkin’s HOUSE OF FUN. Coincidentally, both books signal the return of their respective creators to solo work; for Mignola, it’s been 7 years since he drew and scripted a HELLBOY comic, and for Dorkin, it’s been 6 since a solo issue appeared. For Mignola and Dorkin fans, this alone is enough to drive people to their comic dealers as soon as they unlock the doors. The iconic content weighs in as the second frenzy-inducing factor.

The HELLBOY series, and indeed, the HELLBOY universe complete with B.P.R.D., ABE SAPIEN and the lot, has been building steadily toward the HELL arc with plenty of conjecture over what exactly Hellboy’s role will be in the end of the world. THE WILD HUNT arc revealed Hellboy’s role as the rightful heir of the throne of Britain via intricate mythological storylines, only to culminate in what seemed like the worst fate imaginable for fans: Hellboy’s death by having his heart ripped out. No amount of hinting from Mignola and Dark Horse that this was not the end for the well-meaning devil could really erase the sense that Hellboy’s story was drawing to a close, and it was a bitter sweet revelation. Fans want to know how his story ends, but of course do not want his story to end at all. At New York Comic Con 2012 in a panel devoted to HELLBOY IN HELL, Mignola painted a cheerier picture. It’s been a long road for Mignola, and Hellboy, and tying up all the loose ends, the meaningful details, and the wider apocalyptic thrust of the B.P.R.D. series must be a logistical nightmare, and one which Mignola felt very keenly must be done well, and satisfyingly, or not at all.Some of Mignola’s prophecies at NYCC 2012 have already come to pass in issue #1. For one thing, characters who die in HELLBOY “become more interesting”.

That’s no surprise to readers, who have watched Hellboy battle ghosts, monster, and demon-princes from the Netherworld time and again, but leave it to Mignola to find a way to reverse the typical encounter paradigm. With Hellboy himself dead, he faces the dead or the never living on their own turf, turf which theoretically Hellboy finds native. That very fact, however, provides unique dramatic tension. It’s the equivalent of throwing Batman into Arkham Asylum with the inmates he has personally incarcerated over the years. Many of the dead in Hell were sent there by Hellboy and are burning for a little payback. This is essentially a new situation for Hellboy, and therefore a treat for faithful readers. What’s surprising is that even Hellboy’s going to need a little help to deal with his descent into Hell. Mignola has always been masterful at sculpting folklore traditions to suit the needs of his stories, but keeping interpretation loose enough to allow him to tell his own tale. HELLBOY IN HELL is bound to be shaped by literary and folklore traditions about the underworld, and most cultures have a version of this descent in their collective memories. There is usually a guide, for instance, a Virgil to guide Dante. Here Sir Edward, corpse-like with a creepy mask, volunteers, employing necromantic skills to protect Hellboy from the immediate wrath of enemies. Leave it to Mignola to manage to bring in a haunting puppet-show and thematically relevant lines from Charles Dickens’ A CHRISTMAS CAROL this close to Christmas to strike a little fear into the hearts of readers.

No good HELLBOY issue functions without a knock-down, drag-out fight, and this is no exception, only this time, Hellboy has nearly met his match in Eligos, a “Duke and Knight of the Order of the Fly”, whom Hellboy cast into the pit previously. Perhaps the biggest surprise of the issue is when readers learn that these encounters are taking place in “The Abyss”, only “the outer edge” of Hell. It certainly makes you wonder what grander revelations are to come, especially since the next issue is entitled “Pandaemonium”, which is the capitol of Hell in Milton’s PARADISE LOST, the gathering place of Hell’s elite. Mignola’s return to HELLBOY does not disappoint, from it’s lavish full page spreads of “The Abyss” to the sepulchral eeriness of the puppet show, but if there are any drawbacks, it’s only that the issue is a very quick read due to limited dialogue in a comic that shows astonishing things rather than tells about them. The visual details that remain unexplained, however, invite readers to start putting the pieces of the puzzle together on Hellboy’s final journey, and I don’t think you’ll hear many complaints. HELLBOY in HELL returns to the grandeur of earlier HELLBOY stories with Mignola as artist and writer in an suitably majestic way, reminding readers that all along, Hellboy’s story has been epic.

Evan Dorkin’s HOUSE OF FUN couldn’t be more different in format than HELLBOY IN HELL; HELLBOY’s expansive page and panel layouts, conjuring the voids of the netherworld meet a comic so packed with art and storytelling that no reader could accuse HOUSE OF FUN of being less than its worth in cover price. In fact, HOUSE OF FUN is like getting an entire collected edition in one shot, reminding readers what they love about Dorkin: his work is a wild informational overload via both imagery and language. Dorkin’s never been absent from the indie comics scene, but the past year has seen a steady build in press for him, from the award winning BEASTS OF BURDEN with Jill Thompson to the repeatedly back-ordered hardcover edition of MILK AND CHEESE, and HOUSE OF FUN strikes another high-note for fans. This one-shot collects several shorts that originally appeared in DARK HORSE PRESENTS #11-12, but Dorkin’s avatar on the inside cover also warns readers, “It’s been awhile since I made a bunch of comics all by myself like an immature adult, so I hope you like reading them as much as I liked making them! Yeah.”. I’ll go out on a limb and speak for readers by saying, please, Dark Horse, allow Dorkin to be an immature adult as much as possible if this is the result.

The MILK and CHEESE segments of the comic alone are worth the cover price of the book, maybe even just the opening page wherein the due order “X-Ray Spex” and attain superpowers of the utmost degree, declaring “Our eyes now have mad skillz!” and they “can see through everything now! Feng Shui! Scientology! Family Guy!”. Unsurprisingly, violence ensues, but not without plenty of psychological commentary on the power of suggestion. THE MURDER FAMILY “living next door” takes readers deep into the dark heart of suburbia with household chores like “dusting, vacuuming, embalming” and fears that Dad’s “been going out killing with another woman!”. The “fun” compressed into this issue includes “The Haiku of the Ancient Sub-Mariner”, “Broken Robot”, and even “Dr. Who: the 25^th Doctor” in unrestrained satire of pop culture storytelling grounded in detailed, and biting observation.

“The Eltingville Comic Book. Science Fiction, Fantasy, Horror, and Role Playing Club” appear (and that must be one of the longest names of a fan group to appear in comics, though certainly accurate of real-life counterparts) to deliver weighty prose commentary on zombie-fever in the media, for instance, Gary’s rejoinder, “Surely, you are high. Everybody knows slow-moving zombies are lame and boring and about as scary as Scooby-Doo. Why do you think the base locomotion of the modern film zombie has steadily been on the rise?”. You could call this meta-commentary on the medium, since the club members themselves appear as zombies on a zombie walk, but “meta” disappears in HOUSE OF FUN within the increasingly intricate layers of sub-text. This one-shot also contains an added bonus for fans: Dorkin’s sketches for a comic that he once planned to contain many of the included stories, DORK #12, as well as a few of his zombie layouts.

While HELLBOY IN HELL #1 encourages re-reading to scour for hints and details that may indicate the direction of future issues or help tie #1 to the vast and varied HELLBOY past, HOUSE OF FUN will have fans re-reading to pick apart the corresponding gags between the mile-a-minute text and the elaborately dense panels. One thing is certain: neither comic will easily end up in a dollar bin. These are keepers, milestones for both Mignola and Dorkin, and are the likely candidates to turn up again and again at signings in the near future. Snag your copies while you can.

Hannah Means-Shannon writes and blogs about comics for TRIP CITY and Sequart.org and is currently working on books about Neil Gaiman and Alan Moore for Sequart. She is @hannahmenzies on Twitter and hannahmenziesblog on WordPress.

5 Stars Scrooge: A Christmas Carol & A Remembrance of Mugby Charles Dickens Papercutz 96 Pages   Ages: 8 and up   Scrooge is actually two books in one. In addition to the traditional Dickens classic  A Christmas Carol there is also another Charles Dickens classic, A Remembrance of Mugby. Chances are good you have not [...]